Plarkreluke Banloboh

River rock has a very dreamy introduction, the hypnotic arps threaten to get too repetitive but then the enveloping fizz of the pads washes across in a beautifully contrasting way. Really nice choice of chords. The white noise at the end evokes the ocean in a subtle way that could have been tacky but wasn’t. Acid workout is a pounding behemoth and hard to sit still to, the dialogue you’ve sampled is pretty funny and evokes early rave drug madness. I prefer it when you let the snares loose for a bit of syncopation to offset the 4 on the floor pulsations. Since this is an early draft, how about some chord stabbage too?

I like how the eerie reverb seem to retreat and vanish into the distance when there is a gap in the woodwind/choral mix. The manic insectoid bashing half way through is a welcome change to things, you ramp the intensity up so gradually here - there’s no way I would have guessed this outcome from the start. The gradual buzz-saw distortion was a nice climax – I imagined a hint of occult chanting at this point.

You beat me to it, this would be my one gripe so far.

I think if you order the physical you can only comment in the physical section and if you order the digital you can only comment in the digital section.

tTemplate k mix might be the best thing bewwip has released imo, incredible beat programming going on there.

20th + 7th month = 27 Half of 27 is 13.5 13 and a half album confirmed.

3>1>2

Carefree and casual.

0:00 For giants to walk down the street to. Jittering black graphite tonsils sway from terrifying heights and collide in inky liquid splatter claps. Swooping bat-reptile hybrids croak spectral messages into the dark chasm of collective earhole consciousness. Really big balls. 13:08 Gothic romance nightmare. A church organ plays chords no-one has ever heard of. The radio is being tuned orally. 18:47 Telephone mash as communication method. Someone snuck into Rob’s studio that shouldn’t have and this is the result. Rob tried to fix it with the chords added in later. 30:03 Real battle track. One player has the sword while another has a gun (which seems unfair, yet the battle goes on for quite a while). The metals used are cheap and the weapons bend ridiculously as the fight continues. 40:52 Mucus expelled with the muscular force of an Olympic weight-lifter in full exertion. Plop ejectors fire rapidly out of newly formed orifices. All of this is being timed. Dramatic brass adds tension to the proceedings. The dark gelatinous gunk bubbles foam synthetic structures as if vibration is nerve. Sinus burns. 57:20 Something is wrong with the sampler. An orchestral stab is stuck in a stuttering mistake pattern. 1:02:34 Overeager buzz bass and motorized propellers hatch battery farm goose eggs. 1:07:36 Hinged sirens sing a repeated mantra trying to warn of a time signature meltdown. The shedding shells are now on fire and spiralling out of control as the bass blows the embers upwards. The shells have become a textural wall of fragmented melody. 1:15:20 Bombastic tubaphone march of the automatic typewriters. Malfunction into ice storm ghetto. 1:17:33 More bombast but from a feral Viola. Boggle dice of glass display dialing outwards through unconvincing Marshal stack announcements. Winds backwards at times with a hyperspeed violin solo of Eastern origin. Strings have turned to gas which speeds tongue couplets. The winding hits butt cheeks with a comical flapper for sports fans. Fade down to reveal insectoid menace chord in detail. Hip hop has been handed 14 new parameters. 1:30:03 A succulent beat emerges from a swamp with mc-202 vibraphones that trill an ethnic minor key. Tiny strings sharpen themselves on thick branches of steel palm trees. A melody manages to parody its creator’s earlier work non-specifically. This pep-rally has manic participation from old-school bob-headz, there’s a stripped tracksuit float with tin-whistlers. 1:39:58 Bam, intrigue sequence with those camera re-focus micro machine spectrometers. A distortion as nasal snarl shifts. The lasers are plentiful as are reverbs from 1993. Suddenly the harmonic centre suffers from multiple diseases and decays inward. This is serious. Everything is in unison. Trying to get out of the metaphorical maze of one’s own making. 1:50:32 The largest gong in the world has been installed in the large hadron collider for laughs. Sinister maps and wall charts are derived from the data which show the full depth of the crisis at hand, this is how religions start. Marbles and ball bearings are used to activate the gong nipple area providing circular arrays of shimmering reverb dust. It’s early morning but the birds haven’t even begun to chirp yet. Everything is a realisation here.

The dungeon gun & sword battle after the telephone one is top notch!

Which albums is he commenting on? Don't know if I can see them. In Syro, he didn’t specifically promise new music then though, it was a bit of a vague comment.

There’s a ‘daddy3’ that comments there as well. Aphex Triplets.

Looks like that was answered by ‘daddy2’ rather than ‘daddy1’. Do we know if that’s him as well? Hopefully you’re right and something is coming soon.

What does the globe now look like incorporating these time-location relationships into a new 3 dimensional mapping? Don't tell me he's making that big face again.

Maybe this flexible countdown ratio thing has the potential to be interactive if we Aphex Twin fans can work out what input or response is needed to speed it up.

This countdown is super-accurate yet unreliable.

Has anyone ever sold time code jitter?

I'm getting an Octatrack soon so can answer Gas queries on functionality and maybe do video request tutorials, I'm super hyped for this!

Fuck. They've gone to another level.

When in doubt: claim it on the boogie. Sent from my GT-S7275Y using Tapatalk

omg you are right. i thought it was a zipped archive not individual tracks. thanks for pointing it out: > https://youtu.be/mkBS4zUjJZo

Fear the trees QQQ, fear the trees...

Already getting withdrawals. Bring 'em back, it's time.

Thanks, I really like Arthur Rackham and also Charles Vess for depictions of nature in a fantasy setting: http://www.comicartfans.com/comic-artists/charles_vess.asp