splesh

Finishing up Shortwave Ruins. Made for some good study music.

New Karenn is a welcome development. Hell, new anything on Voam is good news, but I love the sounds Karenn makes. That said, I'm not super keen on these vocals, but I'm enjoying the other aspects of it.

Now digging thru Mt Shrine's career a little, listening now to the album All Roads Lead Home

Positively loving my first listen through of Jon Hassell's 1987 album The Surgeon of the Nightsky Restores Dead Things by the Power of Sound, he is very missed. Truly one of the musicians who made the most of the ever popular/notorious monstrous reverb sound of the 1980s

From the new album by WATMM's own @Pirtek https://cagedelement.bandcamp.com/track/room-of-reflections

Pretty neat stuff

https://music.youtube.com/watch?v=4COt5CpVbvc

Love the recent spate of this UK dubstep meets trap vibe

I couldn't get past the third track or so. As impeccably executed as it is, that sort of thing doesn't do as much for me anymore. There are some glitch hop adjacent things I enjoy more like the Hullabalo0 EP I posted about.

I love Basinski but there is so much more in his career I find enjoyment in than The Disintegration Loops

This mix was one of the first things that got me into techno

Did you know Anthony Braxton is really into Paul Desmond? He talks about it in his biography Forces in Motion by Graham Lock, which I can't recommend highly enough. Here are three players I love who I find often get overlooked

^ Nice! Saw DJ Stingray back last autumn and it kicked lots of ass Now listening to Wata Igarashi doing his thing

I don't agree with most of their ratings, but Pitchfork's rating system itself isn't that weird, just multiply the score by ten and think of it as a percentage. Giving Exai 59% is fucking dismal but one of the things that really gets me is that that their score is based on multiple people who work at the place's opinions but the review is only one person's take. As a result, these don't always match up. Pitchfork is mostly best for their coverage of things like indie rock rather than anything electronic that isn't Cut Copy or Neon Indian, etc.

Glitch hop, psybient, trap, neurofunk, all rolled into one. I'm sure this should appeal to some people here, and I wouldn't be surprised if this producer turned out to be a WATMMer, either. Worth giving a try even if it isn't your usual cuppa, though any fan of classic era Prefuse 73, Bluetech, and Tipper should enjoy this. https://hullabalo0.bandcamp.com/album/bassilisk-ep

https://hullabalo0.bandcamp.com/track/basilisk

https://bensims.bandcamp.com/track/the-shadow-between-us

I'm not sure what my favourites of elseq would be, other than elyc6 0nset would be included, it's good to see it in your picks