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Boxus

Knob Twiddlers
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Posts posted by Boxus

  1. Mouse on Mars criminally underrepresented in this thread, they've got so many great high-serotonin jams

     

    also gotta say The RDJ Album has always been one of the most genuinely euphoric albums in the world to me. the whole thing sounds like the kind of joy you have encountering new things as a child and exploring them with that youthful sense of playfulness and wonder

    • Like 5
  2. On 3/17/2021 at 1:02 AM, cern said:

    From 3-7 minutes in is the fucking peeking of the track: the main rave! Like an ADSR curve it is a clearly decaying part that laters shifting towards the long and soft end.
    If the track excluded those 4 minutes in the middle it had been pretty boring.

    100%, the stuttering glitch sound that starts at 3:15 is my favorite part of the track and it unfolds so beautifully from there. A lot of the sounds in the middle remind me of Confield or Untilted era

    The first few minutes are less memorable but they're important to the overall progression - the release at the end is so much sweeter contrasted with the tension of the screeching snare and anxious melody in the intro. I love how it opens with the melody kind of wandering lost without resolution, but then ends with such a clear, confident chord progression. it's like it's peeling back all these dense knotted layers and then it reaches the emotional core underneath and just basks in it

    • Like 4
  3. 2 hours ago, cern said:

    I also wonder how you sequence internal stuff? Is it a macro structure thing? 
    Maybe like having a control for controling all the sequencers including the "transport" object for controling the BPM? 

     

    I have a master hub patch that I always have open when I'm using Max and it contains all the tempo controls, and has some master effects that all the other patches get routed through. There are a ton of different ways you can approach timing.

     

    I miss developing patches.. I made so many 8-10 years ago (sequencers, FM synths, spectrograms, looper, etc), then I just got used to using them in presentation mode and stopped making new stuff lol. that's probably due in part to just being busier and having less time for it, and then depression inhibiting creativity and so on. still.. I believe in an autechre interview they said something about not overusing presentation mode in max and I think there is really something to that, you can lose sight of the development process if you stop looking at the guts.

     

    I've gotten tons of value out of it over the years though, and I still love using those patches today, even if they are overdue for maintenance.

    • Like 1
  4. the more fleshed out tracks on the album have grown on me a bit. there are some really solid grooves. it all feels very flat structurally though, like beyond a nice beat and a handful of vocal loops these tracks just aren't doing much. and every time the rambling philosophical AI interludes come on I just have to mash that skip button, they're so boring.

    • Like 2
  5. I've been really loving these onesix sets recently. especially the 2018 ones, they have such a nice trajectory building to the climax -> big chords track at the end. I love those lush arpeggios in the last few minutes, very reminiscent of SIGN

     

    It's also been getting me in the mood to revisit some early synth music like Subotnick and Carlos. Feels like these sets are in that same vein, with the wildly creative exploration of textures

    • Like 3
  6. 18 hours ago, markedone said:

    Was discussed earlier in this thread iirc, but for me it's not a loyalty thing. Steam is just where all my library is so it would be annoying to have a separate launcher for one or two "other" games. I barely play games as it is, I'm mostly just catching up on games i bought and haven't got around to playing, or replaying classics, so it makes sense to use steam to browse and launch and chat with friends. Plus you can load games downloaded from Gog (another storefront) into steam so those play nice together

    ya I don't get the loyalty thing but Steam is the main place I buy games, it's convenient, biggest library, etc. Still I'd highly recommend having Epic too since they give away so much free shit, I've scratched a ton of games off my steam wishlist because they showed up as Epic freebies.

  7. I was listening to Mouse on Mars and thinking about how great that time period around 98-02 was for music in general (and 'IDM' in particular). In addition to Ae you had some of the best ever material from Aphex and Squarepusher, BoC's Geogaddi, MoM's Niun Niggung and Idiology, Brothomstates' Claro, Amon Tobin's Supermodified, and so many more.. I'm sure my millennial nostalgia is a factor, but I do think it was really one of the most interesting eras in the history of electronic music.

    • Like 3
  8. I had the melodies from Tangle Ill stuck in my head yesterday. hadn't listened to it in like, a year maybe? so it took me a minute to remember what track I was thinking of. then listened to the whole EP and had a nice good time.

    • Like 2
  9. Finished Manifold Garden, it was excellent, I just wish it had been longer. I loved the sense of wonder as you explore and figure out the rules of the world, it reminded me of NaissanceE in that way, how it embraces abstraction and presents environments you have no context for understanding at first glance. Really nice music too.

    Also beat The Pedestrian, another great puzzle game. 2d platforming on street signs embedded in a 3d environment. Very clever design and some nice lateral thinking moments.

  10. On 2/8/2021 at 3:30 PM, Upset man said:

    F7 does it for me every time. That last minute or so is such classic autechre and i won’t even try to put into words what it does to me but 

    I love this track so much, I think it's become my favorite on the album. There's enough complexity in the melodies and textures that I feel like I always have a reason to keep listening deeper, but at the same time it's just so emotive and satisfying and even catchy, it gets stuck in my head all the time.

    • Like 1
  11. 2 hours ago, toaoaoad said:

    I wonder if it is intentional that Oversteps was '10 and SIGN was '20, both albums that saw stripped-down percussion and more focus on harmony and melody and general lushness, and both with accompanying EPs that had more beats alongside outtake-y sounding tracks, both in '0 years. 

    I definitely believe that there's some intentional symmetry between them. Especially with the similarities in cover art - they all feature circular designs and Oversteps and MoT have green/orange colors on their inner sleeves.

    • Like 1
    • Farnsworth 1
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