Draft78

btw... I have to give up to discouragement : I waited too long to book the ticket to Turin (I wasn't sure I could go), and when I decided to take it, it was sold out. I subscribed to that special list for places that are free again, but nothing to do, missing 24 hours and the naive optimism, once again, have to lay prone. I try to console myself with "c2c sucks" things, but it doesn't work.

...although Persephone says otherwise, there are rumors in the lower regions that she pushed no more than a few buttons in the first ten minutes. And it's not the first time she turns out to be narcissistic

the first Barbican is the secret ingredient of the initiation into the Eleusinian mysteries, Roberto and Sisifo are a facade, the copyrights go to Demeter on person. The second is certainly an experience (and I have yet to assimilate a lot), but I don't think it can be compared to everything that happens in the first, especially from here on out

au-te-chre - sean - please

from 47 onwards there's Zorn with the painkillers hiding out there

this twentytwentytwo makes my brain produce astonishment. Generally astonishment is an initial feeling, with a limited duration, and cannot be replicated on an acquired fact. In this case my brain secretes this thing in a constant stream for the whole duration of each exposure

don't try it with headphones

this thing is destabilizing; an organism has escaped the laws of nature and expands in all directions through all the possible forms at once. I have to say: I was really lucky at the Terraforma: by pure chance I found a couple of things that, when combined, accelerated my mind by 100x (I have rarely had such a radical but at the same time "clean" effect), and so this sonic monster welcomed me as a natural fact, perfectly understandable in its deranged sublime logic. Today, however, I had to listen 3 times to starting to rediscover it in all it's beauty: at the first listen my brain was smoking. I think if I hadn't had that providential neuron accelerator that night, I would have had the same impression described by dcom. ps: they should play a date in Jakarta... just hear the percussions here and than helsinki here

in the middle of the hell

like a poor deluded I dived into AE_STORE sighing like a wounded boar Obviously I didn't find anything

primavera sound : another source (30 min only) https://www.youtube.com/watch?v=sXiWG8lYedg

hoping max2022 doesn't try to fuck us

the only thing we have to do to understand if it is a failure or not, is to put the sean and rob unit back in its place and wait 72 hours

well, if I had found myself in the helsinki circumstance, and then received the file, I would certainly not spread it everywhere, but for that handful of freaks who dedicate a slice of time to this page every day I'd make a deserved exception, no question about it...

... but ...that bastard is blasting with a single foot ... ok ok, off topic, sorry

"hyped" could be an understatement ... since yesterday I'm reloading this page at the pete sandoval blast rate. Should it take a full year for the soundboard, I don't plan to slow down

not to mention that one of the two autechre is starting to look like Moby

It's not excluded that the system problems play an important role in the experience you have had. It happened to me with onesix: the Turin date was heavily haunted by an inadequate system and, above all, by people screaming for music to dance. So I lost concentration, and for much of the live I was focused on telling myself to regain concentration. At that point I was out of the flow .. in a thing like that, if you fall out, everything seems random and boring. On the contrary, with the date of July of 222, I was sucked in: I didn't have any thoughts, I didn't even listen, I was simply in the autechre phenomenon. The spell still worked, as in past years. As for the experience, I wrote my impressions a few pages above (also regarding the absence of explicit plots such as crescendo, which in my opinion there were but in a completely new, submerged and disorienting form). Maybe I'm wrong, maybe the Helsinki date was not particularly successful (regardless of the problems), or maybe the line of this new set does not meet your taste, but I don't exclude that, listening to the soundboards, 222 may seem completely different to you

actually ... the press release spoke of the "what" (a code to download the Helsinki date for free), but not of the "when": this could also mean "when the soundboards will be published - 2023? -, that specific one will be downloadable with code". ...Here an opalescent mist of resignation envelops me, bringing me back to the familiarity of my sterile habits

I humbly join the chorus of desolation and pain: since I learned of the dramatic event in Helsinki my heart has broken, and finds no consolation

meanwhile, reading the word soundboard, I started wagging my tail, facing a sudden increase in salivation

...nope, the track was composed by Harris, Shane and Greenaway. Even if a little naive she still has a lot of what Scorn will be. Listened simultaneously with M39 Diffain, it feels like listening to a single piece

M39 Diffain: I always found a similarity with this and Scorn, I just couldn't find which track by Scorn ... then I remembered a Napalm Death piece from the ep "suffer the children" (1990): it was the only electronic episode by napalm death, probably composed by mick harrys alone, and has in a nutshell many elements that will characterize Scorn years later, when Mick leaves Napalm ... and, indeed, there are points of contact with M39 Diffain: