kausto

Lol that guy. I checked his bandcamp and realized I've come across his tunes before. I didn't come across anything worth hearing again, but I don't go for those super-sound-design-y types of musicians usually. I love his music a lot. Especially his 2008 RADIOLAND. His recent Before Nostromo is cool too. Check Stasis 5 (Ripley's Dream) — really deep shit.

"Hey gimme your wallet or i'll cut you"

Untilted artwork is awesome

considering he sells his own stuff in 24 bit as well it's probably not about the "humans can't tell difference anyway" thing. anyhow i don't quite get the point, it's like "wagner yeah, 5 points for the music, -3 because he's an antisemite." Your example isn't really comparable, discogs is the place for finding out about cut quality as much as about music. Sure there could be a Holocaust music lovers site, where they rate nazi loyalty level. Needless to say, rating habits are differ, some are giving 1-stars to the best stuff and don't give much of a fuck, at least Mathieu left a note. So what's wrong with 24-bit version then? Any non-humans? I also guess he's point that selling 24 bit files more expensive than 16 bit is trickery.

Also this: http://https://twitter.com/stephanmathieu/status/735424998437982208 https://twitter.com/stephanmathieu/status/729401306373357573

considering he sells his own stuff in 24 bit as well it's probably not about the "humans can't tell difference anyway" thing. anyhow i don't quite get the point, it's like "wagner yeah, 5 points for the music, -3 because he's an antisemite." Your example isn't really comparable, discogs is the place for finding out about cut quality as much as about music. Sure there could be a Holocaust music lovers site, where they rate nazi loyalty level. Needless to say, rating habits are differ, some are giving 1-stars to the best stuff and don't give much of a fuck, at least Mathieu left a note. So what's wrong with 24-bit version then? Any non-humans? He's on same path now. He is going to release 12 CDs of his music and raised 12K euros for it via kickstarter.

i doubt you'll notice the difference

Also have to say this stuff is great yeah. But it still doesn't beat Untilted for me for some reasons.

I got pretty scary convulsions 7 February 2013 while being stoned and listening to CD2 for the first time. You had to see it lol! They peaked on cloudline and i had to go to the kitchen and drink some cheap bourbon to stop this shit.

kek i'm reffering to this https://ccrma.stanford.edu/~dattorro/EffectDesignPart1.pdf

I guess there are also huge amount of weird realtime reverb algos. Griesinger “figure eight” with pvoc involved, FDN variations stepping on chorus territory (latentcall) etc.

Level of DSP-skills starts to be unobtainium for 5-6 years to me again. I feel there are strange phase modulation + waveguide hybrid synthesis engines (c7b2, acdwn2), huge feedback networks with variable latency from 0 to n, phase vocoding wizardy (7th slip) and so on.

All that <30 min tracks are nothing for Perlence subrange 6-36 veterans

runrepik, oversteps tour, tuinorizn

Some tracks (like 7th slip) have hallucinatory properties. Feels like next level shit.

https://www.youtube.com/watch?v=MpKbmu6Y8U8

FYI I made an attempt to implement FDN-reverb in style of Tom Erbe's Erbe-Verb inside Axoloti and i got pretty interesting results: https://clyp.it/vb4bfvw0 https://clyp.it/sh0bo2rl It consumes ~40%CPU and almost whole SRAM so you can't add something else to this — only this reverb patch. So i had to process external source with this (Synth1 VST is sequenced in Renoise being sent to Axoloti and then returns back into Renoise)

All time favorite