Draft78

... The frequency with which he aims me his hallucinated eyes, with Twels on the background, creates a kind of stochastic polyrhythm that, by itself, corrects all the uncertainties that before I had with the basic rhythm: now this is autechre! The relationship with the word "twelb" remains pretty obscure to me, in any case I feel satisfied.

This could also be true. Sure, it's a plausible hypothesis, but it's certainly someone with capacious testicles (i rise the exm theory). Personally I find that the percussion are the less distinctive element. Unfortunately I have to admit that I do not know the hidden story behind that word, "twelb" ... i joined the forum recently, when the legend was already established. One day I will have access to The Knowledge.

I'm re-listening. Twels. As usually happens in the ae songs - even those that appear simplest - with the passing of time I take in Twels, relations between sound and sound that, in the early plays, seemed independent and not intended to form part of melodies. It may not be one of their songs - not even said there is actually one of their songs in the comp.- but it's sure I like more and more this, I like how the elements in the second line grow, enrich themselves and become complicated, responding to each other despite time remains regular. The Oberman Knocks remix, although more epic, convulsive, abstract (...okay, it's completely different in attitude) shares, distantly, the genes with this construction. If it is a fake, it's a perfect fake to me, made by someone with big bales.

Faucon-titane... so good! The second part is a sort of Untilted collide with runrepik, and something new (the non-reference points, in the ae case, are, probably, more significant than the reference points..). whoever was behind it, did a great piece. The whole compilation, at first glance, it seems pretty cool.

...the final reverberated high sounds are really autecrish, but... it could be like"the autechre's face - one of the countless ae faces - worn by Exm in llmnt"..: http://touched.bandcamp.com/album/llmnt Definitely, i think twels is more in that style than ae in 2015.

DEUS EX AUTECHRE

Two?? I thought there was only one... The original Skeng is pretty dope too. Here is the dub mix: that opening at 2:59 remind me the moment when 6852 spreads its wings

I recovered the few lines I wrote in a wrong tread some time ago... this time it seems to be in the right habitat: This seemingly happy song of Aeriae, for example, at some point, takes some autechrisch aspects: And here is a quire good ae-mulation, in the vein of "runrepik" or 2010 liveset: (Do any of you know who the real author is?) and qebrus, he have some livid autechrian infections: https://soundcloud.com/qebrus_888 ... and let's not forget the Autechre ante litteram, Morton Subotnick. more than 30 years before squeller, liccflii, left blank, reniform plus, 19 headaches, tankraken, y7, tuinorizn and /]{- /](||) Excerpt , in New York, this happened: https://www.youtube.com/watch?feature=player_detailpage&v=iLnPWzDSfNs#t=258

oh cazzo!

it would be interesting to see the contrite expression of Rob Brown as he discovers how a tread on his eleventh album can turn into a diatribe about benzodiazepines

... he! I do not exclude that even your first interpretation is correct: a little 'everything is more enjoyable with the right medicine, even Autechre

which is the link between AE music and benzos? well ... the fact that, in order to enjoy the benefits, you have to take them for a long period: like benzos they are "extended release"

... I remember vividly the first time I heard irlite (get 0), at first I could not say where, but it was clear to me that somewhere hiding an eruption of magic. Time two days and has become an obsession! Auetechre need time, apparently they are "extended release", such as benzodiazepines!

... In Qplay, I like how you can define the melody in its entirety only at 3:43. First it's just suggested with other sounds, a sort of preparation for this step of excruciating joy, on the edge of sadness. I often read that Oversteps was judged as a "back to basics". I do not think it's correct. The fact that the sounds are not aggressive, does not mean that the musical texture has taken a step back. It took me over a year to grab all the melodic combinations, which at first listen seemed only layers of ambient. From this point of view I found Oversteps most "extreme" than draft7:30, just to give an example. ...What I discovered in Oversteps, is the characteristic of building a musical phrase with distinct sounds ("instruments"), that only time will reveal themselves to be part of the same motif. O=0 and Redfall are the first two songs that come to mind. And I do not think it's a coincidence that I am not the only one to have recognized the baroque elements on Oversteps, and not just for the harpsichord in Know(1), but, I think, because of the combination of "fugues". ...Have any of you had my own impressions?

... so, suddenly, all my (pathetic) digressions on the perception of life as an evolving super-individual, linked to Autechre, I wrote in the "autistic media" tread, find a mathematical correspondence. If before I could have doubts, it is now clear: Ae are the musical dimension of the monolith. Yes! It was Confield...