Question

[Guest CBrown]

I can't be fucked to search for this. What's the voice saying around 4 minutes, the bit about switching sounds and familiar sequences?

[easterlingman]

i like switching sounds during a sequence

[Guest cardan]

sorry i haven't picked up that come to daddy ep yet, so i can't help you

 

sorry

[Guest Dr. Elemeno von Hat X: PhD]

it says "hashish gorilla initiation sequence"

[Bob Dylan]

puck

 

seriously there's so many modulated voices of Richard on Drukqs, especially on 54 Cymru, just listen to the smoothed brushes at the start 10 seconds into the track. Not just background stuff, but percussions and synths that have pass-through with his voice.

[Guest Caustic]

im hearing something about "sampling the sequence"

 

what i want to know is the Welsh voice saying around 1:40

[chim]

i like the claps and fingersnaps in the end of w32.mydoom

[Dale]

how do we know it's all richard's voices? i love the mental bit that kicks in at 4.50 onwards, i love turning that bit up when im on the bus with my mp3 player :) people look at me strangely :angry:

[Guest mushroom]

once upon a time there were three bears, mommy bear, daddy bear, baby bear

 

then

 

i like switching sounds during a sequence

 

the rest is cut-up

[TechDiff]

I always thought it was something like "switching sounds in some sort of a sequence"

 

The bit Im more curious about is the electronic voice that says something like "humanoid intruder" just before the build up into the hecticness at the end.

 

Its the same voice as the begining of one of the Luke Vibert tracks on YosepH, I cant remember what the track is called tho. Sounds like its from a computer game or something, any ideas?

[Parsifal]

At least I hear it as "[...] switching sound(s?) during a sequence".

[Bubba69]

puck

 

seriously there's so many modulated voices of Richard on Drukqs, especially on 54 Cymru, just listen to the smoothed brushes at the start 10 seconds into the track. Not just background stuff, but percussions and synths that have pass-through with his voice.

 

I think it's "fuck!". I think thats one of the reason for parental advisory. Also in windowlicker EP the math track had this same sample right?

[sneaksta303]

I think it's "fuck!". I think thats one of the reason for parental advisory. Also in windowlicker EP the math track had this same sample right?

 

Yes

[Guest mushroom]

I always heard "tuck!"

[chim]

muck

[Guest Morgan Dunn]

i hear "systematically switching sounds during a sequence"

[Guest Jimbob]

Cock?

complex math equation is fucking genius.

especially when ''wwwwwwwwwwwwwaaaaaaaa-booooooooooooooom'' comes in just before it decays into a delicious syrupy white noise.

oh yes.

[Joyrex]

That syrupy white noise is Richard's picture encoded into the track

[Guest Dr. Elemeno von Hat X: PhD]

once after i ate some very special sour patch kids i thought that song was talking about GUMMY BEAR and sour patch kids

[Bob Dylan]

puck There's a clear version of it with almost no other noise at 0:35 in the track.

 

 

Anyway, yeah the clap hands, fingersnaps, the transformed voices, they are everywhere in Richard's music. It's a great key to his success imho. There's at least 3-4 of them just in 54 Cymru. There's a soft puck per example between almost every percussion hit during the first 15 seconds of the track. There's a "weeeeeeeee" voice at 15 seconds, then a second later some sort of "tee!". Both are recurrent throughout the track. Or at 0:51 there's his voice going "whoooooohooohoo".

 

There's so many possibilities with recording your voice doing a sound, you can modulate them at great lenght, it's easy to do articulation like portamento or glissando. You can create electronic sounds then record them as you immitate them with your voice. Richard does all that :)

[Guest Dr. Elemeno von Hat X: PhD]

i thought it was "cock"

[Guest Morgan Dunn]

puck There's a clear version of it with almost no other noise at 0:35 in the track.

 

 

Anyway, yeah the clap hands, fingersnaps, the transformed voices, they are everywhere in Richard's music. It's a great key to his success imho. There's at least 3-4 of them just in 54 Cymru. There's a soft puck per example between almost every percussion hit during the first 15 seconds of the track. There's a "weeeeeeeee" voice at 15 seconds, then a second later some sort of "tee!". Both are recurrent throughout the track. Or at 0:51 there's his voice going "whoooooohooohoo".

 

There's so many possibilities with recording your voice doing a sound, you can modulate them at great lenght, it's easy to do articulation like portamento or glissando. You can create electronic sounds then record them as you immitate them with your voice. Richard does all that :)

 

sometimes i wonder what some of those noises that he uses really are. i could see him making his songs out of really bizarre noises or words just for irony...oh hes a trickster alright!

[Joyrex]

puck There's a clear version of it with almost no other noise at 0:35 in the track.

 

 

Anyway, yeah the clap hands, fingersnaps, the transformed voices, they are everywhere in Richard's music. It's a great key to his success imho. There's at least 3-4 of them just in 54 Cymru. There's a soft puck per example between almost every percussion hit during the first 15 seconds of the track. There's a "weeeeeeeee" voice at 15 seconds, then a second later some sort of "tee!". Both are recurrent throughout the track. Or at 0:51 there's his voice going "whoooooohooohoo".

 

There's so many possibilities with recording your voice doing a sound, you can modulate them at great lenght, it's easy to do articulation like portamento or glissando. You can create electronic sounds then record them as you immitate them with your voice. Richard does all that :)

 

sometimes i wonder what some of those noises that he uses really are. i could see him making his songs out of really bizarre noises or words just for irony...oh hes a trickster alright!

 

You've obviously never heard the Ventolin Remixes then...

[Guest Morgan Dunn]

puck There's a clear version of it with almost no other noise at 0:35 in the track.

 

 

Anyway, yeah the clap hands, fingersnaps, the transformed voices, they are everywhere in Richard's music. It's a great key to his success imho. There's at least 3-4 of them just in 54 Cymru. There's a soft puck per example between almost every percussion hit during the first 15 seconds of the track. There's a "weeeeeeeee" voice at 15 seconds, then a second later some sort of "tee!". Both are recurrent throughout the track. Or at 0:51 there's his voice going "whoooooohooohoo".

 

There's so many possibilities with recording your voice doing a sound, you can modulate them at great lenght, it's easy to do articulation like portamento or glissando. You can create electronic sounds then record them as you immitate them with your voice. Richard does all that :)

 

sometimes i wonder what some of those noises that he uses really are. i could see him making his songs out of really bizarre noises or words just for irony...oh hes a trickster alright!

 

You've obviously never heard the Ventolin Remixes then...

 

ive only heard a few of them...how do you mean?

[Guest tv_party]

I always thought it was something like "switching sounds in some sort of a sequence"

 

The bit Im more curious about is the electronic voice that says something like "humanoid intruder" just before the build up into the hecticness at the end.

 

Its the same voice as the begining of one of the Luke Vibert tracks on YosepH, I cant remember what the track is called tho. Sounds like its from a computer game or something, any ideas?

 

Still love this game.

 

Berzerk

Got the humanoid

The humanoid must not escape

 

What I can't remember is what old game the intro sample comes from.

And also 1:52 the sample that sounds like "Gummy Bear"... Is that really what it's saying?