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Nil

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Posts posted by Nil

    Autechre Live 2024

    in Autechre

    Posted

    So, doors opening at 7 and ae plays at 8:30, right ?

    @d-a-m-o see you tonight pal ! Who’s there too ? I’ll be wearing my 3OP T-shirt (should be distinctive enough) and my Lady has planned to steal either my Computer Music or AE T. I’m a massive introvert but eh say hello !

    • Like 1

    FM Synthesis (techniques, anecdotes)

    in EKT General Discussion

    Posted

    While my mind hasn't changed one bit wrt Bazille, I've rediscovered Live's Operator and that it's quite a brillant synth IMO. I've patched (and still am) a Drum Rack halfway between my ideal version of a TR whatever and an imaginary Soulpride-inspired snare drum with and it's the most inspiring drum machine I've used.

    Max/MSP

    in EKT General Discussion

    Posted

    I've used phasor~ driven sequencers a lot, it's a marvelous, flexible clock. I find it super handy to parse any sort of list of events too. [phasor~] > [subdiv~] > [zl.lookup] is an insanely powerful combo.

    A stupidly fun thing to do is to [function] [shape~] the [phasor~] before it hits [subdiv~]. IIRC, [swing~] works pretty nicely there too.

    These last six months I've spent tons of time trying to figure out how [dict] and LOM work. Tedious, frustrating at times but eventually pretty useful.

    cool stuff @logakght

    • Like 2

    the watmm GAS thread

    in EKT General Discussion

    Posted · Edited by Nil

    Bought a 200€ SMSL D-6S DAC. Nothing fancy when it comes to features, aside from 2024 state of the art digital to analog conversion, 32bit / 700 something kHz specs, ridiculously low THD / SNAD and balanced XLR outputs. Here are some measurements if one's curious : https://www.audiosciencereview.com/forum/index.php?threads/smsl-d-6s-balanced-dac-review.48813/

    TBH, I was curious to see if there'll be a difference with my good ol', mastering grade, German made, boutique SPL Crimson. The D-6S slays it, such a drastic difference my jaw dropped. I'm not sure I've ever heard such pristine sound comoing out of a computer (that includes top studios I've attended sessions at). I'll keep the Crimson for its gorgeous pres and DAC though.

    I've heard details in my own tunes I didn't even know were there, and I think I have great monitoring and decent ears. But fuck me that's insane one can buy something so affordable which can output such neutral, transparent (sound-stage / frequency balance) and fast (transients) sounds. I'm gobsmacked. Sound-design and mastering will be even more pleasant now, so cool!

    Ps: the equally cheap and stunning E1DA 9038SG DAC/headphone amp in the picture (forground) is banana too. D-6S is the unit in the back, feeding my Amphion amp & monitors.

    IMG_6949.JPG

    • Like 3

    Now Reading

    in General Banter

    Posted · Edited by Nil

    2 hours ago, o00o said:

    IMG_4241.jpeg.d132cd08e3d20e785940008277176f4c.jpeg

    I envy you if you're reading them for the first time, I've read the whole thing twice and it's stunning sci-fi. I'll mostl likely re-ead them all again.

    • Like 1

    What TV series are you watching at moment?

    in General Banter

    Posted · Edited by Nil

    On 3/22/2024 at 7:56 AM, aderei said:

    I'm 10 minutes into 3 body and they have totally fkd it. 

    Why not just get Jennifer Aniston to play some Oxford prof

    Books are incredible...I'm on the dark forest now

    I've read the whole trilogy a couple of times, I love the books.

    I'm a few episodes in the series and think it's pretty great entertainement. It can't possibly rival with my imagination, but I'm super curious to see what they'll do, and how they'll visually / narratively translate some of its most mind-bending mindfucks.

    If you think they've fkd it, do yourself a favor and never watch Foundation eh.

    Ps:

     

    • Like 2

    the watmm GAS thread

    in EKT General Discussion

    Posted

    So… I’m now beta-testing the stripped-down teaser of a synth that been discussed a few posts earlier (that synth yeah) : it’s astonishing. And these 1024 partials are delicious, so sharp, paradoxically hyper digital and organic sounding at the same time.

    The full synth will be a masterpiece, I can’t even imagine how deep it will be.

    And now back to patching 🙂

    • Like 1
    • Farnsworth 1

    Autechre Live 2024

    in Autechre

    Posted · Edited by Nil

    fuck me. Ryoji Ikeda, Rrose and Autechre ?

    edit: at Nuits Sonores I mean. Just grabbed my tickets for Ikeda and Rrose, and about to so too for the 'chre.

    • Like 3

    Dostrotime [2024]

    in Squarepusher

    Posted

    Deliberate loudness is something you favor from the get-go, so pretty sure his loudest, most agressive sounding LPs were consciously written, arranged, produced and mixed with that clear aim in mind. Can't get such loudness nor agression from the mastering alone (or else, without massively altering the mixdowns).

    Dostrotime [2024]

    in Squarepusher

    Posted

    Weren't they supposed to form a Rephlex LP, Methyl Orange if memory serves me well, that even got to be mastered / pressed to a few test copies ? Basically same story as the Caustic Window LP resurrected by WATMM ?

    • Like 1

    Dostrotime [2024]

    in Squarepusher

    Posted

    55 minutes ago, cern said:

    Yeah the whole 2001-Trio: Go Plastic - Drukqs - Confield is the tits! 

    Wish also he could at least given us the Warp20 tracks before moving on but I wonder if they ever gonna see the daylight? 

    Forgive my heresy, I'm more into what æ has done since (and including) Oversteps and I gel 10101% with everything they've done since then. Even though in hindsight I haven't listened that much to Sign and Plus, I'm delighted by everything they've released this past decade or so. But yeah, I should definitely revisit Confield / LP5 era too.

    To go back to >[], I've always had a soft spot for Selection 16 too. Playing Tomorrow World as I type.

    • Like 2

    Dostrotime [2024]

    in Squarepusher

    Posted · Edited by Nil

    If discussing his mixing choices, DYKS (the tune) is the most refined of that ultra dynamic take, with evolving loudness throughout and super wide dynamic range to reinforce the narrative arc... that volume crescendo with each and every new deflagration is nuts, and masterfully done. Ultravisitor shares some of these qualities, along with some of his best trademark SH-101ish lead melodies. Too many fillers in that record though, and I'd have put Tundra 4, Venus no 17, Squarewindow instead in the LP... Damn, I remember the almost religious aura his 2005 Breezeblock set had, I remember the goosebumps while discovering it during its broadcast, Mary Ann Hobbs speechless between tunes, f*ck I miss that.

    Now his stuff all sounds clipped to oblivion, and while TJ certainly knows his craft, I like that esthetic much less. I bet it sounds massive live though, no doubt.

    Go Plastic is pure electronic jazz without being jazzy, for a while I was convinced Feed Me Weird Things was a better record as a whole, but now GP steals the show IMO, it's simply perfect : the tunes are immense, the overall flow is flawless, and it's not too long either, so you can listen to the whole thing in a go easily.

    But eh I'm bitter I guess, the Warp20 tunes (like that infamous tune Cylob once played), long mistaken to be RDJ's (remember the 2000 something Rephlex Disco Assault in Romo videos when Aphex played some ?), have obsessed me for nearly two decades and I still can't accept I can't purchase a copy of the bunch (I'd play it repeatedly, endlessly hehe). 

    I don't want him to be stuck in the past, I'm just sad he went in another direction that I hoped for.

    And now I'll leave the thread, glad you guys enjoy the tune, and crossing fingers the whole record will be equally as enjoyable to you all.

    • Like 10
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