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About fizzkinz

  • Birthday 02/25/1984

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  1. This gets thrown around a lot, but I would disagree that it’s “practically confirmed” someone asked Sean about it in the AAA, and while he didn’t say no, he seemed put off by the idea people thought that
  2. Could someone perhaps explain how this follows a Fibonacci pattern? im sure I’m just being dumb numerically I understand what the Fibonacci sequence is, but I fail to hear anything in that song which sounds like 1,1,3,5,8,13,etc
  3. Looks like I picked the wrong week to quit sniffing glue
  4. fizzkinz


    I just have a hard time believing the drum pattern is just some samples on random shuffle I mean, I may be wrong, but I just struggle to believe it
  5. fizzkinz


    I will also say that of the post-Exai material, elseq is my least favorite however some tracks on elseq are absolutely amazing, and are superior to much of NTS. But the “whole” document just doesn’t hold up well enough. It would have made a great ~2hr album with certain tracks cut out
  6. fizzkinz


    Around the 8min mark in this interview he says Pen Expers was made with a minidisc and pausing a DMX drum machine:
  7. Very much agree. supermodified and out from out where for Amon Tobin in that era. Plus Radiohead had Kid A. Golden era.
  8. I skip known(1) every time I listen to oversteps the rest of the album is good but that track is just annoying (mostly because of the skipping-cd sound)
  9. This is basically my opinion I might slightly extend it to include the cichlisuite EP That run of Chichlisuite -> LP5 -> EP7 -> PeelSession2(for Gelk!!!) -> Confield -> Gantz Graf *Chef's Kiss* There are some of their other albums I might put above LP5, and some other releases I'd rank above PeelSession2 as a whole. But I just find that stretch of time to be the absolute crystallization of everything they are best at, being executed with such perfection
  10. I may have been misinterpreting Sean’s meaning in that thread, but my understanding was that he was referring to the soundboards for the ‘16 and ‘18 live sets. Rob was working on his parts. And this worked out with the timing, as it was a few months later that those AE_live sets went up, seemingly after Rob finished his parts
  11. Nonsense. incomplete without wild record scratching (don’t care if the scratching is programmed as some have said). Honestly it’s not the drums underneath that I care about at all. I had seen most of these turntable competition vids already, and they don’t really fit what it is about this set that I like. I have also seen wavetwisters before, but as Im digging into to some of the other Qbert stuff I guess it does give me the feels I’m looking for. still, something about this gescom one just really does it for me.
  12. Can anyone recommend some great albums/tracks that would be similar to this scratch-tastic marathon? I know turntabalism is a pretty immense genre to explore, but this seems way more intense than most of what I’ve stumbled upon before
  13. Yea seems like some have caught that https://www.whosampled.com/sample/16589/Autechre-Sublimit-Sparky-Dee-The-Playgirls-The-Battle/
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