beerwolf

Happy days

It's nothing to the amount we love you oh' troon

I am addicted to The Branch is Weak. I just pulled the cd out the sleeve now, and playing it now for the umpteenth time. This track is awesome on a big system. I love the way it changes directly after the voice 'Only a fool would ignore this..' Really really goood Some of his stuff I find boring tbh but the Skull Disco compilation Soundboys Gravestones Desecrated by Vandals is essential.

British Museum is good. Really good in fact. Loads of mental stuff from all round the world, British museum is a bit mis-leading as its like a Muesum of the World.

My gramdmother's cock

I have to say all this Steinvord Speculation is making my cock twitch. How about you?

Heheh, that made me chuckle

Wild Hogs

Carry on Screaming.

Fat Albert

The Dead Zone

Mmmm I dunno too too much about him but his two lone swordsmen Tiny Reminders album is absolutely essential. I got it years ago when it first came out. I was an avid NME reader at the time, well an avid reader of anything musical to be honest, Kerrang, Melody Maker, Select, Vox etc etc. The NME gave it 9/10 (how I remember that makes me laugh). Anyway I bought it the following Monday from Our Price (lol and this) and thought it was complete bollocks. And swapped it for Celtic Frost or something. Either way I picked it up again a few years ago and it is indeed a brilliant album. So it seems that the NME was right and I was wrong. And that's hard to swallow. Cunts.

The Dead Pool

Skull Disco

Vanilla ice cream. Nothing too exciting but always dependable to make the taste buds smile.

The behavior comparison is irrelevant unless you're comparing the records, because you could have said that it was like people being disappointed about the new Radiohead album, or any such situation where there was disappointment for a release that a lot of people were apprehensive about. You chose three brilliant, initially misunderstood releases by RDJ though, which, whether you intended it to or not, is saying that this is on the same level. I don't blame Monolith by any means, because he is talented in his own way, and he doesn't deserve this. It's Rephlex's fault that it's been received this way, and Rephlex's alone. They set it up as a big release, put it out near the end of the year in an extremely sparse year, and it just wasn't good enough to stand up to the pressure. Let's talk again in a couple of years and then decide how relevant your current 'insights' are. And what makes you think that Rephlex set it up as a big release? Have I missed some billboards? Commercials? They must be marketing wizards having no cash to spend on marketing, but having people to believe their releases are big anyways. Brilliant work. Perhaps they're being run by the holy Steve Jobs. In stores soon: the new iRephlex. I have no idea what it does other than giving you some sense of being ridiculed. You really are taking this thread personally aren't you.

Release the motherfucking Kraken!!!

This 100%. Before I succumbed to the darkside and join watmmer, I avidly listened to Aphex for years. I would of been an ideal candidate. Having said that, even now I still believe think it sounds like Aphex with elements of Squarepusher. So I think it's game on.

Will do.

Sorry.

Are you fucking kidding me? You're honestly comparing this to Drukqs, and you're accusing people disappointed with Welcome of trolling? Drukqs: timeless, intricate, beautiful, still holding up like it was new after 10 years Welcome: basic, fun for a laugh and bit of dancing, already sounded dated on the day it was released. It's not like Welcome is going to sound better with time, so that is totally ridiculous.

Troon knows best.

This is not my cup of tea, or glass of beer. A bit forgettable and weak, weak like shandy (made with Carling instead of Stella for example) I shall leave it at that.