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aencre

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Posts posted by aencre

  1. https://seefeel.bandcamp.com/track/rapture-to-rupt

    bleep.com/release/257438-seefeel-rapture-to-rupt

    Quote
    To celebrate the reissue earlier this year of Seefeel’s 1994 - 96 music for Warp and Rephlex, we invited the producer KMRU to make an immersive hour long mix of tracks from the records.

    A limited edition tape is available via Bleep: 60 minute pro-dubbed cassette with onbody print in a white presentation case, housed inside a sticker sealed glassine envelope with 16 page zine containing an interview with the band conducted by Simon Reynolds:
    bleep.com/release/257438-seefeel-rapture-to-rupt

    Joseph Kamaru, aka KMRU, is a sound artist and experimental ambient musician, raised in Nairobi, Kenya, and currently based in Berlin where he is a Master’s student in Sound Studies and Sonic Arts at the Universität der Künste. His works deal with discourses of field recording, improvisation, noise, ambient, machine learning, radio art and expansive hypnotic drones. He has earned international acclaim from his performances in far-flung locales as well as his ambient recordings, including the 2020 album Peel released on Editions Mego.

    crédits

    paru le 1 décembre 2021
    All music by Seefeel, original versions can be found on Rupt & Flex 1994 - 96 WARPCD237

    Mix by KMRU. Made on the train between Berlin and Warsaw

     

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  2. 2 hours ago, Himelstein said:

    Yeah, moebius is probably my favorite. It’s crazy how much stuff I loved growing up that he was a part of. The Rene Laloux movies are pretty much the all time greatest creations.  

    Moebius only did design work on Les maîtres du temps tho, not Fantastic Planet (that's upon drawings by Roland Topor) or Gandahar (that's Philippe Caza).

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  3. I know this won’t be a popular opinion here, but I don’t care much about this (and Girl/Boy EP, which for many of us was combined into the same release). Unlike the absolute excitement palpable in the inventions of Hangable Auto Bulb, or the tightness and punchyness of later tracker stuff, it sounds splattered and thin to me. Something doesn’t gel. It should be a sweet spot, but instead it just feels like a transitional phase — that happened to hit it big.

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    • Facepalm 1
  4. Meant to start a thread about this one! Those two are a great match; they have a way to wedge sounds open (in Dalt’s case, it’s something very mineral, like splitting a magnetic geode, while Dilloway’s more about diving in a rotten tree trunk to dig out nesting bugs. And getting pulled in).

    Fantastic covert art too.

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    • Thanks 1
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