gnarlybog
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Everything posted by gnarlybog
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Made it halfway through, but I won't be continuing. It's a competent execution but it really brings nothing new to the table. It felt like a cool mood board or like scrolling through a tumblr. I assume younger people may love it, the ones who are experiencing these tropes and atmospheres for the first time.
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This was wicked crazy fun. I would keep a tab open with dictionary.com and elseq on in the background. If it got too dense, I would read it as if its sci-fi poetry.
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Green Room - I thought I had a high tolerance, but this was without a doubt the most terrifying theatre experience I have ever had. Like Assault on Precinct 13 cranked to 10. Highly recommend!
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This is too huge for me to digest atm. I am in more of a live instrumentation mood lately. Regardless, I am glad to hear more melodies creeping back in, like shafts of light. I think I got a little burnt out on the AE_live sound palette... there are hints of new directions in this.
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I have been ready to give up on this show a couple of times (too slow), but then out comes a scene like the one between Mike and Tuco...
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Watt by Samuel Beckett. Not an easy read by any means, but Beckett has this ability to break down human experience to the most granular level. I feel like I have OCD.
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on loop... perfect morning music. he is a master of the awkward groove.
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Just finished The City & The City by China Mieville. Strongly recommend. It's a police procedural set in two european cities that exist on the same physical plain. Kind of Kafka-esque. Moby Dick is even better when you imagine the main character, Ishamel, as Zach Galifianakis. The first 20 pages are him refusing to share a bed with another man. Later, they wake up spooning. There are also amazing lines like this, "But even so, amid the tornadoed Atlantic of my being, do I myself still for ever centrally disport in mute calm"
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Diamond are Forever
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I think this guy completes my documentarian holy trinity consisting of him, werner herzog and errol morris.
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https://soundcloud.com/the-trilogy-tapes/rezzett-sutty-ttt012
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An 20-something year old couple are chased out of their city by zombie infection. They narrowly escape by fleeing onto a rickety tiny wooden boat. They are stranded at sea together... and forced to resort to cannibalism. Soundtrack by Erik Satie.
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https://www.youtube.com/watch?v=Rh3lJ8gZThI This actually sounds incredible.
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I stumbled on an interesting comment on Youtube. Someone mentioned that the track "Rainy Dub' could possibly be a remix of Vladislav Delays track 'Poiko'...or an uncredited sample. Strange Cant find Poiko on youtube unfortunately.
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super lo-fi. slightly underwhelming (although you cant top rip). ill reserve judgement until its in my hands.
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for you, is there a particularly depressing, sad autechre track or do you try to stay away from overtly communicating things like that?
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1. are you ruthless editors? have you cut your best work because it didn't fit with the track listing of an album or ep? 2. do you think part of autechre's longevity is partly due to the fact that you are always finding new methods of working? 3. writers block q: i lately over analyze my compositions because my criteria is that it has to surprise me by its originality (which is why i love your music). it is slightly crippling. any advice? thank you!
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Can you provide some info on the sessions of making Perlence-subrange 6-36? The Quaristice era is phenomenal. Such a mysterious album!
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1. can you name a specific track where you thought 'we've reached another level!' and maybe hi-fived each other in the studio while popping and locking? 2. do you guys push yourselves to explore 'unconventional' melodies? say someone creates a simple catchy pop hook- do you mess with it so its more subtle and perhaps less immediate? imo, I would say that the early albums were more explicitly melodic. 3. do you ever go back to old stuff and think 'aahh i wish i used a different snare sound'? I would imagine its inevitable with such detail-oriented music.
