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plastic

Knob Twiddlers
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Everything posted by plastic

  1. I would be much obliged if you could name my Roland JX-3P and my euro-rack modular rig that I'm in the middle of putting together. Cheers!
  2. ah yeah i mean it's tricky man i don't wanna fuck up your whole career by saying make weird tracks, but if that's what comes naturally then i'm inclined to say do that all depends on what you're trying to achieve i dunno how much time i can give to listening to demos tho soz, i don't wanna open the floodgates I completely understand about the floodgates... so, no worries.
  3. dunno if were much use in getting u in any scenes in the US. they'd run a mile if u told them u even asked us. just post yr links up here, no need to pm Ha! I wouldn't presume to ask you to be getting me in any scenes anywhere, really. I guess I was just wondering how you two went about entering an environment of music that wasn't prepared (for lack of a better word) for something as out there as your stuff probably was in the beginning. Not that a lot of my stuff is as experimental as a lot of stuff you do. Anyway, here's a few links for your perusal. Feel free to be brutal: http://delyria.bandcamp.com/track/point-of-impact http://delyria.bandcamp.com/track/semicircle-2 http://delyria.bandcamp.com/track/temp-wash-incidental-3 http://delyria.bandcamp.com/track/psych-terrain A few albums at http://delyria.bandcamp.com/
  4. Hi guys! Thank you for answering so many of these questions. In particular, I've really liked the advice for people making music which basically seems to be, "Do what feels right." It's something that I've thought numerous times before, but after a time tend to forget until I get reminded or think of it again. It's been especially difficult to remember this recently, since I've been trying to insert myself into the electronic scene here in Portland, OR where it seems that venues only want a certain type of music and I feel like I need to sound a certain way to get "in" with the people that make booking decisions. So thanks for reminding me, yet again. :) My question is: Do you have any advice on how to get into playing shows in an environment that seems mostly closed off (even almost allergic to it, it seems) from anything that's the least bit experimental? Like, I've given my material to bookers/promoters, and they dig it, but don't want it played at their venues. It's quite a bit frustrating. I think you mentioned something about this weird-sameness going on in Europe right now, too. I actually have another question, but maybe a little selfish. Will you listen to a few of my tracks and tell me what you think? I can PM some links. Thanks again for inspiration, and awesome music!
  5. I've got that mixer too. Mackie DFX12?
  6. you can wash my balls with a warm wet rag.
  7. yeah at least you don't have your tone knob turned all the way towards gents.
  8. http://forum.watmm.com/index.php?act=rssout&id=1
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