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Posts posted by d-a-m-o
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This album is on repeat mode, killer cold wave / doom metal played by parisian banlieusards, they've just signed with nuclear blast, well deserved.
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57 minutes ago, jaderpansen said:
interesting, actually reminds me of the more melodic tunes of "si monumentum...", like the prayers. not bad! apparently this one features quite some guest vocalists besides aspa, like mgla and funeral mist dudes, but dunno fo sho.
Yes, some of the tracks are more straightforward in the style of SMRC (which is one of my all time fav black metal album). Also yes, there's more than 2 vocalist
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More industrial than metal but still :
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This free mixtape should be deleted in a few days and it's some of the best stuff I've heard this year.
Also just noticed that he deleted his instagram ? hope everything is ok, this dude is super talented !
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edit : killer stuff, not unlike Paracletus but recorded live with analog gear like The Furnaces Of Palingenesia (Also, there's a new singer ?)
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RIP Mira Calix
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This is now a DJ Assault thread :
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Two gigs in Italia, two gigs in London, french fans right now :
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New release on UIQ :
Ibtihalat is a cyclical and boundless summoning of an otherworldly force in the face of geographic calamities and contingencies. These invocations are inherent to the musical traditions of Gnawa, Amazigh, Rai in North Africa and Sea Music, Laywa and Samiri in the Arabian Peninsula. Ibtihalat is oddly metered, percussively charged with devotional sublimities that are a direct conversation with an overall obscene history of cultural coercion and extractive violence. Whether it is the emigrational history of the female-led performances of Taggagat in Saudi Arabia and the Laywa music of East African roots that was disseminated by gulf seamen, or the Za’ar / Samiri conjurations to communicate with the celestial. The compositions that make up the album introduce processes of musical synthesis and predictive algorithms, initiating rhythmic meters, accents and polyrhythms within beat-based compositions, that are inaccessible through dominant tools in music production. While drawing resonances between these styles and their overlaps with dance music, Ibtihalat contemplates musical futures of these practices within geographies morphed by an unprecedented migration, logistical and extractive accelerations.
Mhamad Safa is a musician, architect and researcher, based between London and Beirut. Safa’s work focuses on multi-scalar spatial conditions and their sonic make-ups. He explores their intersections with aural legacies of traditional and subcultural practices as well as environments of conflict and violence. He conveys these auditory inquiries by assembling sound design, micro-sampling, algorithmic sound technology, psychoacoustics, field recordings, and their graphic interpretations. Culminating with heavily percussive and rhythmically odd interventions, these sonic irregularities are often repurposed as speculative experimentations on the futures of dance culture. -
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On 3/10/2022 at 12:44 AM, Ctenophore said:
I'm glad I came across this post, because I really dig this artist. I can't help to think it sounds a bit like Mark Fell, but that's probably due to being ignorant still to how different they are.
They released a collab album together a while ago :
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Lucky fuckers !
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8 hours ago, Nil said:
Pretty sure we'll get a Lyon gig sooner or later
I hope so ! Rob pls, I'll bring the pains au chocolat !
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TFW no french gig...
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Nice one, like it a lot more than Source.
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now playing thread
in Music Discussion
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