Good post.
Seeing the way he explodes in interviews (Sway!) I wonder whether he deep down sees his limits (being a good producer, but better off in the margins -producing- and not in the forefront-rapping), but is still in some sort of epic denial. I mean, if he really didnt know his limits, there wouldn't be an emotional need to explode, right? I'd assume he sees/knows/understands deep down, but still hasn't accepted it emotionally.
Well, it takes big amounts of narcissism to be some big artist, I guess. He's like a living soap opera.
He's doomed regardless of what he does. I think he's said "fuck it" and that's what fuels the arrogance, trolling, nonsensical artistic efforts, everything. I can't blame him. I mean, if one is trying to be the most important artist in 2013 or whatever you have to meet some insane standards. Yeezus was very calculated - it wasn't bloated with filler - just ten tracks, it had anti-elaborate artwork, and to his credit he sought out producers who were hardly safe: arca, hudmo, evian christ, gesaffelstein. So basically his art is honed but his persona is oddly authentic, which is why I think it's so fucking off-putting in many ways. It's an arguable record but it's not derivative and smarmy like so many other highly ranked 2013 albums: arcade fire, vampire weekend, chvrches, etc.
@ Audioblysk I think you're right to a large degree and I wonder about this too, but my main point of disagreement is that I can't put this all on Kanye. For example, Jay-Z is a far more egregious out of touch bullshit musician when it comes to his ethos. That whole Samsung endorsement that he tried to turn into some sorta anti-establishment quasi-DIY nonsense (#newrules lol) was an absolute joke. Kanye declared Bush doesn't care about black people. Jay-Z made lame t-shirts for profit during the Occupy movement. Both are incredibly ignorant but the former was at least naive and sincere.
And the press is the core of the issue. So many far less talented, far more lyrically questionable artists are acclaimed as much as Kanye yet never get the same faux controversy attached. SPIN will run articles about Danny Brown all day but then have op-eds questioning Lorde and Macklemore as "entitled and white" because they criticize hip-hop's obsession with material wealth while being hip-hop fans. Meanwhile, Pitchfork fucking had R. Kelly as their main festival act. Now, I'm not trying to rip on anyone here, I'm just saying Kanye is an easy target for a very lazy and skewed media to jump on.
I agree with both of your sentiments. My opinion was mostly from just picking apart his Sway interview. I actually liked some of Yeezus for what it was and have enjoyed some of his past stuff and production overall.
It's all pretty ridiculous in modern popular music from an outsider perspective. These guys basically put themselves into a character to sell records for companies in hopes to get rich. It's hard for me to take any of the stuff I see/hear from these clowns seriously. I feel like once they get out of public eye, they just sigh heavily, question their existence, look at their ridiculous amount of tattoos that mean nothing to them, look at their bank account, sigh again, and then bury their face in hedonism and ego to compensate for the fact that everyone sees them as a Bojangles who needs to perform and act the way their marketing/label portrays them. I don't blame them. If someone gave me buko bucks to act like a moron and have people eat it up, the ego inside me jumps at the notion...
BTW joshuatx, your avatar/user title combo is ace.