Guest môak Posted January 27, 2007 Share Posted January 27, 2007 i've noticed (with synths) that boc seems to get 'their' sound from loads of detailed detuning, i suspect fine tuning and semitones are wholy important not only to the melody but also the 'sound dynamics'. such as slow this bird down, i suspect that 7 is a number that is played around with alot, as in oscillators have mathimatical differences and that 7 may be used to detune an osc or more to create this tracks 'hollow' sound. Link to comment Share on other sites More sharing options...
murve33 Posted January 27, 2007 Share Posted January 27, 2007 Not positive what you're getting at, but i noticed major detuning in Bocuma. I tried figuring it out on a piano that i couldn't tune, but there was no way of playing it. Link to comment Share on other sites More sharing options...
Guest Odd NotsraM Posted January 27, 2007 Share Posted January 27, 2007 Whats up, fanboys? Link to comment Share on other sites More sharing options...
Guest môak Posted January 28, 2007 Share Posted January 28, 2007 7 motha fucka 7! i\m basically saying, boc detune their musical elements to create 'their' sound, like the hollowness in slow this bird down, and i suspect using 7 as in semitone detuning, creates a hollow sound. Link to comment Share on other sites More sharing options...
Guest Dogboy73 Posted February 3, 2007 Share Posted February 3, 2007 7 motha fucka 7! Not 8 then? Link to comment Share on other sites More sharing options...
Guest fox Posted February 3, 2007 Share Posted February 3, 2007 So it doesn't go to 11, then? Link to comment Share on other sites More sharing options...
Guest môak Posted February 5, 2007 Share Posted February 5, 2007 wow, for fucks sake, if it were 11 or 8 i would have said so, but whenever i experiment with using 7 as a factor there always seems to be boc similarities in sounds than any other number Link to comment Share on other sites More sharing options...
Guest fox Posted February 5, 2007 Share Posted February 5, 2007 wow, for fucks sake, if it were 11 or 8 i would have said so, but whenever i experiment with using 7 as a factor there always seems to be boc similarities in sounds than any other number i think you need to try making it go to 11 more cause it's one louder, innit. Link to comment Share on other sites More sharing options...
Guest môak Posted February 5, 2007 Share Posted February 5, 2007 Link to comment Share on other sites More sharing options...
chim Posted February 5, 2007 Share Posted February 5, 2007 get off the crack bitch semitone detuning doesnt bring any more "hollow" sound, it detunes the tone by 7 semitones, aka a fifth Link to comment Share on other sites More sharing options...
pylonbitch Posted February 5, 2007 Share Posted February 5, 2007 get off the crack bitch semitone detuning doesnt bring any more "hollow" sound, it detunes the tone by 7 semitones, aka a fifth eh?????? semitone detuning detunes by a semitone. fifth detuning detunes by a fifth. Link to comment Share on other sites More sharing options...
chim Posted February 5, 2007 Share Posted February 5, 2007 get off the crack bitch semitone detuning doesnt bring any more "hollow" sound, it detunes the tone by 7 semitones, aka a fifth eh?????? semitone detuning detunes by a semitone. fifth detuning detunes by a fifth. 7 semitones = a fifth Link to comment Share on other sites More sharing options...
kaini Posted February 5, 2007 Share Posted February 5, 2007 well, detuning down by seven semitones would make a fourth. detuning up by that amount would make a fifth. Link to comment Share on other sites More sharing options...
pylonbitch Posted February 5, 2007 Share Posted February 5, 2007 yeah i fuckin know 7 semitones is a fifth, but "semitone detuning" doesn't by default mean detuning by 7 semitones. Link to comment Share on other sites More sharing options...
chim Posted February 5, 2007 Share Posted February 5, 2007 gg on the fucking pointless nitpicking Link to comment Share on other sites More sharing options...
pylonbitch Posted February 5, 2007 Share Posted February 5, 2007 yeh ok, whatever. i'm very very sorry. Link to comment Share on other sites More sharing options...
Guest Robotussin Posted February 6, 2007 Share Posted February 6, 2007 i dunno you guys. i think it's interesting. any more examples, moak? Link to comment Share on other sites More sharing options...
lo-fi Posted February 7, 2007 Share Posted February 7, 2007 7 is a great number Link to comment Share on other sites More sharing options...
Guest iep Posted February 7, 2007 Share Posted February 7, 2007 A LITTLE BIT OF PISS JUST TRICKLED DOWN MY LEG, INTO MY SOCK Link to comment Share on other sites More sharing options...
Guest Odd NotsraM Posted February 7, 2007 Share Posted February 7, 2007 ^ Clothes-pin the end of your penis. Link to comment Share on other sites More sharing options...
pylonbitch Posted February 7, 2007 Share Posted February 7, 2007 best thread evar evar. ding. wah wah waaaahhhh. badum pssshhhh. Link to comment Share on other sites More sharing options...
Guest Glass Plate Posted February 7, 2007 Share Posted February 7, 2007 cool stuff guys Link to comment Share on other sites More sharing options...
Guest Techboy Posted February 13, 2007 Share Posted February 13, 2007 i dont quite know how the tuning on my keyboard works but bocuma is normal +14 and um audiotrack 11, at the end of triangles and rhombuses or whatever is -14. how.. fun and meaningful. melissa juice was -23 or something entirely useless though. Link to comment Share on other sites More sharing options...
Guest Dr. Elemeno von Hat X: PhD Posted February 15, 2007 Share Posted February 15, 2007 Whats up, fanboys? hi, idmman. today we are failing to grasp the concept of microtonal music. how are you? Link to comment Share on other sites More sharing options...
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