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  1. I personally think it might be a Rob imitating Sean solo LP and vice versa on the next.
  2. Thanks Sign. Sent from my PH-1 using Tapatalk
  3. Nice to see Barry back at it. His psychedelic guitar/synth tape delay pieces can really hit the spot.
  4. While this is a obviously a rather broad question considering the fact that over the years S&R have produced a seriously eclectic catalogue of material... I am curious what other fans might have to say as I was personally asked this a few days ago and am still turning it over in my mind.
  5. Username


    That emotional melody that forms out of the chaos at 55:30 min on Dublin. This is the kind of stuff that keeps me coming back for more. If this is what longform seated AE shows give us, can we just do that from now on? It's not like you can't dance in a seat.
  6. Ugh yeah, in my defense I was pretty sleep deprived at the time.
  7. Big RIP to James Conway btw, who's ideas clearly have had a great influence on S&R.
  8. I noticed the OneEight covers have the shading on the letterforms where OneSix has it on the background. The black matching the website background makes for some interesting form vs void exploration and is a nice touch.
  9. Username

    AE Tour 2020

    If its an NA tour I'm worried that they would opt to skip Vancouver this time as the venue last time was right in the middle of junkie town and I recall hearing that they thought it was the most sketchy stop on the tour. Pls come. Even if that means it's a seated venue.
  10. e0 is clearly the broccoli track considering its heavy Musick to Play in the Dark era Coil influence. Wise words from the departing. Eat your greens, especially broccoli. Remember to say "thank you" for the things you haven't had.
  11. For me it wasn't so much so much sounding like identical melodies but more the synthesis having a similar quality to some Oversteps sounds on We Dance Alone, Orchid Hunting, Translucent Harbor, and Illusional Notation. Did you possibly use a Nord Lead for those bits? It saw heavy use on that LP iirc. For the Plaid vibe I mentioned was strongest in Walking Atlas and Truth Embedding but I think is more just a product of the general melodic IDM influence you tried to incorporate. I will also take this opportunity to say love your work and to keep on pushing yourself! :)
  12. I will admit that when I first heard it I thought it sounded a bit dorky and rolled my eyes too. What I'm mostly referring to is the lack of any reaction that would denote recognition of the sample. This leads me to believe it's possible they had no idea what it was to begin with, and while that is fine and that time moves on leaving cultural icons to fade from memory becoming irrelevant. My comment mostly reflects on the current status of Boiler Room and it's attendees. I don't know maybe I'm just getting old and should shake my cane elsewhere.
  13. The lack of any reaction from the crowd when he went into that Oh Yeah rework in the BR set is depressing, everyone looks so disaffected. Looking forward to this though, that title is so damn clever it hurts.
  14. Upon a few additional listens I have picked up some very Plaid sounding stuff as well.
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