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Everything posted by phudoshin
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Yeh i let the selection play the other day and it came across as a coherent album to me...
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Ok instead of burning the new sets for my 4.5 hour car journey tmrw, to avoid brain melting overload, i got: Hemsby 2008 Melbourne 2010 Krem 2015 Can't wait!
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have you tried doing 1 at a time? Ooh vicar
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Do not forget the secret image of shawn n rab when you suprimpose all images together backwards:
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thanks cynus....truly amazing accounts and stories....you're so right about surrounding yourself with good peeps..... man im feeling emotional now ...fuck!
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Gonna burn these babies when i get home from work. I have a 5 hr commute on Saturday. 100% Ae driving music! YES
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"New" in once sense. 9 "Variations on a theme" in another but gorgeous!
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Me too.. fuckit .. cheap enough and my brain will be able to enjoy the subtle differences in about 25 years of listening :p
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In fairness... another 5 from 2015? I know Ae are amazing but...... overkill?
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Excellent. BTW did ye know RDJ played an MJ track at a gig in Japan not long after MJ's death... https://youtu.be/f7GG4_4JXaA?t=35m30s
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Headlines: GINGER SNAPS, REMOVES TRACKS
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I've recently come back to the SC dump, playing the lot on over 20 cds in my car on my two hour daily commmute. Just fucking excellent after my squarepushe-->autechre, break
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Yeh i think the discussion should have its own thread Next thing you know squarepusher will be tweeting about climate change "Fack sake, like...don't they get it. Its all going up the swanny, innit "
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You know what i love about d'chre? I STILL haven't "gotten" Daft or Untilted but i know i will.....how insane is that?!!
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Taking a break form these sets since last week - going back to afx Sc dump - but i know when i get back to em, it'll be amazing - probably better than ever
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MTV showing "second bad vibel" around the time of "Come to daddy" and "Come my selector"...all three tracks were just so raw and industrial yet emotional and human and with an obvious passion/artistry behind them, unlike most of the rest. Got everything i could then and still going.... hunting down CD's in "indie" record shops was great fun. seemed like a new cd was out every week!
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How come there's zero marketing of these live sets on Warp or at the main Bleep site or even twitter? Maybe it indicates a studio album is coming?
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I didn't notice the pissed wankers and just danced me socks off. Had a really excellent dance-off with a couple of chaps to the WUM-WUM-WUM bit - good times!
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Oh i'd snap it up for sure..
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If Come to Daddy is about a stalker, then Windowlicker is about a nice day at the beach!
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Artistically i don't see the point of an album release after these mastered sets. These showcase their skill and artistry in the live setting to maximum effect and also being in touch with fanbase thinking. Also, perhaps they feel isolated studio versions of the tracks take away from their sprawling, organic, connnected nature. Its also very different to say, Pearl Jam doing a tour of unheard new tracks, releasing mastered versions of the sets and NEVER releasing an album of those tracks. That would be unheard of unless PJ suddenly started doing instrumental jams. Its the nature of electronic tracks versus songs and the concept of albums in that context. (I pick on PJ as they're known for mastering and selling tons of live sets ) But financially for Warp at least if not the duo, an album would obviously bring in some nice income. No-one can blame them for that, but in the interests of artistic integrity, i don't feel an album would work.
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When? It dropped already you moop, in 4 versions! Something occurred to me about this release. Ae albums are so nuanced that repeat listens reveal new textures, melodies, elements making them seem alive and new every time. Now they've effectively pushed that idea to a new level with 4 versions (so far) of the same "album" each of which will reveal new textures on their own AND in relation to each other. Perfect autechrism right there