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Eno - Reflection


beerwolf

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Reflection follows in the lineage of Brian Eno's long-running collection of 'Ambient' recordings that started with his 1973 collaboration with Robert Fripp, (No Pussyfooting) and 1975's Discreet Music.

Consisting entirely of one long form composition, Reflection mirrors perfectly Brian Eno's idea that 'Ambient' music is a term "to distinguish it from pieces of music that have fixed duration and rhythmically connected, locked together elements".

 

 

 

yesyesyesyesyes

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It's a terrible cover. Given Eno's art aesthetic and general good taste i.e Another Green World, Before And After Science, you'd think he would put more effort into that. Some of his covers overs the years are downright awful. 

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Definitly a HQ digital release for me, I'm not so precious as I used to be about physical versions. I'll slowly crawl out of my pit on New Years day and just zip it down the wire. Once the banana, berrocca, mineral water and milk thistle has worked its magic it'll be Ambient Eno Time........and I'll be happily snoozing fast asleep again within 10 minutes :biggrin:

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If he's happy to go back and re-cover old ground, I'd really love him to return to the ambient miniatures format of the instrumental stuff on Another Green World and Before & After Science, Apollo, and the Music for Films series. Short, evocative pieces made with a mixture of synths and live instrumentation. Always my favourite stuff of his.

 

Will be checking this on release, of course. Sometimes his longform ambient is totally on point (Music for Airports, Lux), sometimes it misses the mark for me (Neroli). But it's always worth a go.

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  • 4 weeks later...

According to this site, there will be an iOS app that plays an 'endless' version of Reflection.

Mmm. There's a lot of ways to define 'endless'.

 

http://www.factmag.com/2016/12/15/brian-eno-reflection-generative-music-app-endless/

 

 

Here too.

 

http://pitchfork.com/news/70448-brian-eno-details-generative-editions-of-new-album-reflection/

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According to this site, there will be an iOS app that plays an 'endless' version of Reflection.

Mmm. There's a lot of ways to define 'endless'.

 

http://www.factmag.com/2016/12/15/brian-eno-reflection-generative-music-app-endless/

 

 

Here too.

 

http://pitchfork.com/news/70448-brian-eno-details-generative-editions-of-new-album-reflection/

I read somewhere that he somehow managed to put his "conciousness" as an algorithm into the album so that it is ever-evolving. The idea is that in that way, Brian Eno will live forever...

 

 

 

sounds kinda bs, but very cool idea!

 

 

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I will be very surprised if he has truly created a generative app that plays endlessly - with every moment unique and never repeated again. He does tend to hype these things and often him talking about an idea is infinitely more exciting than what he actually releases.

 

I remember all the hype around 77 Million Paintings - in reality it was just a screensaver.

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Eno’s follow-up to his 2016 album The Ship further expands his pioneering catalog of ambient releases, including his full length LUX in 2012. Composed of just one 54-minute title track, the generative edition of Reflection was developed by Eno and his long-time collaborator Peter Chilvers. Here’s more from Eno on the generative Reflection versions being made available on Apple TV and iOS:

 
Reflection is the most recent of my Ambient experiments and represents the most sophisticated of them so far. My original intention with Ambient music was to make endless music, music that would be there as long as you wanted it to be. I wanted also that this music would unfold differently all the time – “like sitting by a river”: it’s always the same river, but it’s always changing. But recordings – whether vinyl, cassette or CD – are limited in length, and replay identically each time you listen to them. So in the past I was limited to making the systems which make the music, but then recording 30 minutes or an hour and releasing that. Reflection in its album form – on vinyl or CD – is like this. But the app by which Reflection is produced is not restricted: it creates an endless and endlessly changing version of the piece of music.
 
The creation of a piece of music like this falls into three stages: the first is the selection of sonic materials and a musical mode – a constellation of musical relationships. These are then patterned and explored by a system of algorithms which vary and permutate the initial elements I feed into them, resulting in a constantly morphing stream (or river) of music. The third stage is listening. Once I have the system up and running I spend a long time – many days and weeks in fact – seeing what it does and fine-tuning the materials and sets of rules that run the algorithms. It’s a lot like gardening: you plant the seeds and then you keep tending to them until you get a garden you like.
 
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The app-based edition comes alongside more conventional vinyl LP, CD, digital download and streaming offerings. “Moving the composition into software allowed an extra opportunity,” said Chilvers. “The rules themselves could change with the time of day. The harmony is brighter in the morning, transitioning gradually over the afternoon to reach the original key by evening. As the early hours draw in, newly introduced conditions thin the notes out and slow everything down.”
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sounds interesting but that's way too expensive imo..

 

 

yeah, he won't get many people buying it blind at that price. I think the most expensive app he's ever had in the Apple store was about £8. For something that supposedly plays infinitely, it's taking the piss.

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