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peace 7

Knob Twiddlers
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About peace 7

  • Rank
    * L A Z E R *
  • Birthday September 15

Previous Fields

  • Country
    Japan

Profile Information

  • Gender
    Male
  • Location
    Tokyo
  • SoundCloud
  • Interests
    Consciousness

Contact Methods

  • Website URL
    http://nothinggg.com

Recent Profile Visitors

511 profile views
  1. After T breakz are always a lovely reminder of the wonderful high tech lazer of the flower. I think eventually we all become perma stone mode or something. Just uploaded this new track yesterday, and I think blazage has influenced my music to have more dreamy qualities:
  2. (This is a track inspired by the beauty of the cat we live with):
  3. Hey- thank you, nice to see you! Thank you so much for listening and your mini review! :-)
  4. Okay, now everything makes more sense.
  5. Fuck- I "was hoping" it was accidental overdose. Well, okay, I guess it was intentional. Man..... You spit fire on Firestarter, then you hang yourself. Fuck dudes- we all gotta chill. Fuck- this is ridiculous. Let's all chill the fuck out. There's some pun somewhere about Breathe and feeling the pressure, and the irony of not being able to play his own game- fuck- but I won't mention it out of respect. Anyway- dudez, chill. It's okay. WE GOT THIS. Much Love, everyone. Everyday is a blessing.
  6. Just wanna say to anyone who listens to this: We're right there with you, as much as we could make it. If you join us- let go- blaze if need be- and let's go on a little journey together. We can't promise you how you'll feel about it, but we can promise you that we'll be there.
  7. Thank you!- I've missed this place! Your avatar is as pretty as ever. I see you've been using face cream- your birdface skin looks lovely. Thank you, good to see you and everyone, mang. Well- this EP is 40 minutes, so it's not short. It's 3 tracks, that could be considered 5 songs. Track 2 is 2 parts, and track 3 is 2 parts-- both 2nd parts were recorded right after the 1st parts (so the 2nd parts are inescapably inspired by the 1st parts). These were all done in 1 take with no prep or editing or whatever- me & me gyal just sat and felt the IDM lazer flow and we just experienced what it is to live through music directly. I suppose this is some kind of vibe lead-in to the album I've been working on for almost 2 years, since this EP was recorded during breaks from making the album. What's special to me about this EP, is that it documents the creative process directly. I've been "serious about making music" since I was 15, and that was 20+ years ago. So lemme say that if Zeus came down and requested that I show him my DAW and IDM skills, I could open up Logic, setup mic, guitars, keyboard, and I could confidently and sincerely rock it for Zeus, with no limitation-- his opinion would be his opinion, but the point is that I wouldn't be afraid. I've spent so much of my music-making life getting good at crafting concepts, but what one can never directly experience from listening to any of my music, is the path that got me there. -Not just years of practice or whatever- I mean, what is going on in my consciousness to get me there. So Track 3 of this EP relates to the above- and a lead-in to the album- because it is 2 separate songs, but they are both based on the exact drum loop. We played the drum loop, my girlfriend played bass on keyboard with this wicked setting she made that rattles the soul, I checked my guitar to make sure audio was recording, then me gyal was feeling out the drum loop to see what vibed, then I joined and played off of what she was feeling, and then we oscillate around for a bit, and then our oscillations resonate at some super vibe point at times, and it explodes hard, then journey continues. Because of this quality, I feel this EP plays much like a musical or film- with scenes, and basically a literal documentation of 2 people finding harmony through music. So anyway, the 2nd half of track 3 is the same loop, but the song is based on what I felt from doing the previous jam- from a few minutes before- and then boom, record the whole thing, and done. So the last track documents my idea process, which I can't do otherwise. So the 2nd part is much like a song, and a lot of people can relate to that. But I wanted to document how that conclusion was arrived at. Especially with the improvs with no click, you can hear the true rhythms of our cosmic consciousness collaboration, and how we try to find eachother from nothing but eachother. I felt initially that might be mistakes in the improv, but then I realized that it's perfect. To change it would be like Photoshop'ing pictures of your childhood. Every single bit of audio there, is me & me gyal, chilling, and feeling music-- nothing more, nothing less. I can do anything in Logic-- but I can only do this EP in realtime. So yah man- I'm totally gonna put my album on Soundcloud when it's done- or whatever format- and then of course I will also send it to Mike P for Planet Mu release consideration. And yes, the album is fucking good- I'm really fucking serious- it is excellent. But this EP is the realtime documentation of our playing when we're not DAW widardry'ing; not hiding behind edits, not hiding behind unlimited takes, not hiding behind MONTHS of working on ONE track-- these are all recorded in realtime, and it is THE MOST DIRECT I can ever get with music. The thing is, this EP was only considered finished March 9th (hence "39 EP", and it's also a Japanese pun like, "san-kyuu (thank you)"). The tracks were recorded a couple/few+ weeks ago. I initially felt that these tracks had potential for songs, but then I realized that they are done. Anything that could be considered "mistakes", are merely steps on the path towards when we find the theme and rock it- then continue. This EP is done. And I know it sounds fucking retarded, but I swear- this is the first "complete" thing, that I've ever actually completed with music. I've written fucking hundreds of tracks- and albums/EPs that were aaalmost done- but the only time I've ever felt "this is a compilation of music that stands on its own, and it's 100% done; nothing more to add", is this. So in some sort of sign, I feel I am where I need to be. Hello, StocKo! Thank you for listening! Your text is the first review I have read, and it's nice- thank you. Ahaha! Yah- me & me gyal also feel it as something that could be described late-night cinematic type vibez~ Thank you so much for your review-- it's really interesting to hear what you felt about it! Yooo~, waddup--- Hope all's been dandy! Cool, thank you~~~ :-)
  8. UPDATE! I love you all: - Original post: Yo mangz. Long time- I hope everyone’s been chillin’ and doing cool shit. Yah so I’ve been working on an album for almost 2 years, and sometimes when it’s good to let it rest, me and my girlfriend jam. So this is an EP of some of those jamz. This is about as direct and straight up as my music could ever get, because every song on this EP was recorded in one take in real-time with no edits (except the 2nd half of the last track, which was recorded in one take but it’s sequenced like a song). Yah, so it’s pretty raw, but what I realized about improv is a huge part of it is the adventure of feeling things out and finding a vibe to surf- so it doesn’t make sense to hide the documentation of the sonic adventure. Me & me gyal oscillate around vibez, and then our oscillations both hit some resonant frequency and then boom, and so on. These improvs are straight up, so they include all the “finding theme” adventures that we often hide in recorded music. Whole thing is vibe surfing and stream of consciousness type improv. Anyway, this is the most direct and sincere music I’ve ever been a part of, and I’m really happy to share something 100% complete (though I realized yesterday that track 1 clips a bit, so will prolly check levels sometime)— cuz I’ve posted a lot of tracks from unfinished albums before. Anyway, if any of you actually somehow have 40 minutes to spare from beginning to end, please let me know, because I am kind of wondering how this plays out for other people. Of course- all listens much appreciated! Much love~~~ (Yah, so of course I sent this to Mike P, and I hope my e-mail reaches him in good spirits.)
  9. I haven’t logged-in in what seems like forever, but I came here to pay my respects in the only place I know of where a lot of us grew up listening to The Prodigy. I knew this thread would be here. R.I.P. Keith. Thank you for all the ridiculousness and good times.
  10. Dude-- you gotta listen to Do You Feel Like We Do; tons of live versions, some good, some great, some epic. I'm at work so not gonna find the most epic one but anyway... It's some pretty next-level shit. HE RECORDED THAT IN 1423, BEFORE ELECTRIC POWER. Everyone was using rocks to put in their dick hole, then Peter Frampton comes along with an electric guitar, amp, mic, talkbox, massive soundsystem, fuckin' all that shit, and he rocked the streets super hard. People were still psychologically recovering from The Plague, and this motherfucker was performing in sold out stadiums, at a time when stadiums didn't even exist. Highly recommend. Dead serious. Do You Feel Like We Do is Peter Frampton's gift to humanity.
  11. Some new jams from the other night....:
  12. Loving the looper. Process is playing rhythm, then lead and whatever bitz, and then I adjust amp settings (and sometimes looper settings) whilst looping to change vibez.
  13. Everyone reminds you of Charlie Chaplin. I remember I posted a pic of my Asian face, and you said I look like Charlie Chaplin. I'm so sick and tired of all this fucking Charlie Chaplin on this motherfucking forum. But also:
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