mcbpete
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Posts posted by mcbpete
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So she does - Wow !
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On 12/28/2022 at 3:29 PM, Grain Bastard said:
Lol at 22:30
Can't quite make out what's being said, sounds like he's saying 'Maybe, Maybe ask her' as a reply to her asking about leaving for the bathroom ?
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Hesitant to put this in here but I can definitely see some people classing this as bad due to the wonky tuning and boring due to it going absolutely nowhere:
To me it sounds like the saddest loneliest robot slowly calculating the infinite digits of an irrational number, stuck forever in a vast grey featureless room.
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44 minutes ago, WurstPLUS said:
I heard that's a next level thing, do I need to own a PC computer for this?
It's true, it's the future. Here's how to use it -
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On 12/15/2022 at 10:53 PM, danshoebridge said:
Shame they couldn't have dropped that 2nd Musicology track instead. Back in the day I always had to skip that one, and it's not sounding any better 30 years later.
WOOOOOOOHOOOHOO WOOOOOOOHOOOHOOOOO (x 1 million)
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On 12/17/2022 at 8:59 PM, zazen said:
Riffusion - using stable diffusion AI trained on spectrogram images to generate music
The samples on that 'about' page are amazing, see the 'Looping and Interpolation' section, where it interpolates between 'typing' and 'jazz'
https://www.riffusion.com/about/typing_to_jazz.mp3Another interpolation between 'church bells' and 'electronic beats'
https://www.riffusion.com/about/church_bells_to_electronic_beats.mp3The second just sounded like spectral morphing (like something that could be done using Zynaptiq Morph https://www.zynaptiq.com/morph/ ) but that first one (Typing -> Jazz) is absolutely great and a darn catchy track to boot - Could listen to entire album like that !
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Folks have got the pretty demanding VSTi Pianoteq running on one to make it effectively a hardware piano sound module so I assume the midi input and audio output latency is at least decent enough for realtime play
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Nice one, it was indeed that top track
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1 hour ago, cern said:
Isn't it better to just use a Midi controller to control the audio sources?
As the RNBO output has midi support you could have the Pi as the audio (or video) source rather than worry about any other hardware devices (with the midi controller optionally plugged into it).
I'm thinking of situations like this that would need to keep running all day long but not need to worry about any kind of display, configuration or possibly crashes - Just switch on the Pi and let it boot the image automatically controlling the output (and if it does crash then just switch the power switch off-and-on to restart it again):
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One use case I could see it being worth the price would be if I was an artist that needed an easy-to-set-up and low cost device for an audio installation (which I'm not and I don't!) without worrying about a laptop running 24/7 (or being stolen) .... or required a bespoke midi and/or audio hardware 'box', as one of the things it outputs to is a 'headless' Raspberry Pi
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^^ Nice, never heard or even knew about this one until you just mentioned it there:
The gated vocals that start at around 1:20 really remind me of something but I can't quite place what.
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27 minutes ago, Friendly Stranger said:
damn i missed that somehow! I think it was never on the orignal LP pressing either though?
Aye was dropped from the original 12'' too (possibly a space issue as the B-side was already hitting around 24 minutes) - https://www.discogs.com/release/549-Various-Artificial-Intelligence
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Oooofff ! Can imagine
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10 minutes ago, cern said:
Paul's Extreme Sound Stretch ofc!
https://hypermammut.sourceforge.net/paulstretch/Don't remember that parameter automation graph back when I used that lovely thing - Looks like it would've been darn useful
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I use (I say 'use' thought more accurately: bought on sale and keep meaning to use whenever the situation arises) TS2: https://www.ircamlab.com/products/p1680-TS2/
In the past though the one in Cool Edit / Audition (pre-v2), especially the gliding stretch, has been my jimmy jam for creative mangling.
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Quote
It could be argued that live coding performances give expression to the promise of the three-part present, where the performer’s attention appears split between the present-of-the-present moment (the as is) and a future-of-the-present moment (the yet to come). Moreover, while improvising in the present-present and planning for a future-present, the coder is also attentive to the past-of-the-present moment through backtracking and reactivating code lines already written but presently inactive.
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Ooohhh yeaahhh, hot willy sax ......
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My technique is to stick the entire album in Reaper on one timeline and play around with the track order and just see if anything really sticks out volume-wise, eq wise, dynamics wise.
Possible add a global mastering compressor and/or limiter so everything gels together, maybe put a tilt-EQ type effect on tracks that sound too-mismatched. If you're feeling fancy add a pre-amp and/or console emulation and/or tape-mastering type plugin on the master channel so the whole thing sounds like it's come from the same device
Likewise disregard all the above if creatively it doesn't matter if everything jumps from track to track sound wise !
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It's weird, the vocals almost work (especially the ghostly snippets). For me it's just a bit too clunky a vocal phrase to come across anything other than .... well clunky! (Expecting another track on the album to feature lyrics from 'Twinkle Twinkle Little Star' and 'Old MacDonald had a farm')
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The background watery synth throughout si00 totally reminds me of this:
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Get something like VCV Rack or Voltage Modular and then you can make any bespoke synth with the VCO, VCA, and VCF combo of your choice. Modulated and re-automated with further LFOs and other control modulation as required
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Apologies - Didn't realise you needed to be signed in to a google account to download something from someone's google drive. Attached:
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To your first question: Yes, to your second question: Right above your post
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1 hour ago, Soloman Tump said:
Yeah think I called this a while ago. A series of 12" club bangers by 'chre plz
Can imagine that sounding a bit like a couple of the tracks from Thomas Koner's Motus album
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All things Live Coding
in EKT General Discussion
Posted
Have the 'Max 6' version of that - still barely touched
(not because it's bad, just that I saw the estimated 300 hour completion time in the introduction chapter and thought 'fuuuuuuuuuuuu.......', and then just skimmed through the lovely graphs and example max setups)