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lucivalc

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About lucivalc

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  1. https://www.thesourcefm.co.uk/listen/?fbclid=IwAR39Xcx933X7UZuWsmdKpJB0Oy7Mf90NTMO_0pqvpsw34a6zbXmsc0-MFRE www.penrynspaceagency.com Today/night 4pm central 22:00 GMT Sent from my LM-V405 using Tapatalk
  2. I agree with what you're saying. it's all temporary and out of control to a degree. I just cant imagine rolling in the grave that if I relied on distrokid to keep my music afloat and they pull it all down within 365 days because I couldnt pay the bill. And yeah all the platforms they are paid to post to could all go down at some point, I wasnt even trying to be that dramatic. Just look at MySpace regarding that, they lost all the music from the last 16 years on their site. All gone. Vinyl, CDs, and tape.. also yeah if listeners keep the music alive by listening to it that would be amazing. Sent from my LM-V405 using Tapatalk
  3. Been looking into a platform called Orphic. It seems like a SoundCloud but without a good catalog yet, but they have HQ uploads and they put it on all the platforms. Their catch is that you get 80% and they get 20% of any royalties that might happen. Sent from my LM-V405 using Tapatalk
  4. it's still a good service, Joyrex. Not trying to shit over it. It's just something I've had to think about personally, because I had a real scare a couple years ago and I'm not at the age where having a will is a thing. My life`s work is my music, and it is a scary thing to not have the music published for good somehwere, and I'm still looking. Sent from my LM-V405 using Tapatalk
  5. If you're an obscure artist, and your music is only on your harddrives at home and on the platforms via distrokid, if there happens to be an untimely death, then the music could ultimately end up on the harddrives at home. It's really not about royalties it's about the music having the grounds to be heard after it can't be monetarily maintained due to unforeseen circumstances. Sent from my LM-V405 using Tapatalk
  6. It is a useful, affordable platform while youre living on planet earth, but once you depart this life, if no one covers the $20 a year, they pull your entire legacy of music creation offline from all platforms. That is unless you pay a legacy fee at $50 per song, which is outrageous. Sent from my LM-V405 using Tapatalk
  7. Love the Bodmin tracks!!! Thanks Sent from my LM-V405 using Tapatalk
  8. I feel like whoever is behind heorge garrison had something to do with steinvord. Hope there is more hg brewing Sent from my LM-G820 using Tapatalk
  9. xmas, circlons and the earth portal mix really drive it home for an instant classic in my book. I swear for the longest time i would notice some feature that i hadn't heard before, and that continues to keep me going back to uncover more angles of the tracks likewise with the collapse ep. Those two releases have a lot to unpack for the perceptive listener Sent from my LM-G820 using Tapatalk
  10. I see what you're saying. Perhaps it could be. The secondary counter melody that's slightly at a higher pitch - the cadence and audio quality imo sounds like an actual dulcimer, but the initial melody sounds like it could have been modelled. Sent from my LM-V405 using Tapatalk
  11. Would you choose this over DSi Rev-2? Sent from my LM-V405 using Tapatalk
  12. do you guys know if he's featured the dulcimer in any other tracks? Also anyone have any suggestions of music that complement that particular vibe (intensity/dulcimer action)? Sent from my LM-V405 using Tapatalk
  13. It's pretty badass, right?! It flows and has the detail and synth work that surprised me, because it's way different than their last few records. Sent from my LM-V405 using Tapatalk
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