Schlitze
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Everything posted by Schlitze
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The Family - 5/10
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GTA 4 on the PC. Honing my skills until 5 gets released in a month or so. Also: PES 2014 (Awful) Tiger Woods PGA Tour 2012 (Poor, i'm running a Radeon HD 7750 card but the graphics on this are inexplicably like a 90's Super Nintendo quality) I've also got Ghosts incoming and realising I am seriously running out of hard drive space!
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Identity thief is shit also, can you put in brackets the name of the production company that makes all the films you mention? in the sub heading of your Noah thread you mentioned it was a protozoa pictures release We need that vital stuff.
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Bates Motel - Just finished watching series 1 tonight. Pretty good shit. It fills in the backstory with what was going on with Norman and his protective mother living in the modern era. It was delightfully unpredictable with some of the sub plots. And Vera Farmiga is great actress. Gotta wait about a year now for series 2 :-(
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Filth 8/10 - I saw this six weeks ago and forgot to review it. Pretty impressed with it actually. it begins as an all out comedy and for the first half hour i was like 'WTF this looks like a light hearted romp' but then as the darkness descends the comedy and serious elements clash, creating something pretty unique. As Chris Morris once said 'It's the like the bizarre euphoria at the end of an hours vomiting' The Bling Ring 3/10 - More candy floss bullshit from Sophia Coppolla. A film about a bunch of useless spoilt brats made by one. Papa seriously gotta consider cutting her allowance.
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12 Years A Slave - 9/10 The narrative is solely from the POV of the slave Solomen Northup....a gentleman and a talented musician who is ruthlessly drugged and kidnapped and taken away from his life and brought into the slave trade. There are some vicious bastards in the form of Paul Dano and Michael Fassbender, animalistic beasts who some might question how they became as vicious as they did. We're left to assume they are simply a product of their time. Cumberbatch, (one of only two white men with a shred of humanity) buys Northup at auction near the start of the film before moving him on due to Northup's fighting nature. Cumberbatch's character is a lone figure, he can see the wrongs but is scared shitless of doing anything about it and afraid of the callous nature/backlash of his contemporaries. Perhaps most directors would have gone for a voiceover due to the non linear structure but it works well the way it is, with the swelling music fading in and out. The performances of the cast (the long uninterupted takes) plus the amazing production design are pretty mind blowing. They've done a magnificent job of bring this era to life, it just looks real.
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Not heard of Greenaway doing anything for years. I thought he'd fell off the radar. This film seems to have passed many by. I'm gonna seek it out. Anyway, had a look on his twitter and he's still doing some crazy shit https://www.youtube.com/watch?feature=player_embedded&v=frWdUQGeY9o
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Sean, you said earlier in the thread that you sold your Marin bike. I hope you eventually get round to getting another set of wheels and get back in the saddle. What do you think your going to get? Incidently, theres some famous mountain bike trails i was at a couple of years ago, near the scotland/england border, it's called http://7stanesmountainbiking.com/Ae'>Ae Forest
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Interesting, Crash was the one film i thought of when I watched Antiviral. Antiviral takes an idea and pushes it to it's most ridiculously extreme and if you can get over that hurdle then you'll enjoy the film, if you don't you will really struggle to even pay attention.
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What created the idea for known(1)? Sounds like a work in progress that went in another direction. Don't tell me you got distracted watching Knowing starring Nic Cage.
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Rob, where is your Planet 69 t-shirt? Sounds like Sean has been taking care of his (washing at 40 degrees with fabric softener, letting it dry naturally in the cooling breeze). Where's yours?
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i way preferred the art school gigs but that stuff's beyond our control really it's as much in the interests of a promoter to put on a decent night as it is ours the monday night thing was just cos of us being on tour, we have to play somewhere on monday, glasgow got the short straw that time soz I actually turned up late to that sub club gig thinking u guys were playing later, as you never usually started at the art school before midnight. Walked in about 11.40 and went to get a drink at the bar, my mate was like ''i think thats ae started already'' i was like ''no way, thats Rob Hall, ae don't start till after midnight''. my mates like ''i think thats them on just now''. I pushed my way through the darkness to find it was indeed ae mixin it up there. I'm still annoyed i missed that lovely screechy track at the start. Anyway, went back to the bar finished my drink and then went and enjoyed the rest of the gig. It was only during Rob Hall's set i pondered ''Why the hell was Sean wearing, Rob's Planet 69 T-shirt?''
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When you guys are on tour do you ever get to an unfamiliar venue, look around the place and have any concerns about how good it's gonna be? or do you put all your faith in the organisers to get the right venue? or get pissed off at a venue change at towns you've played in previous years? I saw you in glasgow 2005 and 2008 which were at the Art school (organised by Numbers i think), great venue, and the sound was massive. Then in 2010 at Sub Club, still a great gig, but a much smaller venue, more intimate and more subdued atmosphere (lots of chin strokers there that night / monday night, in comparison to Art School where the crowd can get a bit mental down the front {chanting ''one more tune'' i recall, lol}). I guess if i was on tour and had played a couple of gigs in a great venue, and was ready to go back there a coupla years later only to be told ''we're moving you somewhere less epic, you'll have to turn the volume down a bit, it's a monday night'' i'd be a bit pissed off. Any grumbles about that kind of thing?
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Pay attention to Cage's mock outrage when he is watching the snuff film. He is clearly enjoying the murder, but lays it on thick with the fist biting and the "'omg, this is soooo awful, i can barely bring myself to watch, i'm going to bite my fist to portray my frustration at being unable to intervene with what I am seeing''. Either that or he overacts the scene terribly. He goes on a mission to find the girl, out of guilt at his own perversity. Also, note the attempt to portray Machine as just an average joe who got mixed up with wrong crowd. And Phoenix as an innocent victim of circumstance.
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yeah sometimes its like that for outside radio programmers, we get quite busy with requests when we announce a new record. In the lead up to Draft being released you did a mix for Radio 3: Mixing it and a mix for Mary Anne Hobbs. The Radio 3 mix was full of bombastic dance beats which almost left the presenters speechless, while the Radio 1 mix was more cultured/refined. It was almost as if the two CD's had got mixed up in the mail and went to different areas in the BBC. I thought that was a nice touch :-D cheers yeah we thought a show called mixing it should get a mix where we're really 'mixing it' and MAH i mean, yeah playing dockstader and wendy carlos on a usually trendy show just made sense somehow I bloody knew it :-D Thanks for confirming that, Sean I recall a robocop sample at the end of it. It was too much for the presenters
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kind of hard for me to separate the existing soundtracks from the films, to me blade runner would be shit without vangelis and i know he doesn't rate it but i reckon the alien music is some of the best stuff goldsmith did so i dunno, 'what they did' basically Best Goldsmith tune is The Omen, but best soundtrack as a whole is Alien. They played the soothing tracks nicely in Alien,Even during tense scenes.
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It depends on how good his Obel's photoshopping skills are. If he makes the brown the wrong shade it could be misconstrued as scat.
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Don't you guys still get hassled by neighbours telling you to keep the sound down? All my flats I've lived in I've had knocks at the door, and it has always been as the Autechre as the antagonist.
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yeah sometimes its like that for outside radio programmers, we get quite busy with requests when we announce a new record. In the lead up to Draft being released you did a mix for Radio 3: Mixing it and a mix for Mary Anne Hobbs. The Radio 3 mix was full of bombastic dance beats which almost left the presenters speechless, while the Radio 1 mix was more cultured/refined. It was almost as if the two CD's had got mixed up in the mail and went to different areas in the BBC. I thought that was a nice touch :-D
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Word up, Ae. I recently found a few of your old radio mixes on my old Compaq desktop PC (XFM, Breezeblock and Solid Steel), it was great to hear them again (big chunks of Wendy Carlos and Hafler Trio on that Breezeblock Mix :-D). I know you guys do the massive webcast marathons but does it work differently for the radio output? does the station come to you and you post them a CD of a half hour mix? And are you inundated with requests for this type of stuff in the lead up to an album release?
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gza obviously they're not basic shapes, you're seeing it wrong I think he hears the music wrong too. He likes really mellow stuff.
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So Side Effects is basically Goatse's anus.
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Spring Breakers - 8.5/10 Perhaps the most devilish of satires since In The Loop. It's up there with Starship Troopers. Franco rocks.
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You're too far gone. I'm cringing hard seeing you back here under the circumstances. Just go.
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Pipe down child. you're getting very excited. You left here for too long to make amends. Jump off the bandwagon.
