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Posts posted by kichiguy
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I have faith in Brandon, hopefully the movie will be weird and wonderful
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Just gonna leave this here.
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Mayor of Kingstown - The first 30 minutes were confusing as hell, but it really got great after. Recommended if ur looking for something gritty, relentlessly depressing but with some amazing action sequences. I was entertained!
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indeed, i fucked with it!
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The movies been uploaded here: https://tinyurl.com/dits-movie
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IDM (in the US) began in Miami?
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Yes fantastic work from Dave as always. Hard to pick a favourite, so many standout moments.
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I'd buy a ticket but the link doesn't work!
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This one flew under my radar for a while! Rodger Stella & Leslie Keffer
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thanks commercial for the barbican recordings! looks like last gig rounding the corner, hopefully the boyos will be back with some fresh inspiration for the studio
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I'm happy this exists as well - to see what else could've been. But the original album is still pure perfection and untouchable imo.
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Goodbye Korg! You looked like you were a good un!
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The jig is up!
https://houndstoothlabel.bandcamp.com/album/coh-meets-abul-mogard
QuoteCoH Meets Abul Mogard
Fabled electronic music visionaries CoH & Abul Mogard form a supranatural alchemy of discrete analogue material and digital energies in their extraordinary debut for Houndstooth.
Stemming from a chance meeting at a Slovenian festival in 2019, CoH & Abul Mogard’s maiden collaboration focusses stunning new perspectives on the artist’s respective, fiercely singular and widely adored bodies of work. Ivan Pavlov’s CoH, deeply respected for intensely curious original solo work, and in SoiSong with Psychic TV/Coil’s Peter Christophersen, here renders a vital, grayscale fluorescence from Guido Zen’s lushly romantic Buchla 200 and Serge Modular scapes, painted to tape between Stockholm’s EMS studio and at home, under his Abul Mogard nom de synth.
You read that correctly - this is the first Abul Mogard release to be disclosed as the work of Italian artist Guido Zen; the late ‘90s electronica pioneer known for work with Gamers In Exile and Goodiepal at turn-of-the-millennium, and more recently in kosmiche unit Brain Machine, plus its parallel club project Vactrol Park, and in trio with NWW dynamo Colin Potter and Alessio Natalizia (Not Waving). As such ‘CoH Meets Abul Mogard’ drops the veil of fictional pretence after a decade of speculation, only to reveal Mogard’s music at its most metaphysically powerful, its allusive majesty heightened and reified by CoH’s computer-based sorcery and allegorically encrypted in the hand-drawn peculiarity of the album artwork, licensed from Nick Blinko (owner of Outer Himalayan Records and co-founder of legendary deathrock catalysts, Rudimentary Peni).
Discovering a newfound luminosity and bite to Mogard’s melancholic analogue synth gloam, Pavlov’s penetrative digital synthesis virtually illuminates the texture of the unfinished synth sketches with a rawly palpable energy that riddles all his work since ‘In Spaces Between’ (1997), through 2008’s dissections of Cosey Fanni Tutti and the stark beauty of SoiSong. ‘CoH Meets Mogard’ is exemplary of Pavlov’s software-based method in uncannily evocative effect, clinically combing Mogard’s minimalist grain into waves of lustrous, sky-burn phosphorescence on ‘Untangling Forever’, while taking the same stealthy approach to ‘Traverse Within’, but reserving the right to unexpectedly congeal into Moroder-esque “synth-line” momentum recalling the flesh-propelling pulse and quiver of his ‘I Feel Summer [Karaoke]’ cut on the ‘Return To Mechanics’ (Ge-stell, 2016) EP.
It’s in the album’s 2nd half that Zen & Pavlov metamorphosise their musick’s putative forms to achieve the greatest results. ‘Far Distances Above’ sees Mogard’s elemental source material made mutably viscous and plasmic, retaining its landscape-scale qualities but, through its filigree layers of obsessive detail, it also appears as subtly, viscerally intoxicating and probing as rain infused with nano plastics. Likewise ‘Find and Hold’ witnesses a sliver of Mogard’s synth studies, serendipitously secreted and recently found on a newly repaired Revox reel-to-reel, now parsed by Pavlov for panoramic gold that glistens and seduces the ear to close, with repeat listens revealing iridescent depth at every turn.
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This has always been an amazing piece of work. Happy to own it on wax!
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Keep that old school IDM flavour alive no doubt
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2 hours ago, scumtron said:
Three days to the London gig. Amyone with any idea what Zoviet France will play? They have been doing some radio shows and mixes lately?
Live improvisation is their usual forte
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On 9/26/2022 at 10:32 PM, Nebraska said:
ryan murphy doesn't understand horror. he understands kitsch. dahmer's story is incredibly difficult to translate because his obsession to cannibalize his victims was actually brought on by a deep fear of being alone. this plays more like ed kemper's story with a mother complex gone array.
honestly the fear of abandonment came through loud and clear to me! this was probably the best dahmer adaptation yet imo
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16 minutes ago, kichiguy said:
Does anyone recognise the opening track on here?
NM just realised its all completely unreleased work
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Does anyone recognise the opening track on here?
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Curious to see how this turns out. Original's definitely a classic.
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On 7/27/2022 at 10:47 PM, BoaufStroganoff said:
Just saw Nitram
Well balanced, poetic, and with a non-manichean point of view, that movie is almost perfect.
Great recommendation! Fantastic piece of work that manages to avoid all the usual cliches. Up there with Snowtown for me, maybe even better actually.
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Before The Devil Knows Your Dead
Sidney Lumet doesn't get the credit he deserves and he certainly went out on a high note with this one. Stellar performance for PSH as always. Also Marisa Tomei just looked phenomenal.
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Man I can't believe I used to live one street away from Sleazy in BKK when they were recording Soisong!
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Early Alec Empire
in Music Discussion
Posted · Edited by kichiguy
Been listening to some of Alec's older work again. They reissued an expanded edition of Low on Ice in the recent past and some unreleased Jaguar (93-96) dubplates were just added to bandcamp.