beerwolf Posted May 15, 2020 Share Posted May 15, 2020 Sweeter than a sack of nuts (and then freshly deep fried in Field Marshal Jenkinsons' homemade Acid ) Link to comment Share on other sites More sharing options...
exitonly Posted May 15, 2020 Share Posted May 15, 2020 dope crossfader trix Link to comment Share on other sites More sharing options...
colunga Posted May 15, 2020 Share Posted May 15, 2020 Link to comment Share on other sites More sharing options...
ignatius Posted May 15, 2020 Share Posted May 15, 2020 yess.s... nice one. sideways acid! Link to comment Share on other sites More sharing options...
pizza Posted May 15, 2020 Author Share Posted May 15, 2020 garbage. Link to comment Share on other sites More sharing options...
drome Posted May 15, 2020 Share Posted May 15, 2020 Acid is played out. Acid needs furlough to survive. Link to comment Share on other sites More sharing options...
Goiter Sanchez Posted May 15, 2020 Share Posted May 15, 2020 Rough n Ready, how I like it ( ͡° ͜ʖ ͡°) Link to comment Share on other sites More sharing options...
pizza Posted May 15, 2020 Author Share Posted May 15, 2020 acid is fucking great. this, however, is EXTREMELY mediocre. especially considering where it's coming from. Link to comment Share on other sites More sharing options...
pizza Posted May 15, 2020 Author Share Posted May 15, 2020 damogen furies: THIS ALBUM WAS MADE USING A BESPOKE SYSTEM WHICH HAS BEEN IN DEVELOPMENT FOR OVER A DECADE. FRAGMENTS OF EARLIER VERSIONS OF THE SYSTEM HAVE BEEN USED ON OTHER RECORDINGS, BUT THIS PROJECT IS THE FIRST OCCASION WHERE ALL SOUNDS HAVE BEEN GENERATED AND PROCESSED EXCLUSIVELY ON INSTRUMENTS THAT I HAVE PROGRAMMED MYSELF. THE INITIAL IMPETUS TO DEVELOP IT CAME FROM A NEED TO FREE MYSELF FROM THE CONSTRAINTS OF USING OFF-THE-SHELF GEAR AND THE CULTURE OF CONSUMERISM THAT ENGULFS ELECTRONIC MUSIC MAKING IN PARTICULAR. AND I CAME TO SEE THAT EXPERIMENTING WITH THE FUNCTIONALITY OF INSTRUMENTS HELPS TO CULTIVATE AN EXPERIMENTAL ATTITUDE TO COMPOSING WITH THEM. INDEED, FOR ME THE PROCESS OF DESIGNING INSTRUMENTS HAS BECOME INDISSOCIABLE FROM COMPOSITION. ALL OF THE RECORDINGS ON THIS ALBUM WERE MADE IN A SINGLE TAKE WITH NO EDITS, REFLECTING THE SYSTEM’S ORIENTATION TOWARDS LIVE PERFORMANCE. IT IS PRESENTED IN DEFIANCE OF THE PATH OF LEAST RESISTANCE. now: press play on behringer ripoff #21923840123 Link to comment Share on other sites More sharing options...
hijexx Posted May 15, 2020 Share Posted May 15, 2020 Love it! Keep it coming Link to comment Share on other sites More sharing options...
auxien Posted May 15, 2020 Share Posted May 15, 2020 26 minutes ago, pizza said: now: press play on behringer ripoff #21923840123 i assumed he was using real 303s, i mean i'm sure he has to have at least one Link to comment Share on other sites More sharing options...
exitonly Posted May 15, 2020 Share Posted May 15, 2020 20 minutes ago, auxien said: i assumed he was using real 303s, i mean i'm sure he has to have at least one nah , you can tell its a behringer cause the 2db bump at 3k. total farce Link to comment Share on other sites More sharing options...
Taupe Beats Posted May 15, 2020 Share Posted May 15, 2020 1 hour ago, pizza said: damogen furies: THIS ALBUM WAS MADE USING A BESPOKE SYSTEM WHICH HAS BEEN IN DEVELOPMENT FOR OVER A DECADE. FRAGMENTS OF EARLIER VERSIONS OF THE SYSTEM HAVE BEEN USED ON OTHER RECORDINGS, BUT THIS PROJECT IS THE FIRST OCCASION WHERE ALL SOUNDS HAVE BEEN GENERATED AND PROCESSED EXCLUSIVELY ON INSTRUMENTS THAT I HAVE PROGRAMMED MYSELF. THE INITIAL IMPETUS TO DEVELOP IT CAME FROM A NEED TO FREE MYSELF FROM THE CONSTRAINTS OF USING OFF-THE-SHELF GEAR AND THE CULTURE OF CONSUMERISM THAT ENGULFS ELECTRONIC MUSIC MAKING IN PARTICULAR. AND I CAME TO SEE THAT EXPERIMENTING WITH THE FUNCTIONALITY OF INSTRUMENTS HELPS TO CULTIVATE AN EXPERIMENTAL ATTITUDE TO COMPOSING WITH THEM. INDEED, FOR ME THE PROCESS OF DESIGNING INSTRUMENTS HAS BECOME INDISSOCIABLE FROM COMPOSITION. ALL OF THE RECORDINGS ON THIS ALBUM WERE MADE IN A SINGLE TAKE WITH NO EDITS, REFLECTING THE SYSTEM’S ORIENTATION TOWARDS LIVE PERFORMANCE. IT IS PRESENTED IN DEFIANCE OF THE PATH OF LEAST RESISTANCE. now: press play on behringer ripoff #21923840123 And yet the first single of Damogen Furies shamelessly ripped The Cure, of all things. Sometimes experiments lead you to pop melodies, sometimes they lead you to fun things like this acid jam. Link to comment Share on other sites More sharing options...
pizza Posted May 16, 2020 Author Share Posted May 16, 2020 that's one way to look at it, I guess. if you only heard the first track on the album. Link to comment Share on other sites More sharing options...
Taupe Beats Posted May 16, 2020 Share Posted May 16, 2020 7 minutes ago, pizza said: that's one way to look at it, I guess. if you only heard the first track on the album. This is a really stupid assumption. Link to comment Share on other sites More sharing options...
pizza Posted May 16, 2020 Author Share Posted May 16, 2020 whatever. i'm not here to defend Damogen Furies (altho there are some megabangers on that album: Baltang Arg, Kwang Bass, D Frozen Aac). my point being, if all you extracted from that quite on-point, and to be honest timely, "manifesto" from Tom is that one track resembled a Cure tune (Cure owns), well. that's not what I was referring to. Link to comment Share on other sites More sharing options...
pizza Posted May 16, 2020 Author Share Posted May 16, 2020 btw, i'm late to the party but one of my fav tunes this year (to me) is this: so take whatever i say with a huge grain of salt Link to comment Share on other sites More sharing options...
d-a-m-o Posted May 16, 2020 Share Posted May 16, 2020 lol Link to comment Share on other sites More sharing options...
may be rude Posted May 18, 2020 Share Posted May 18, 2020 we were just talking about tom's hands... Link to comment Share on other sites More sharing options...
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