eclipsis

lol, yeah. spl9 actually makes me think of Meshuggah everytime I hear the track.

Who's that?

exai years since exai

I feel this way about Exai. LP5 is dope tho.

I have the same problem with that section. Just when it's supposed to explode with those distorted guitars it gets awkardly quiet and the sound is sort of ducked. Such a great song but I personally don't understand this decision.

Yeah, the pricing here is definitely an overstep.

Amazing cover of VI Scose Poise! Where can I find their other material? I mean I think I've seen them live the other day passing this farm house. Now I wish I stayed for the whole set.

You know that one? ?

Exai is their perfect album in my book. Perfect length, perfect blend of digital and "analogue" sound, perfect ratio of dry vs wet, of complex beats vs lush pads, top notch track sequencing - each track is very different yet they transition quite nicely into each other. I don't feel like there's any weak moment. It's definitely my number one AE album since 2013 and it got me through some difficult times that year.

I loved they older stuff. Didn't gel much with They Can't Be Saved (great sound design but kinda... boring?) but the new single sounds fresh!!

Well, it was presented as a four part thing where each instalment works individually on its own so I don't think it was ever meant to be listened to in full.

13 years to click with Quaristice? This gives me hope that Chiastic Slide might click with me one day ...perhaps in another decade or so.

This one was pretty cool though:

I loved Narkopop a lot but Rausch was just... I don't know, I just couldn't gel with it. I tried listening to it today once again but couldn't get through the whole album. I just don't like the sound design of Rausch I guess.

GAS - DER LANGE MARSCH is the 10th album from Wolfgang Voigt's impressive and timeless series of works and will be released on 3.12.2021 exclusively by Kompakt Records. The release is also part of the large Wolfgang Voigt art exhibition WERKSCHAU, which will open on the same day at Kompakt zu Köln in collaboration with Jens-Uwe Beyer Galerie (JUBG). At the latest with the release of the albums "Zauberberg" and "Königsforst", in the mid-1990s, one associates GAS, Wolfgang Voigt's very own artistic cross-linking of the spirit of Romanticism and the forest as an artistic fantasy projection surface, with intoxicatingly blurred boundaries of post-ambient infatuation and the impenetrable thicket of abstract atonality. The distant, iconic straight bass drum marching through highly condensed, abstract sounds taken from classical music by the sampler or modulated accordingly, and the enraptured gaze through pop art glasses into the hypnotic thicket of an imaginary forest, manifested over the years this unique connection of audio and visual, which to understand fully, then as now, would be neither possible nor desirable. Quite the opposite. The album GAS - DER LANGE MARSCH once again invites us to follow the deep sounding bass drum, to give in to its irresistible pull into a psychedelic world of 1000 promises. In the process, the journey leads us past stations of memories sounding from afar, from "Zauberberg" to "Königsforst" and "Pop", from "Oktember" to "Narkopop" and "Rausch", back and forth, now and forever. Way. Destination. Loop. Forest loop. No beginning. No end. https://kompakt.fm/releases/der_lange_marsch