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IOS

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Everything posted by IOS

  1. The whistle/flute sound smells like some sort of phase vocoding treatment, or artifacts from very low mp3 bitrate compression etc The whole track is like a funk jam turned inside out. The perfect sonic match the human blob from the Inside video game.
  2. Hey man, play all end part 2, mix in the end of splesh or bladelores, flip to part 3.
  3. Package arrived! :D Awesome people enhancing our lives with incredible music.
  4. boomkat.com currently shows a pre-order button: https://boomkat.com/products/nts-sessions
  5. ++ "sucky compression" is a great phrase “I’ve got some more casuals here, do you want them” FLOL
  6. Dopplereffekt's Isotropy (from Cellular Automata) - where do you guys here the 1? For me, the first two bass notes entering on 0:35 are placed one 16th after beat 4. The third bass note is on 1.
  7. ^^ wtf unbelievable. Like it popped out from another dimension. Thanks for sharing
  8. IOS

    tt1pd

    The nasal bassline (the dubby one that is connected to the bass drum) brings to mind African music that involves donno drumming (talking drum, example here). Blows my mind every time. Also, my current favourite piece to listen to whilst running.
  9. 120bpm, hey? During the broadcast personally I only managed to locate the pulse towards the end, because if I'm not mistaken that's when the snare drum becomes more steady. I think of it as 12/8 or 4/4 in triplets
  10. https://78.media.tumblr.com/725715cd6992a2c6d1e66b9847639680/tumblr_mwcnlztX8i1qg39ewo1_500.gif
  11. @jaderpansen: Man, I've learned with Ae how not to be too critical and just listen. If a piece strikes me emotionally, that's awesome; if not, I'll leave it for a later day. This particular piece is "sickeningly depressing" as thehauntingsoul said.
  12. if that's the only depressing thing to you, it means that (to you) all other things about this track are not depressing (ie positive, good etc) - what are you saying again?
  13. It did seem, mainly due to the 8-hour-long length, that this would be a landmark release. I'm listening to all end once more, with that thought in mind, and it's fucking beautifully depressing. In the last few years, most pieces were made out of crazy sounds, well formed vertical-lines across the frequency spectrum, now in the last track everything's flatlined.
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