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Everything posted by springymajig

  1. I listen to very little new music... but what I have enjoyed that came out this year: Sungazer - Perihelion Danny L Harle - Harlecore Low - HEY WHAT Clown Core - 1234 Sedibus/The Orb - The Heavens OSS/The Orb - Enter the Kettle
  2. Their old "system" more or less started with Oversteps and Move of Ten right? Sign and Plus feel a lot like those two to me. Lush melodies/sparse beats. So potentially, they approached the first experiments with the new "system" the same way they did with the previous one. Which means the next release might be what they consider to be the "new system's Exai". That's my prediction. Which still doesn't give us any idea what it might sound like, but I'm gonna guess that creatively, they're in a similar position where they were with Exai... (i.e. getting comfortable with some new tools and putting together something quite ambitious with those tools).
  3. Has anyone been listening to The Orb/Alex Patterson's collaborations on his "Orbscure" label? This came out today I believe... kinda reminds me of the remixes of Orbus Terrarum/Pomme Fritz era Orb... dark and dubby... Also earlier in the year he released another album called The Heavens by Sebidus which is also really nice, and also feels like a call back to earlier times (a bit like U.F.Orb).
  4. This is really neat! The guitar sounds are really beautiful, nice floaty mood. I like the combination of live and electronic drums too, although I feel like in terms of mixing they don't quite gel together as well as they could. Definitely gonna check out the rest of your stuff on Spotify.
  5. So if anyone was following this... unfortunately, at this point, this won't be on Spotify etc (let's just say due to... technical difficulties) but it'll still be on Bandcamp and Youtube as well. I'll just update my signature so as not to bump my own thread everytime there's an update on this.
  6. Thank you! This one is set at 250bpm in FLstudio but depending on how you interpret the beat I suppose it could be argued there are bits at 500 or even 1000 😅
  7. *ahem* Hellow WATMM... I am very happy to finally announce my album, Super Golyhedronland, will be released on November 22! 13 tracks of frenetic, videogame-inspired electronic madness, which I am very proud of 😁 It'll be on Spotify and all the big streaming services, but also if you got some cash to spare, why not pre-order the digital release today on Bandcamp? I've included a whole bunch of sweet sweet digital art goodies, check it out:
  8. Been a while... been working away at artwork for my album, Super Golyhedronland, which will release on November 22! Here's another track from it, a bit of chiptune/hardcore-techno wackiness:
  9. This is another track from the album I'm currently working on, Super Golyhedronland. Probably the most "IDM" of the bunch, lots of skittery, constantly changing beats in odd meters, but it's all very sugary and sweet and colourful 🙂
  10. New tune from me: It's a mix of EDM, chiptune, breakcore, with some proggy meter changes. This is (probably) an outtake from the album I've been working on, although I'm still pretty happy with it 🙂
  11. springymajig


    OMG! I totally didn't realise that till you mentioned it! It's right there in the title! (well... kinda)... as if the weird tempo shifts (which is probably some kind of audio illusion... possibly using metric modulation or something) in that track wasn't weird enough already!
  12. springymajig


    Actually... to be precise, my understanding is that what you are describing, and what dingformung describes as the first kind of polyrhythm is actually called polymeter. However... everyone just calls it polyrhythm anyway, so does it matter? I dunno. Actual polyrhythms, where the bar length is the same but the division length is different, usually sounds super messy and shit when it's anything that isn't divisible by 3 (eg 3 against 4, 4 against 3, 6 against 4 etc). I've heard examples of 5 against 4 that worked but rarely. I think that will probably change over time as audiences get used to listening to the "quintuplet swing" (a bar of 4 beats each subdivided by 5) which is all the rage at the moment in prog and jazz and will surely become mainstream in the not too distant future (oh yeah I THINK Cfern is an example of quintuplets but it could just be triplets).
  13. Yes earlier in the thread someone mentioned the vital contributions to early electronic music by queer/LGBT people, but I think in all of those examples, the extent at which they made the music about themselves was far less pronounced than with these hyperpop artists. As much as enjoy some hyperpop, what you describe really limits that enjoyment, and I also can't take it seriously. AG Cook is good because there's a strong sense of irony and satire, it's MEANT to be vapid and self centred, because it's satirising pop music from the 90s and early 2000s. It's definitely an extension of vaporwave. But just like vaporwave, there's a vast range of attitudes within the hyperpop genre: some artists seem to exaggerate pop sensibilities because they think its just good, like they're not in on the joke. I kinda like Arca's latest album, but I feel like it sits in this category, probably Sophie too. But then there's also the whole thing of it being pop music at the end of the day and pop isn't meant to be taken seriously and somehow Arca and Sophie are all laughing at us that it's ACTUALLY US that don't get the joke, they ARE making ironic pop music while simultaneously making a serious artistic and "political" statement because of some post-post-modern ideological labyrinthine trap where A is equal to A AND B and nothing really makes sense... Ugh...
  14. Great textures and chord progression, very pretty (especially played LOUD).
  15. Again... fantastic... I totally get that you might not be as interested in making this kinda stuff as "post-grunge 90s alternative" but I would love a whole album of this!
  16. I would argue her last album, KiCk I, could be considered hyperpop.
  17. Yeah definitely funky, very laid back. It feels like it properly starts around the 1 minute mark, I really like the rubbery bass that comes in around then. I feel like it maybe takes a bit too long to get there, and overall it's perhaps a little longer than it needs to be. At the same time, music like this lends itself well to longer, hypnotic grooves so it's a tricky balance to strike...
  18. Listened to the last couple of tracks and they're very nice, very smooth, well recorded and produced, super relaxing. But the song in your signature there... that one is BEAUTIFUL, love the way the bassline shifts and harmonises with everything else around 2 minutes in and onwards, that little progression that cycles is really really pretty.
  19. I discovered PC music through this video years ago: I've always found it a mixed bag: absolutely love some of it, and some of it elicits a "nails on chalk board" level of instant revulsion. I just put that down to personal taste. Objectively, I find nothing wrong with Sophie but I just haven't enjoyed any of her music at all. I do enjoy Hannah Diamond though (in small doses). I get the feeling that a lot of people will feel the exact opposite. First of all, PC music is a label, started by A.G Cook who more or less invented the genre. Pretty sure the terms bubblegum bass and hyperpop came later (correct me if I'm wrong). Which makes sense... naming a genre after a label would be a bit odd...
  20. I liked this, it's pretty and melodic, and crystal clear, punchy sound. The drums have a good feel to them, I agree with the comment about them sounding "alive". It has a bit of a 90s breakbeat/bigbeat feel to it. 'm definitely a fan of that style of cut up vocals (is there a name for that?) and in this context, it kinda sounds like you've mixed together a few different dance music tropes, from different eras, in an original way.
  21. Wow this is beautiful! Agree with the comment above, it has a really nice evolution, really well paced, it builds up slowly but not TOO slowly. Nice, crisp, punch sound design, lovely melody, and lots of "brain-tickling" variation. This could easily keep going for longer... I want more!
  22. Hi everyone, I am starting a thread for my music as well (it's been a long time since I've posted here). Any and all feedback welcome. This is something I did a few months ago, and I'm currently working on an entire album which this is a part of (all videogame/chiptune inspired stuff). So more to come...
  23. I was not expecting that turn from pure sound design/noise to ambient. By itself, it's a bit odd, especially since it's so thin and lacking in bass or mid range, but I can imagine it in the context of an album... that swings between noise and more traditionally "musical" moments (kinda like, stuff like Leafcutter John).
  24. This is really cool, beautiful atmospheric pads and stuff... the polyrhythmic timing is really interesting, every now and again it takes a second for my brain to register exactly what's going on, but at the same time it's still pretty smooth (it's easy for stuff like polyrhythm to be purely academic and hence barely listenable). I WAS gonna say that it's a touch too long, when I listened to it this morning, I kinda zoned out after a while. But listening to it a second time, I feel like there's enough going on to keep it engaging. Interested to hear more of this batch...
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