Sean Ae
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Everything posted by Sean Ae
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tbh a lot of that on draft was done with amp envelopes, but there are some really light touches of quadraverb and lexicon on select parts as well, usually with some feedback matrixing thru quite brutal eq and really quiet in the mix we were also doing stuff like making 2 melodies with slightly different notes or in a different order and then sending the muted one to the reverb and mixing the reverb quite low so you almost can't tell
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Yes, there are multiple tracks in LP5 that are almost entirely in mono - was this a conscious decision to concentrate on harmonic and rhythmical content rather than spatial imaging ? yeah exactly, across a different dimension
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yeah that's winterbottom, first cat i lived with, he was ace yeah i'm getting more into having two speakers again. we used to do it more early on as well but more crudely
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depends on what you mean by tracks actual finished tracks - just a few hundred, but got tons of jams that need an edit done about 350 hours of jams since april this year
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both, it depends yeah loads
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i don't think we recorded any
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Alien
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zl it happened really quickly cos i was coming from being really into logic's environment window, so i was making tracks within a couple of weeks yes we do most of the rhythm is generated, there is no grid as such but we use grid type divisions to do some things
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iirc bloc was quite early on in that particular set, i remember not being able to hear the system properly, and the gig ended up a bit more ad hoc. Some venues have impeccable sound system and we get full confidence in what we hear is what you get, so it tends to fully kick off at those shows, domino was one of them, bloc turned out well under the circumstances tho. last two times you played berlin at berghain had absolutely terrible sound unfortunately... you could virtually hear nothing but the bass, really annoying crowd there too. and way too much light. that's not a question though - so: maybe next time you come around you could choose another venue pls? yeah ok
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tbh the way we chuck things about we overlap with a fuckload of things and it's hard to unravel where people got things from, often it's nothing to do with us like someone like slugabed, when i first heard that i really got it but i could tell none of it had come from us, cos the references were pretty clear. with some things you can't tell at all. even more mushy cos things that we used to do that required weird combinations of gear are now possible using one bit of software or kit, so hearing it on a record isn't so weird, they don't need to have heard of us
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chris was introduced to me by caroline, who is mates with chantal, in a club in london in 94. alex lived with chris at the time. yeah pm me
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i'm testing my theory and listening to acid eiffel it's good, it's doing it
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acid eiffel by choice
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never used it kouhei uses it i think, his stuff's wicked
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nothing concrete, few things that might happen
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no it's a tiny click going thru a Boss RSD10, i only heard that when we got asked to remix him. pretty similar sound though
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nah i keep waiting for someone to get one of them but no one has yet there are 2 main ones „Being Boiled“ by Human League? read that somewhere in a review... nah
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a fine example of quality journalism
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yeah flip is correct in more or less every way, a masterpiece of shared modal processing
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wtf are orbs?
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^ Literally lol. Amazing. +50 internetz. yeah it's ace i wonder how much more synaesthetic babies are are his eyes even fully working?
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say you're listening to a 303 and it might be part of an acid track but for like 20 seconds it sounds like a perspex sheet being hit with a spoon your 101 is now called maca
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keep moving out of your comfort zone soon as you feel like something is easy, change things to taste follow taste where it leads you
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yes
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it prob makes it last longer
