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Everything posted by NED
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some details from the mixlr-chat that i haven‘t read here (found over at ILM, already a week old or so): Autechre : pretty sure warp are going to want to do a physical release so the date = ? but the stuff is done, by pure coincidence a few weeks ago, at the moment we're living with it and tidying up tiny things, but not touched it in 2 weeks so it's basically done rob and i were both thinking of bringing it sooner but idk need to talk to warp was orig planned for late this year/early hext also seven onesix recordings drop in less than a month ― Paperbag raita (ledge), Monday, 23 March 2020 10:21
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the opener of i-o is a perfect match of advanced-era LFO with oversteps. get similar vibes from the artwork ;)
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still amazed how good these two are: https://touched.bandcamp.com/album/ff0000 https://kaer-uiks.bandcamp.com/album/i-0-disc both pretty much perfect releases in my book.
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new interview, sorry if already posted: https://crackmagazine.net/article/long-reads/aphex-twins-mask-collapses/ oops - just saw it mentioned in the other thread...
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- Aphex Twin
- Frollic Rating 23!
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...wonder if it will fill up the whole session?
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this one needs editing to fit on vinyl...
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me ;) sounds a lot like late period LFO. also just figured its 9 minutes - remembered it more like 4, but thats not how they roll atm, hehe
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S&R + max/msp = man-machine 2018 Ralf would be proud...
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... is that an elseq reference on the cOver?
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- Warp Records
- Oneohtrix Point Never
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getting strong LFO vibes from splesh. feels like an hommage to Bell.
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what i enjoy with all their stuff & probably now more than ever is that it's just ooooooozed with attitude and confidence... really uplifting/energizing to witness...
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true. but that was them taking part in a by then already legendary series. kinda different this time, was wondering what made them choose nts? ...re mcbpete that was...
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whats the story with nts? quite a rare thing for s&r to have a third party in the title for what is shaping up to be a major release of theirs, no?
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Lmao death techno. Yeah I'm sure lots of people who like metal would love AE_LIVE and elseq, and even Untilted I played PlyPhon with my sister in hearing range once and she now thinks I listen to Skrillex, lol, oh god. check this out: http://www.deathmetal.org/review/autechre-ae_live-2015/ pretty decent review imo
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AE_live and elseq seem to stem from a different set-up than Exai. More as if they were done completely within one system or patch - didn't sean hint at the process in one of the recent interviews? Sounds to me like the product of a single form of synthesis (?) with very elaborate parameter-controlling /sequencing/ modulating whereas Exai sounds to me more varied in terms of timbres/ tonal colours, more as if they combined different sources back then. With these new ones they seem to achieve a similar result but from just one source if that makes any sense... btw - just find it interesting, not judging the quality of either release as i love all of 'em!
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wow. what a different experience on second and third listen. sticked to elseq 1 today and it totally clicked - once adjusted to the vastness of the format its really deeeep listening, strangely engaging yet relaxing. can see this growing a lot!
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hi everyone. passively enjoying the forum for a long time, so thanks! to me this very much feels like an extension of AE_live, using the same set-up or patch or whatever. ExtendedLiveSEQuences then? so far i only made it through once with 4 and 5 being early favourites... kinda prefer the more driven/ less noodly AE_live i must say. might change with repeated listens obv...