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About entropi

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  1. M4 Lema, F7, schmefd 2 & gr4 doesn't do anything for me, the rest I like a lot. Not shure if I like the shorter track-lengths, I like looong jammy tracks that stays around for a while. I'm curious about "the second album"... si00, esc desc & r cazt get played the most around here.
  2. unfocused and uninspiring track, I guess this is how it sounds when you are out of ideas... (thank god for ae!)
  3. ...and now, she has reviewed a new french synthesizer movie in the lastest edition of the Wire!
  4. I love this, it reminds me of some other Rotherham-based artist... :D
  5. This is actually one of my top favourite releases for 2018! So nice and just the right tones are played and it has a really great flow to it all. (I bought it at bandcamp, didn't know there was a video too) Well done!
  6. Well, it depends... (only vintage gives the true lo-fi grit, but you probably know that already) D-05 gives you a lot of presets (if you can stand them) and the size is unbeatable. The Roland Cloud D-50 vst also sound spot on - low bitdepth and all - but at the moment you have to agree on Rolands cloud business model and I don't. The D-50 (and D-05) has an earlier (1st gen), more convulted version of LA-synthesis. Sound parameters can be found all over the the place and it is "messy" but gives you the most of possibilities for transforming the sound, more LFO´s, EQ and FX. D-50 and D-05 ar
  7. For the D-110, the PG-10 O R an iPad/computer for editing is essential. To only be able to "click" in values is really horrible, IMHO. I used to have a PG-10 to my D-20 but sold it because the D-20 (with it's value slider!!!) is really quick to edit once you learn the matrix layout of it's tone/timbre-settings. The PG-10 is made first of all for the D-10 and D-20. There is a fifth env parameter that the D-110 has but the D-10/20 lacks but it works anyway for D-110 as well. The display hasn't got any background light which is a MAJOR drawback, it really is missed when you are used to program i
  8. Nah, but it has a "Pulsewidth"-parameter that reacts to velocity.
  9. Well, too unfocused and irrelevant to buy anyway.
  10. I am with Handels and Obel on this. The sound design is topnotch, unfortunately you can't base an album on that alone. I like that there are different versions on the EP's compared to the album (and I bought them all, as DLs) and I LOVE the sleeve designs... but over all I still am missing something. In the end there is nothing that "sticks", for me.
  11. I know this is pure insta-ban , but I've done this forever with rdj's music. The tracks are always all over the place. Some tracks are beyond life in it's quality and others just plain boring or harsh. All the annoying spoken parts, crappy stuff before awesome stuff(like on ventolin/crowsmengegus) or crappy Eq:ing (like Girl/Boy snarerush mix - just all treble?!?). I know this warrants "B7" or whatever among the AFX worship but hey I like a perfectly curated collection of tracks that is just great. (I mostly listen to my own stuff usually, then I can adjust everything to my own liking)
  12. No such thing exists! (I guess you mean the 12" macbook?)
  13. well, I guess this then includes replacement of the OLED-screens....(I have no problem with the synth apart from this, the analogue come back just was 20 years late for me - digital (u-he!) sounds good enough IMHO)
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