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Lianne

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About Lianne

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    Li
  • Birthday 11/09/1985

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    United Kingdom

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    England
  • Interests
    photography, design, music.

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  1. They definitely used elastic band recordings on Cfern.
  2. Yeah, it is growing on me. 😄 Very predictably... The first half of Polymer is such a great sequence of tracks - up to an including 'Dancer's. The second half almost feels like it's pursuing a different theme altogether, more in line with The Digging Remedy. I did enjoy that album, but the first half of this feels like it's hitting on a harder synthetic zone. I wonder what it would have been like to have stayed in that place till the end?
  3. I agree with you here. I'm not saying this about anyone in this thread, because I don't know the music being referenced - but it's depressing the amount people trash more 'out there' music as pretentious, emotionless, noise... Or whatever else. I know I can't talk, as I express my disappointment about new music sometimes (and then backtrack), but I still don't know why unpopular, experimental music causes people to feel the need to question the value of said music with great dismissive virulence so often. Maybe these composers want to explore new terrain that interests them and hasn't been touched on much? Maybe they're not aiming at conveying the usual emotions most music conveys? Maybe they really are taking the mick? But even if they are, it's good different and extreme things exist. And when 99% of music is confirming to your needs, I don't get why it isn't anything except a benefit if a small number of people are pursuing academic and unusual ends.
  4. What do people make of the opening track, Meds Fade? I’ve got to say I’m finding it one of the weakest openers of any of their albums, but maybe it’ll grow on me. It’s not a terrible track, but usually their openers are winners for me and set a great tone for what’s to come. In general I’m actually enjoying that limited release they did for Elektron a little more than this album, which I only heard recently. Seems very playful and fresh and with some wonderfully twisted, bouncy rhythms. It’s a shame it didn’t get a wider release / more exposure.
  5. Wouldn’t it be good to have a new thread for the new album? It feels kind of wrong for a band as good as Plaid to have so few threads when the Autechre forum has threads about individual tracks, or even individual moments in individual tracks. 😂 Love both bands of course, and recognise there are differences in popularity...
  6. I'm very happy and thankful Plaid are still making albums and I generally really like their style. This album is good, perhaps the most interesting to me of the last few - but am I the only one who has sometimes wishes for more of a build up/development in tracks, since and including Scintilli? From that album on, it seems they have generally been deliberately going for a more filtered, minimal sound (I've heard them say that in interviews), but it means even with a favourite track from those albums (like, say, CLOCK from The Digging Remedy) I'm kind of left wanting more at the end. Like - oh, it's over already? I guess that's a good thing, and I understand people might prefer something more stripped back and to-the-point, but what can I say...'Spokes' is my favourite Plaid album, which has these epic, dark, glorious tracks that really go places. But I know that that's not generally their most popular release (to me it still sounds amazing and has only got better with age and in contrast to most new electronic albums.) And I'm not saying everything from the last few albums has that 'issue' - Wallet from Reachy Prints, for example, has a subtle but glorious build and is one of the most beautifully structured electronic tracks I've ever heard. The tracks that resonate the most at the moment on Polymer are Ops, Drowned Sea, and Dancers. Probably Los and The Pale Moth too. Most of the other tracks have a great sound palette (the production on here is their best since Spokes imo) and will hopefully grow on me but seem a bit simpler/ linear/repetitive or don't give the pay-off I crave. Even the tracks I do love, I sometimes want more from. But this opinion will probably change with time.
  7. I think there are some people who follow Robert Rich here? 'Tactile Ground' came out a few months ago as it happens, but I didn't see a thread on it here. I've been really enjoying all of Robert Rich's last few albums (which hit new levels of lovely ambience), and this one is particularly good. Beautiful atmospherics and understated sound worlds to get lost in. https://robertrich.bandcamp.com/
  8. I was about to make a thread about this! Really enjoying the music - especially the second half of the mixtape. And the video is pretty great too...
  9. Nice track - I was getting a bit tired of the 'Syro' (later tracks) sound and beat structures, having got hold of everything AFX new since then (don't shoot me, I can't help such reactions) - but this track has some of the 'extra elements' that say, The Tuss had, which seems to bring it up a level and makes for more surprises. On the other hand, I'm not sure why many respond negatively to (a small minority) of others want more innovation, or why 'innovation' (it's a hard word to use and define) is seen as undesirable vs a traditionally great, solid, decent track (as if there were opposition between the two.) I think Aphex Twin IS someone you would have gone to for this? I mean, don't we remember our minds being blown by his past works - hearing Windowlicker the first time, or Drukqs? Or The Tuss? Or Analord 10? I'm kind of still craving a 54 cymru beats experience for the new era, but get how some of his new stuff is as detailed and wonderful in more subtle ways. PS - I know people get irritated by my posts like these, but if you can't express a range opinions in a forum like this, it's all a bit pointless. Hoping for something totally surprising or extra in new Aphex isn't negative, it's positive!
  10. Amber is consistently their worst album for me, and Confield their best. There others hover around different positions depending on mood, though Untilted, Chiastic Slide and Draft 7.30 are usually top tier. The rest are also great, except LP5 doesn't get listened to much for some reason (I can see it's an important and brilliant album, but it's not a favourite to listen to - it's right next to Amber in the 'best to worst' list.) Though early Ae speaks to me less (I discovered them in 2000), Incunabula is usually a surprisingly wonderful listen. I like it a lot more than Amber for some reason. (Not that Amber's a bad album - but I mean relative to their other stuff.) There's very little of their output I don't enjoy!
  11. A shit thread was not so intended... I was responding to some things I’ve read (and said) about our these tracks sounding like captures from somewhere in a patch, rather the ‘craft’ (as someone put it) feel of Draft 7.30 or whatever. I think was trying to point out how this music is so great and different from stuff I’ve heard other guys do that is being generated by a patch it transcends tools or feeling like it comes from any one approach. Was meant to be complementing Ae on their mastery. :D But I guess it didn’t make sense to anyone and so may indeed another unintended crap thread. I don’t use these tools so should probably not comment. I like reading others write ‘behind the scenes’ reverse engineering though! It was interesting to find out about Arvo Part in that way though.
  12. Sorry for yet another NTS sessions thread, but I felt this subject of 'how' NTS came about vs how it sounds might be an interesting discussion! I remember saying in the main thread of the release (when only the first session had aired) that this music sounded even more like it could have been captured from any point in one of Ae's patches - that the content kind of just 'goes', which I did enjoy but I didn't understand how people were finding this less like that than previous recent releases. Well, I realise now that I was totally wrong. I think I was hearing 'bqbqbq' when I wrote that, so with that specific track (and maybe two or three others) it was maybe understandable that the music 'appeared' so 'generative'. But to me it seems like Ae have gone to great lengths for most of this output NOT to 'sound generative' or like a patch just going or however that should be expressed. However they have programmed their system or patches has made for results that sound anything BUT 'generative'. These tracks are full of 'moments', sound extremely musical and intelligently structured, with pieces having big universal macro shifts as well as more subtle permutations, and where the tracks do feel more improvised the 'jammy' feel is maybe more like listening to a psychedelic improved jazz record or something in its intentionality than a patch endlessly creating variations. It really sounds like stuff from beyond any system - probably because their system is so deep and special! The results are freaky and analog and human sounding. To be honest, the same goes for Elseq for me. A track like 'pendulu hv moda', '13x0 step', 'freulaeux' or 'mesh cinereaL' or indeed many of them just sound like really well constructed, rich new Autechre tracks, some with even more different big sub-movements or obviously constructed turns than what we know to be non-algorithmically constructed Ae works. Not like generated output that could have gone on forever - which I ALSO love! (This isn't about saying that one is better than the other, because it's all good.) To be honest, I think the only reason I am aware of the newer material 'sounding' algorithmically driven is because I read interviews where they explained their system and how everything is deriving from that. If I didn't know that I probably wouldn't notice it...(The only one that might have 'given something away' for me being 'Oversteps', where the melodies sound generative, or the live sets because of all their variations.) ​
  13. I can understand the disappointment, but now it has shifted into something quite beautiful with what feels like those chord changes in the bass area. Quite a sound...I would enjoy this if I heard it from someone I had never heard of before.
  14. Quite beautiful at the moment. Please let it get more epic to make sense of the rest!
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