t yst r
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Posts posted by t yst r
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24 minutes ago, psn said:
Gotta hand it to the designer: That's the ugliest artwork I've seen in my entire life. Unable to buy.
Can't say I agree with that. It looks fine to me. Maybe I don't really like the font, but that may refer to the fonts used on some of the original Drexciya records. Not the same, but certainly similar.
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What's the chance they cock this one up again and print Song of the Green Whale instead of Flux?
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I don't know the old interviews or articles on this subject, so I'm not sure if this one brings anything new. It's a fun read anyway.
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Poor Priscilla...
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1 hour ago, auxien said:
i bet it’s gonna be called “xxx” as the ae guys try to work the sex sells tactic
Why then not have their faces on the cover? Now that's sex!
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1 hour ago, milkface said:
Gonna be one of the shittest years ever for me
How so?
Hope you're not serious...
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Next, a new album
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They've just uploaded the Odd Jobs EP to their Bandcamp as a 'name your price' release.
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One of the tracks will be called "all pre-piss".
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13 minutes ago, dcom said:
I went and asked Lagowski about it, and he replied with some official documents, here's the relevant part:
This means that the rights for the GPR catalogue have gone back to their respective artists, and the only reason Andrew didn't include the Hannant/YO3 remixes in the Europa Plus release is that Hannant and/or representatives are nowhere to be found.
Nevertheless this is extremely good news, and it means that we could be seeing more re-releases from the GPR back catalogue. That would be brilliant indeed.
Thanks for the detective work. Now let's find Beaumont
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37 minutes ago, dcom said:
This self-release makes me wonder, is GPR starting to loosen their legal grip on the label's artists and catalogue? I wish they were, there are so many essential releases in the label's discography.
That is indeed remarkable. Essential music held hostage for far too long... Let's hope for the best.
Btw, you're on fire with your posts dcom!
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1 hour ago, mcbpete said:
The background watery synth throughout si00 totally reminds me of this:
The entirety of si00 was actually a rejected Windows shutdown jingle. The title stands for 'suck it En00'.
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1 hour ago, Berk said:
Wish he went back to power strip / xxx or majenta style
Wish he went back to Kristuit Salu / Morris Nightingale style
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25 minutes ago, cern said:
Yeah this!
I don't mean he need to start playing a bass guitar like his brother or something but just leave the 80's sound for a change
He could start playing the lute or a psaltery, Camelot style
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Sounds like he just ditched the 303 on his new album, though there are just the 4 previews. And it may be just for this one album. Don't know.
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'Lee Bontecou, whose enormous, enigmatic wall-mounted sculptures garnered the kind of public acclaim and institutional backing in the 1960s typically reserved for male art stars at the time, died on Tuesday at her home in Florida. She was 91.'
https://www.nytimes.com/2022/11/08/arts/lee-bontecou-dead.html
I'm quite amazed by her art. Didn't know about it before now. It reminds me of those gritty industrial spaceship paintings like the ones from John Berkey.
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Have yourselves a Ceephax little Christmas! Out december 25th.
https://ceephax.bandcamp.com/album/baddow-moods
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5 hours ago, dr b0rk said:
The Milano variant of the current set had significantly more balls and the beautiful garden gave it pretty great acoustics, unlike the overly big Convention Center (shopping mall?) hall c2c was using in Turin. Bass response was very muddy and uneven, that super low thick hiphop stuff in the second half of the set could not deliver at all due to this. Highs were ok (line array) but due to the out of control room acoustics everything sounded too far away and a bit undifferentiated.
The current set, like the ones in the last decade+ , have these same building blocks which can at times make certain twists in this or that direction, and sometimes the ensuing chaos checks out and falls into a pretty good macro groove, for example some semi-random drum bit occurring just at the right moment, and sometimes it’s a bit hit and miss, a hole in the sound where something interesting could happen. The Milano set had a much more pleasing hit/miss ratio compared to c2c, and also compared to Helsinki. Just some baller little drum fills, and very distinctly, the beautiful bit in the middle of the set with these falling bomb-drop-like sweeps, was not present in Turin.
When it comes to acoustics of the venue, I would love it if they could play in the concert hall of Bozar in Brussels. It's supposed to have amazing acoustics, some of the best in the world for a concert hall. At least for orchestra, classical or jazz. I don't know if Ae's setup would work there, though I'm pretty sure it could.
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7 minutes ago, scumtron said:
Same. You are one lucky old geezer, Sean.
Is it Rob? It is, isn't it.
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41 minutes ago, scumtron said:
Sean has moved to a village in nowhere, Norway. Amazing.
Coz of a girl no less. Ultimate IDM.
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1 hour ago, splesh said:
The idea of doing a third instalment would make a lot of sense. Perhaps too much it seems
Who could be featured? Serious question; which artists on Warp would make a good and relevant third instalment?
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1 hour ago, toaoaoad said:
Sounds about right for new ae. In five years or so it will all make sense
The Autechre Effect strikes again...
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1 hour ago, Rubin Farr said:
Whot be this? Is that him, shaven? Don't recognize him...
Elaborate, please!
Mark Fell - The Context of Defining Characteristic
in New & Upcoming Releases
Posted
Heck! Completely missed this at the time. Does anyone still have this?