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Embers

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Everything posted by Embers

  1. +1 to 'aren't sure what to do with it' aspect. I understand what max can do, but really didn't have any ideas about what can I do with it. Step by Step has given me a fundamental way build up patches from very simple beginnings.
  2. Embers

    AE_LIVE

    This is the same religious fervor that presents itself in the Mad Max universe. Marriage of man and machine. Roboseanxual.
  3. Interesting... I added the WAV collection to my basket last night and they we're all reduced in price to $1.50 each except Portsmouth, which was still listed at $10.00. Didn't buy them. Then when I went back today, Portsmouth was now $1.50 and Utrecht was $10.00?
  4. https://www.youtube.com/watch?v=s3JGSo29z1c https://www.youtube.com/watch?v=mSH69yQH7B0 https://www.youtube.com/watch?v=Vlzg8NGX-dM ProBurn ~~~
  5. Surprised to see this! Hometown rep (Brisbane). We named a bridge after them. The Go-Between Bridge.
  6. New Laibach https://www.youtube.com/watch?v=5jqOSDq0Ssc
  7. Embers

    XHK - XH HX

    Maybe the sound is the video data. Not entirely unreasonable to assume some max/msp magic could handle the rigorous manual labour of what you suggested. Video signal (as stream of numbers) simultaneously sending to Jitter for video processing and MSP for audio processing. Similar atonal noise is made from loading up images into audacity.
  8. Embers

    XHK - XH HX

    Big acousmatic vibes here. https://en.wikipedia.org/wiki/Acousmatic_music
  9. fun funky pop track with a pleasantly cheap synthline and her weirdly alien looks keep me fixated on the video https://www.youtube.com/watch?v=Kk8eJh4i8Lo
  10. Where does one get such beautiful flutes from? A flautist.... Obviously So not a florist. Got it.
  11. Where does one get such beautiful flutes from?
  12. I really don't mind this. It's that pussy smashing rap guys make, only from woman's perspective? More power to her. Nice dancehall rhythm.
  13. interview in The Australian around their studio methods and upcoming Australia tour. Quote here because paywall. https://www.theaustralian.com.au/arts/music/uk-electronic-duo-autechre-a-good-fit-for-dark-mofo/news-story/4891d8a017c356016d7769ccb50d54d9
  14. yes! the conceptual baggage has bogged down his work more and more with each record. his music comes across as very clunky and bombastic to me, not many subtle sweet spots. he’s got talent and like you said it’s def not terrible but it’s all very overblown to me. Seems I'm the minority, but I really enjoy how conceptual this album is. OPN's world is darkly oblique and very obscure and Age Of has honestly been one of the most refreshing and challenging listening experiences in some time. Exploring a data dump in a technological wasteland is only really possible because we have entered an age of sophistication with machines where these concepts are no longer exclusive to science-fiction but are intersectional with a potential reality. 'Toys 2' is based on the idea of Robin Williams not wanting his likeness used in future media, like a CGI young Carrie Fisher in the film Rogue One, or a Michael Jackson hologram on stage. Or take 'Same', where a self-aware AI is alone and imprisoned and sings about deleting itself- machine suicide. These possibilities realised because of recent technological developments. It's not a stretch of the imagination to place these concepts in an apocalyptic setting, in fact they are quite at home; Boards of Canada did the same thing with Tomorrow's Harvest just with different reference material. The glitch, noise and horror elements of Age Of add directly to that atmosphere. Stylistically OPN is confusing and obfuscating on this album, but to me that's the point. We are moving into an uncharted digital future with unknown possibilities. Age Of simply explores some of these unknown possibilities. And it's sweet and sweet on repeat.
  15. The gentle FM-pop vibe keeps me coming back to this album. Very aquatic and serene at times, especially diggin the latter half of Toys 2. The first OPN I've given a repeated listen! Definitely growing on me ~
  16. The autotuned vocals have the same sound/vibe as those from the "Channel Pressure" collab with Joel Ford. Sounded much more refined on that album, perhaps because it was Joel's voice.
  17. Around 2006, back when MSN Messenger was the chat client and you could have the now playing thing next to your name. A friend of mine from Trinidad was playing BoC's In A Beautiful Place ep, in particular the track Zoetrope. "Boards of Canada - Zoetrope" caught me and that string of words spun around in my head for a few days. I had to listen just to find out what it all meant and I got instantly hooked on their music. last.fm was also insanely popular at the time and after playing BoC for so long Autechre's Amber came up as a recommendation. I had a look, saw they were on the same label as BoC and that got me intrigued. The artwork alone gave me such an immense alien feeling. At one point I just spent an hour just looking over it, just feeling it. It gave me absolutely no indication of what Amber would sound like, but it gave me the feeling of the album. It was beautiful. Listening in, the first 3 tracks were pretty good but didn't get me hooked, but then SLIP came on and my whole musical world was shattered. It was bewildering, confusing, so smoothly crystalline and tonally vibrant all at once. The melody and background flutters are super lush. The modulations keep the whole things fresh for 6+ mins. At the time I couldn't believe it was made in the early/mid-90s, and it still sounds so futuristic today. I dove headfirst into the discography deep end after that! I bought nearly everything on CD they had released up until that point.
  18. +++ Haven't been into one of their albums so much since Hydroponic Garden. Defos picking up the vinyl for this one.
  19. I came across an interesting quote in my readings and saw the immediate applicability to the album. This quote was so powerful and the connections to the album so clear that I contemplated it for days and wrote up my thoughts. Or maybe I'm just severely autistic, eh, probably. You make up your own mind. Marcus Manilius (fl. 1st century AD), a Roman poet and astrologer, said of the Gemini twins in his poem Astronomica, Astronomica itself is a hexameter didactic poem. The number 6 and associated symbolism (primarily, hexagons) is a recurring item in Boards of Canada's music. Didactic refers to something that is "intended to teach, particularly in having moral instruction as an ulterior motive." - Tomorrow's Harvest could be interpreted as didactic, commentating on how our current behaviours affect ourselves, our environment and inform our future (direct instruction / teaching), but also providing an opportunity for self-reflection, reparations and a path to salvation (moral instruction - "a more agreeable way of life", "banish the arms of war", "life of ease...in the arms of love"). Comments on phrases from the quote, as they relate to Tomorrow's Harvest "...laborious callings..." - a direct reference to the album's title. A call to action. Work that must be performed soon. Something that must happen in the future. Something that must be faced in the future. Tomorrow's Harvest. Ties in with the sense of "something impending" oft used to described the album, even by the brother's themselves in an interview. "...less laborious callings and a more agreeable way of life..." - the quote indicates that the Twins call for an easement in work, or hardship, and a better way of living. This ties back into the moral instruction of the album. The only way to prevent our future suffering is to better ourselves in the present, to unburden ourselves from potential hardship. We can change the future by changing the present, that we do not need to walk the path of self-destruction. "...provided by varied song and voices of harmonious tone, slender pipes, the melodies inborn in strings and the words fitted thereto..." - a direct reference to the music. After the trumpet vignette (which itself is a signal of the coming apocalypse, as said in the Bible's Book of Revelation), the body of the track Gemini fades in with strings. slender pipes and melodies - woodwind, particularly flute-esque melodies, are a recurring theme in BoC's music. words fitted thereto - the album heavily features both subtle and non-subtle samples of human spoken word, Gemini included. "...the gloom of old age..." - the emphasis on the old age being a negative ties in with the moral instruction to change for the better, that something has changed or will [have to] change for the better. The transition from the old age to the new age, from darkness to light, that something is not the end but the beginning. This further ties in with the theme of cycles on the album. This is perhaps reflected in the track Gemini by the swirling, oscillating noise that backs the intense striking of chords. The album itself goes through 5 cycles of birth>death>rebirth and can be correlated to the 4 sides of the vinyl edition. Side A: Gemini (the call for better living) > Jacquard Causeway (an uneasy, perhaps perilous time or journey) Side B: Telepath (a new kind of life) > Collapse (destruction) Side C: Palace Posy (a very indigenous beat in this track, almost tribal/primitive, represents the dawn of a new society) > Sundown (coming of darkness) Side D: New Seeds (a new beginning, a new era, a new society) > Come To Dust (to die), followed by Semena Mertvykh ("Seeds of the Dead" - a new society emerges from the ashes) which cycles back onto the first track, Gemini. "...unfading youth..." - BoC often touch on nostalgia, most often tied to sensory experiences that occurred in our youth, and directly ties in with BoC's style and sound. In the context of the quote, it implies a positive: direct instruction to be carefree, to live well and happily. However, on Tomorrow's Harvest, it is commentary that we are negatively tied to the past, and the moral instruction to better ourselves is to unhinge from the past and instead look forward to where we are headed. The duality of this interpretation, not only a reference to the duality of the Gemini twins, but also highlights the tension between where we currently are at, and where we should be. That tension is change, specifically and how society often oscillates (cycles) between change and resistance to change. "...discover paths to the skies..." - reflective of the album's imagery, particularly the music video for "Reach for the Dead" which features scenes of flying through the sky, the air, the sign of Gemini. But also implies a level of technological sophistication, as a human requires understanding and invention of tools to fly. It is interpreted that technology may be our downfall, that it may outstrip our control, causing a catastrophic event. The album is littered with reference to understanding and technology, from the radioactive yellow on the vinyl (nuclear technologies requires understanding of matter), to the idea of a harvest (a human development that requires understanding of agriculture and associated technologies). Perhaps the idea is that which brings us so much ease and knowledge, that which identifies us as human - our ability to craft and use tools - can also undo us. Not an original idea for the album, but a common one used in all sorts of media that touches on catastrophic/apocalyptic failings of humans. "...complete a survey of the heavens with numbers and measurements..." - a call back to BoC's earlier work that was heavily laden with references to mathematical concepts (numbers and measurements). A meta-reference that BoC themselves have yet again changed their sound on Tomorrow's Harvest. It may be BoC saying they as people have changed ("We've become more nihilistic", as quoted in an interview), an implicit example that people can change. The idea of surveying and measurement also ties back into the previous line of thought of technological sophistication and building knowledge. But can also be abstracted into the idea of surveying and measuring how things are, to make an assessment and to make changes for the better. "...outstrip the flight of the stars..." - still following the line of thought on technological sophistication. "...nature yields to their genius, which it serves in all things." - commentary on the ubiquity and pervasiveness of technology in nature. That their genius (their technology, their ability to manipulate their surroundings with said technology) serves all things (complete control of nature). But when we are so in control of our environment, what do we do with all that power? That is the core question presented on Tomorrow's Harvest- and we can be destructive or fruitful. This is the ultimate moral consideration presented here. "So many are the accomplishments of which the Twins are fruitful." - the ultimate direct instruction. We should use what control have for the better, to be fruitful, and for all to prosper without war, but in peace and love. To not live in the old age, but move into a new age. To live a more agreeable way of life.
  20. Embers

    elseq 1-5

    Was just finally coming around to really appreciate Exai and they drop this beast! Got me some diapers because I'm losing my shit.
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