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@xxx I'm so glad you enjoyed the show that much haha. The Zones Without People rebuild is amazing, and so is the Time Decanted one. It was a very vaporwave-y moment for me during the show, as I was sure I knew the track but couldn't precisely remember where I heard it. On a related note, someone did post the 2 Coachella sets on Reddit. Blur was playing on the next stage so you get to hear Tender on top of A Barely Lit Path lol, but the bootlegs are good quality nonetheless.

A very high quality captation of the rebuild Zones Without People at Coachella : Full set was streamed this week-end, I hope somebody thought of ripping the audio, I would very much like to give it another listen !!

Yes, no spoil regarding the visual aspects of the show but it was really mind-blowing. The whole show really encapsulates what OPN is about imo and had several jaw dropping moments (in the literal sense, I was really amazed and had my mouth open auite a few times lol. Music was incredible with most of the tracks being reworked for the show, including the Rebuild versions of Rift era track (I guess ? Did not listen to the bootlegs of the Rebuild shows but they NEED an official release). It also rekindled my love for Again. Hope you'll have a good time !

Spent the last few hours chilling in le 104 where OPN is playing tonight. The place is crowded by people learning how to breakdance. Did not see Mr Lopatin while I was there drinking a beer. I can't wait !!

I think Paris was more 1/3 hip-hop and 2/3 non stop uptempo slaughter. For real, four or five times during the show I thought "holy shit this is so intense, it's gotta be the end of the show" and then BAM! 5 or 6 more minutes of even wilder beats. Can't wait for the 2024 soundboards release. Sean thx, Rob thx

Came back in front of le Trianon after a while, saw a band in front of their tour bus... Turns out it wasn't Sam and Bob but the Sunn O))) guys who were playing in the same street smh smh

Yeah they had no chill and went full berserk. A very gonky set, or, as we say in France, gonkesque. De nada @d-a-m-o pleasure is mine

Been listening to that album a bit more recently and it leaves a stronger impression on me than when I heard it the first few times. Still looking for a vinyl copy in my town tho

A temperature of PLUS 26 degrees if I'm not mistaken

Hey everyone! Embarking on the ticket search journey as well. If anybody has a ticket they want to sell for tomorrow's Paris show please PM me ! Can't wait for tomorrow. Will be my first Ae gig as well !!

Hello everyone! I was wondering if someone had any recommendation of eBooks / PDFs on Reaktor that I should read to get started? (besides the user manuals). I know that there are some books written for Max/MSP that foster creative thinking and programing with the environment, and I was wondering whether the same kind of things existed for Reaktor. Thanks!

Album's out ! Currently giving it a proper listen and I am really enjoying it so far. Interesting take on the human vs machine acoustic performance - obvious similar albums that come to mind are CCAI pt 2 and Squarepusher's music for robots, and I think Moran's work is equally impressive, even though it's in another register. "Leitmotif" just blew me away, sounds like a continuation of the Sakamoto x Alva Noto albums. I just saw that Bleep has a bundle of her 2 Warp albums and I think I am going treat myself some nice piano music

Great read, thank you for sharing !

I think that, besides the pressure to release new material, a subscription system can be a nice thing for lesser-known artists. Death Dynamic Shroud seem to do very well with their exclusive mixtape club thing ! (in France, we also had a big name of cheesy pop music who launched his own streaming platform a few years ago, he releases exclusive stuff on it, perform private concerts etc. - zero interest to me but if you're a big fan I imagine it's something very worthy) It also depends a lot on the amont of money you ask from your fans. If I were to pay 2 or 3€ / month to support an artist I love, I would understand that there wouldn't be something new to listen to every month.