Draft78

this old (but released just today) match between Plotkin and Harrys anticipates fol4 and others ambient/noisy landscape from quaristice and quadrange: https://www.facebook.com/RTUKnews/videos/1810166269273248/ Endless gratitude for James.

Except for the graphics (which probably represents the detail of something I did not understand, remaining for me only an anonymous stylistic expedient), for the rest I agree on everything: Ilmnt is a very meditated album and often creates that three-dimensional space in which ae swim. Despite the obvious analogies, you never have the irritating feeling of listening to a bad copy, listen to it simply enter in its beauty. The third track (hold on) has many points in common with elic6 0nset, although it came out first: it would be fairer to say the opposite.

s u b l i m e : http://igloomag.com/reviews/exm-modulus-touched-music Sin for the logo and graphics, so generic and anachronistic.

My "canone" has been put to good use then :D Can't wait to see the boys at the Festival of Sanremo mmm... i think they are waiting for a new edition of festivalbar...

..in Italy, we have Passpartout, the main program of art history of RAI (the state TV). At least on six different episodes autechre appear (more rarely, aphex too), but the most absurd occasion was that of Santa Rosalia , a religious tradition of the deep south of Italy (palermo), where a young girl dressed as a sort of Madonna, is raised on a high pole (santa rosalia festa) and transported to the streets of palermo in an excess of decorations and trivial manifestations. I might be confused with another popular recurrence, the Varia Of Palmi, but, as you can see, the result does not change: Well, while this ancestral rite, suspended between the begoted Christianity and some pagan influence appeared on the screen, Pro Radii came in all over Italy. Epic. Unfortunately there is no evidence of this stroke of genius on the net.

awesome!

in crippled symmetry, from 29:38, the connection perlence subrange / feldman become paroxysmally evident: https://youtu.be/p3MDzm85Y6s?t=1781

..and it's difficult to watch the arrival's shell without think to aeonesix design...

uviol dance

jaderpansen/timothy/commercial , my gratitude is boundless

Autechre - Live @ Doornroosje, Nijmegen, NL 22 11 2016 [onesix]

aeonesix TDR print https://www.facebook.com/thedesignersrepublic/photos/pcb.10154941160452214/10154941158807214/?type=3&theater they want to eat as all

Personally I'm entirely within elseq, although gives to Ae a new character, which I'm still not quite used to. But this is good: it is thanks to the permanent revolution within their own identity (the trotsky-st of electronica!), which reside the ineffable ability of Ae to not know aging. And it's always about this ability that i'm willing to bet that elseq6-n will be radically different from elseq1-5, possibly approaching the things you hope. ...Or going in a direction that I can understand after 2 years of latency ... as always...

...well, the hypothesis that elseq1-5 is a side project, entirely independent by the conventional outputs (so that it's not twelb), is perhaps a bit 'optimistic, personally i am inclined to think that at present Ae do not find any need to adhere to the conventional aspects of the market, considering obsolete the physical format (after all, as they are projected to an innovative vision of music, it is legitimate to imagine that adopt the same attitude in commercial choices): the very idea of ​​"Album" - a time needed to access the music, but bound to an inevitable capacity limit - seemed to decline today, as there is this new support, completely free of constraints. In these terms, Twelb has no more reason to exist. Rather..: the fact that elseq1-5 (whatever it is: in an interview they said something like "an album? We do not know absolutely what Elseq1-5 is, if not the music that we played") have a numbering from 1 to 5, it's sufficient, alone, to tell me that it is just the beginning .... I realize that I have written a treatise for a very simple concept: you need to bring patience, sometimes I seize this way ...

Is there a vocoderized / harshed human voice starting at 05:57? The son of Lentic Catachresis and Zeiss Contarex...?

It's a big dark autechrisch night! Thank you to all of you! ... I was wrong ... this post was for extrasuper81 ... ...I'm getting old.

It's a big dark autechrisch night! Thank you to all of you!

.. It's very strange: the live lasts twenty minutes less than the others we know (zagreb, turin, budapest), and ends with the elektro-gescom freakbeat, which, compared to other livesets, comes after. Longer and knotted the first part (which is perhaps my favorite part ...), with unique melodies and whale sounds. The encore, instead, proposes a completely different version of the entire second part of the set: the only thing that I recognize is the cathedral "black metal" passage, which, in any case, is played differently (in the other sets there are hard cuts between the notes). The others set finale, with that increasing in Emeralds style, is totally absent: the entire piece focuses on extreme abstractionism. Perhaps the encore was not intended as such, but something happened that caused them to suspend, and resume it later. I really hope that the two sirs will decide to publish it, it's seems to me one of the most hallucinated submersive and alienated episode of the tour, by now. If there were the possibility to download the two files, I would be very grateful... thanks! Totally agree. Awesome performance as a whole. Regarding the encore, my first thought was that they maybe just wanted to check out the crowd reaction to their new "ae 4.0" set ;) Don't know, was pretty strange but cool anyway. ps: I just uploaded the recordings to the download section: http://forum.watmm.com/files/file/1773-autechre-live-in-tourcoing-france-2016-part-1flac/ http://forum.watmm.com/files/file/1774-autechre-live-in-tourcoing-france-2016-part-2-bonus-reactionflac/ Thanks again Timothy, i'm still downloading the first file (my connection is a pain in the ass...) and still thinking that the Tourconing's set is more deep and reach of sidereal harmonies than the others, specially in the first part. AE_STORE_PLS

Autechre @ Tavastia, Helsinki FIN, 15.11.2016

Autechre - Live At Tallinn 13.11.16

ps: there is a strong connection between that set and the fifth chapter of elseq...

.. It's very strange: the live lasts twenty minutes less than the others we know (zagreb, turin, budapest), and ends with the elektro-gescom freakbeat, which, compared to other livesets, comes after. Longer and knotted the first part (which is perhaps my favorite part ...), with unique melodies and whale sounds. The encore, instead, proposes a completely different version of the entire second part of the set: the only thing that I recognize is the cathedral "black metal" passage, which, in any case, is played differently (in the other sets there are hard cuts between the notes). The others set finale, with that increasing in Emeralds style, is totally absent: the entire piece focuses on extreme abstractionism. Perhaps the encore was not intended as such, but something happened that caused them to suspend, and resume it later. I really hope that the two sirs will decide to publish it, it's seems to me one of the most hallucinated submersive and alienated episode of the tour, by now. If there were the possibility to download the two files, I would be very grateful... thanks!

^^ foundation? the basis... thanx anyway google translator

Uochi Toki: a glitch/rap duo with lyrics of high literal level. they often cite Autechre in the lyrics, and the foundation does not hide a passion for asymmetry. epic at 3:03: Space and visceral (but less autechrisch) their collaboration with Nadja, with a touch of plotkyn: The live sets are an interesting experience, too:

Yeahh!! Monoppus, you did a great job! Given the poor quality of my source files, I could not have hoped for anything better. The mix has acquired spatiality and the sounds are immersed in a dimension that could be that of sunn o))) remixing Autechre. It amuses me to hear at the beginning of the set, my friend Michela (enrolled for the left recording) that complains about too much light (like everyone else, she hoped in vain in total darkness), but at the same time cursing because she can not see if the rec was on. However, I don't have the opportunity, now, to take a plane and go see them again, and depresses me the idea of not being able to go back to that pitch of ecstatic sounds (...but I personally believe that, after the tour, thy will announce other dates. .. what sense would organize a similar composition, to play it only one month of their life?), if they decide not to publish the results, these few bootlegs will be the only fossil traces to which we cling. Thank you again Momoppus!