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M.E.S.H. - Piteous Gate


malaria

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http://p-a-n.org/product/m-e-s-h-piteous-gate-pan-66/

 

Alongside fellow members of Berlin’s Janus collective, recently behind nights at Berghain and Corsica Studios, M.E.S.H. is known for his futurist approach to club dynamics and production. On Piteous Gate, tightly gridded and sculpted sound juts up against loose-wristed improvisation, automated processes, and collage. Standard club synco- pation is twisted by sliding tempos, cut and paste time signatures, and indeterminate pacing. Its sound design and compositions are ornate, even courtly, with neo-feudal moods offset by the recurrence of hydraulic hiss and flanger.

 

Really interesting stuff here; sounds like he's moved forward from Scythians into exciting territory. RIYL TCF, Autechre, Dalglish, J.G. Biberkopf, or Commissions II-era OPN.

 

Great interview by FACT: http://www.factmag.com/2015/07/12/m-e-s-h-piteous-gate-interview/

 

Bonus article by Adam Harper that delves into this kind of sound in great detail: http://www.thefader.com/2015/07/09/system-focus-cybernetic-club-music

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