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Boxus

Knob Twiddlers
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Posts posted by Boxus

  1. On 2/7/2021 at 11:14 PM, cern said:

    Oversteps - Move Of Ten is Ae's weakest time for me. It feels they ditched 50% of the gear (Machinedrum, Monomachine) Just to focus on Nord Modular experiments and MPC samples. It got some very good tracks.. I always get chills when I hear the mighty intro of O=0

    If you  listen to Oversteps and compare it with Untilted is like day and night really. 

    honestly I like Oversteps a lot more than Untilted. I get why others feel differently though. These albums sort of represent the two extremes of their style - Untilted is the dry and Oversteps is the wet. I tend to prefer the wet.

    (though my favorite is when they take the wet and freeze it, resulting in the elusive "icy" sound, as heard on Confield)

  2. Yeah the run from 98-03 is the most exciting chunk of their discography to me, with every release representing such a huge shift in their sound. I have a lot of nostalgia associated with that era, 2002/3 was when I was first getting into them and those albums (Confield in particular) were extremely special to me in my high school years.

    But I'd also agree the most recent decade has been amazing. It's staggering just how much great original music they've been able to release in the span of a few years. And in terms of sound design they just keep getting better.

    • Like 3
  3. holy shit RIP... I've always drifted in and out here and don't know anyone all that well anymore but this just makes me realize how much I care about this community, it hurts knowing someone who was a big part of it is gone. thanks for sharing his work too, it's great stuff and a nice way to pay respects.

    • Like 2
  4. come on these guys are making hours of crushing, emotionally cathartic epics all day, you gotta love hearing what happens when they just want to unwind and make some chill electropop beats

    the Hell Interface comparison is spot on - this track sounds like something that could be on a MASK album

  5. 19 minutes ago, kuniklo said:

    Album of the week on Bleep. I have to say I'm a bit mystified by the praise these guys get. Their stuff seems very vanilla to me. Like car commercial or Starbucks music. The Apple Music blurb describes it as "endlessly eclectic". ?‍♂️

    I like their music but I kind of agree. It's quite generic. but pleasant. they stick to an extremely predictable formula but manage to make some nice chill tunes with it

    • Like 1
  6. 1 hour ago, auxien said:

    i'd call blasphemy over their older stuff maybe, but with the last ~10 years of releases, it seems too easy and in some cases almost necessary to do this. maybe not the editing tracks (blasphemy! jk) but tracklist > playlist edits is pretty acceptable/normal for everything since Quaristice era, imo. 

    i wonder how long before they just start doing singles regularly. was expecting that with their own bleepstore but that seems to be going out now...

    totally, Quaristice in particular felt very choose-your-own-adventure: do I want to hear the short Tankakern next or the long one? One Perlence or five Perlences?

    With PLUS I haven't tried resequencing anything but I'll admit I often just listen to the run of ecol4 -> lux106mod -> X4 alone because those tracks are so fucking great

    • Like 2
  7. working on music does not stress me out but sharing it does. I have an aggressive amount of anxiety about initiating any form of communication and if that communication involves self-promotion it's even worse.

    I haven't produced anything but nanoloop jams on my phone for a few years now.. not because I don't enjoy the process but because my inspiration has tanked due to ongoing depression. In 2019 I was getting pretty excited about creative coding/visual art projects but for the past year all I can get myself interested in is playing piano pieces (which is not really creative but motoric so it's easier to will myself to do)

  8. On 12/2/2020 at 10:07 PM, toaoaoad said:

    Eastre is definitely one of those right-place right-time kind of listens imo. I found it strangely fitting this past September when the skies were filled with American wildfire haze for days on end. It has a pretty tense atmosphere for a 22 minute listening commitment, but in the post-apocalyptic (or presently apocalyptic?) world of today, it's not so hard to settle into.

    I've been listening to elseq 3 a lot the last few weeks, it really does fit the moment well.

    3 remains my favorite installment, and eastre is my favorite track of the whole collection. it's minimal yet so bold, just grabs hold and doesn't let go. deeply engrossing murky doomscape

  9. On 1/4/2021 at 12:35 PM, AnwarAutokino said:

    Lots of people have mentioned how sonically consistent the album feels (myself included), but yesterday's listening session made me realize how totally different and unique all of the tracks really are. It reminds me of Confield in that way, where each track feels like its own self-contained world, while also feeling really coherent as album.

    I find this really striking in the first 3 tracks especially - they're each so distinct and different from each other. si00 in particular is unlike anything else I've heard, it feels like its own perfectly defined sonic bubble, and no matter how much I listen to it, it still eludes easy contextualization. Definitely very reminiscent of Confield in that way, I keep coming back to it because nothing else can warp my brain quite like it does.

    • Like 4
  10. On 1/8/2021 at 8:02 PM, sweepstakes said:

    Mostly hand-rolled allpass arrays in SuperCollider these days. Otherwise Erbe-Verb.

    I have a Quadraverb and a BAM but I haven't used either in months.

    fuck yeah. I made a reverb using a bunch of comb and allpass filters in Max a few years ago and it's been my favorite to use since. I added a slider that moves the delays between their randomized reverb-cloud values and multiples of a single value (making it work more like a harmonizer). it's fun to fade between harmonic and aharmonic reverberation.

    • Like 1
  11. i love this track, it always gives me the mental image of some futuristic cityscape shimmering in the sun. i get the same vibe from some of their other tracks that sound really bright like Nil and Fold4, Wrap5.

    it also reminds me a lot of eastre, since they're both composed of repetitive tones and bassy background noises with similar sound design (despite eastre having a totally different mood, so much darker)

    • Like 1
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