Need some good music like Autechre

[Draft78]

 

We all know very well Parmegiani and the influence it exerts on the two friends to whom this sub-forum is dedicated, so it might seem pleonastic to propose "La Creation Du Monde" again, but what I place here is a version adapted for acusmonium. I was present at the event, and I can say that what I felt was not far from what I felt with Onesix, live. I advise everyone not to pay attention to visual, and to enjoy this adventure of an hour and fifteen, preferably with headphones:

 

http://www.ursss.com/2018/04/bernard-parmegiani-andrew-quinn/

 

... how strange it is to note that the creative peak of the most influential electronic duo, in 2018, after a journey of 31 years, has as its objective something very similar to what was done before the journey began.

After all, I can confess that if La Creation Du Mond did not exist, and this was one of the NTS sessions, I would have come out enthusiastically. Probably you too.

 

 

ps: at 44:36 we can find the father of Steels (quaristice)... or maybe it would be more correct to say that Steels is a cover?

[Ragnar]

 

We all know very well Parmegiani and the influence it exerts on the two friends to whom this sub-forum is dedicated, so it might seem pleonastic to propose "La Creation Du Monde" again, but what I place here is a version adapted for acusmonium. I was present at the event, and I can say that what I felt was not far from what I felt with Onesix, live. I advise everyone not to pay attention to visual, and to enjoy this adventure of an hour and fifteen, preferably with headphones:

 

http://www.ursss.com/2018/04/bernard-parmegiani-andrew-quinn/

 

... how strange it is to note that the creative peak of the most influential electronic duo, in 2018, after a journey of 31 years, has as its objective something very similar to what was done before the journey began.

After all, I can confess that if La Creation Du Mond did not exist, and this was one of the NTS sessions, I would have come out enthusiastically. Probably you too.

 

 

no did not know. Also Parmegiani isn't as edgy a name as Autechre, just saying. This guy is probably cool though. The myth that IDM has no marketing scheme/Drukqs was not curated/etc.

[Ragnar]

 

 

 

We all know very well Parmegiani and the influence it exerts on the two friends to whom this sub-forum is dedicated, so it might seem pleonastic to propose "La Creation Du Monde" again, but what I place here is a version adapted for acusmonium. I was present at the event, and I can say that what I felt was not far from what I felt with Onesix, live. I advise everyone not to pay attention to visual, and to enjoy this adventure of an hour and fifteen, preferably with headphones:

 

http://www.ursss.com/2018/04/bernard-parmegiani-andrew-quinn/

 

... how strange it is to note that the creative peak of the most influential electronic duo, in 2018, after a journey of 31 years, has as its objective something very similar to what was done before the journey began.

After all, I can confess that if La Creation Du Mond did not exist, and this was one of the NTS sessions, I would have come out enthusiastically. Probably you too.

 

 

no did not know. Also Parmegiani isn't as edgy a name as Autechre, just saying. This guy is probably cool though. The myth that IDM has no marketing scheme/Drukqs was not curated/etc.

 

 

Re: the curation of Drukqs, interesting conversation as always. I have this no vinyl and it always does my head in that it is sequenced in a different order to the digital /cds. what is your thought on that

 

 

didn't think about it that far, I just meant even if the mp3 player did exist, it was selected very carefully from the tracks, not just 'here's some tracks'

[Chabraendeky]

I used to like Phonem. Quite similar to earlier (Chiastic Slide era) AE, perhaps a bit more melodic. (Or was at least around 2000, I don't know about his recent stuff).

[taphead]

This guy William Fields, who actually posted in EKT for a bit in 2015 from the looks of it, just came out with this EP on Conditional and it's pretty wild in an Autechre influenced way, it's worth a stream http://shop.conditional.club/album/local-maxima

Edited May 11, 2018 by taphead

[Draft78]

^^ !!Finally someone who pulls out balls!!

Edited May 11, 2018 by AE35unit

[jaderpansen]

Parmegiani

 

https://www.discogs.com/de/Bernard-Parmegiani-L%C5%92uvre-Musicale-En-12-CD/release/1289349

 

i never leave the house without it.

This guy William Fields, who actually posted in EKT for a bit in 2015 from the looks of it, just came out with this EP on Conditional and it's pretty wild in an Autechre influenced way, it's worth a stream http://shop.conditional.club/album/local-maxima

 

that's pretty wicked actually.

[xox]

This guy William Fields, who actually posted in EKT for a bit in 2015 from the looks of it, just came out with this EP on Conditional and it's pretty wild in an Autechre influenced way, it's worth a stream http://shop.conditional.club/album/local-maxima

 

these tracks are under 30 min long = not ae in any form or shape

[Turbo Zwanengestuif]

[Pholant]

This is nice...but not really on the AE side...

However, this is PURE Oval / Microstoria style:

[Turbo Zwanengestuif]

 

Those who loved Oversteps should enjoy this guys work.

It is emergent/generative music from a network of programed nodes.

 

https://shawnbell.bandcamp.com/

Nice one, I've talked to this guy a few years ago via SC messenger.

It was when I was collecting all the one-off Mark Fell tracks. He features on a compilation with Fell: https://www.discogs.com/Various-Digital-Space/release/880654

 

I was suitably impressed with that track to seek him out and ask him if I could get a digital copy of 'Voices from the Edge of Chaos' from him. He's a very nice and approachable man.

And yeah those Networks albums are fucking lush

I am hooked by the first listen. Will explore more of his music for sure. Edited May 19, 2018 by Zantman

[Turbo Zwanengestuif]

This is nice...but not really on the AE side...

However, this is PURE Oval / Microstoria style:

https://www.youtube.com/watch?v=vRvbg62zX3w

https://www.youtube.com/watch?v=cqs0VCAhKzk

https://youtu.be/EzNidw2GapA

https://www.youtube.com/watch?v=wUalcDWxGpo

Will play it again tomorrow :)

[dingformung]

[Draft78]

Recently, in Florence, I met this guy (boy è per i bambini) (Leonardo Barbadoro), who has been working from many years on a project where he is composing a work entirely played by "robots" (real digitally acoustic controlled instruments but I think the name of the Logos Foundation is not new to anyone). The songs have a structure so unpredictable and polyrhythmics, which immediately made me think of the cover of Cfern played by Alarm Will Sound. Since the recording is still in progress, there are no songs on the net, but if you listen to the music that accompanies the video I found on the project page, you can get an idea:

https://kck.st/2wWMQgQ 

I must say, however, that the pieces I had the pleasure of listening to, are rhytmically more abstract and recklessly than this specific example, founded essentially on a crescendo.

[Draft78]

Recently, in Florence, I met this guy (boy è per i bambini) (Leonardo Barbadoro), who has been working from many years on a project where he is composing a work entirely played by "robots" (real digitally acoustic controlled instruments but I think the name of the Logos Foundation is not new to anyone). The songs have a structure so unpredictable and polyrhythmics, which immediately made me think of the cover of Cfern played by Alarm Will Sound. Since the recording is still in progress, there are no songs on the net, but if you listen to the music that accompanies the video I found on the project page, you can get an idea:

https://kck.st/2wWMQgQ

I must say, however, that the pieces I had the pleasure of listening to, are rhytmically more abstract and recklessly than this specific example, founded essentially on a crescendo.

for reasons known only to intangible goods of technology, in the post is finished a sentence in Italian without any relevance: "boy è per i bambini" !?

It is a pleasure to discover that the first traces of free will of computers appear as a principle of senile dementia...

[Draft78]

the seventies never cease to surprise for the spiers of modernity that arrive in 2018 as if they had just appeared.

  As an enthusiast of experimental animation (Czech Republic and Hungary have given us the most penetrating authors: Jan Svankmajer, Ferenc Rofusz, Jiri Barta , Jankovics Marcell...) I wondered how it was possible that, until today, I had never heard of Piotr Kamler  (Polish).

 

  What is most surprising, looking at Piotr Kamler works, is the attention to the soundtrack, which transforms the relative static nature of the images into an alienating journey with obscurely metaphorical implications. So I went to investigate, and I find that, from time to time, the sound was treated by an electronics giant... some examples:

Delicious Catastrophe  (Robert Cohen Solal)

La Pas (B. Parmegiani)

Chronopolis (here, Luc Ferrari, overcame himself, with a balance between melody and soundeign. The opening song reminds me, in some way, Rpeg, enriched by slowdowns and aleatory jokes)

 

Luc Ferrari's soundtrack work has been entirely published : Luc Ferrari Complete Music For Films 1960 - 1984

 

I also point out this finding with Parmegiani at work: https://blogthehum.wordpress.com/2017/05/20/bernard-parmegianis-lecran-transparent-the-transparent-screen-1973/

[Draft78]

for confusing reasons related to different fonts, I wrote the post on Barbadoro's "Musica Automata" in white ... I realized, right now, that if it is displayed without logging in, the white font stands out against the white background: in other words, it is not possible reads nothing.

I place the same text below, inviting the administrator to cancel the previous ones, to avoid redundancy:

 

Recently, in Florence, I met this guy (Leonardo Barbadoro), who has been working from many years on a project where he is composing a work entirely played by "robots" (real digitally acoustic controlled instruments... but i think that tha name of Logos Foundation it's not new here). The songs have a structure so unpredictable and polyrhythmics, which made me think of the cover of Cfern. If the recording is still in progress, there are no songs on the net, but if you listen to the music that accompanies the video, you can definitely get an idea: https://kck.st/2wWMQgQI must say, anyway, that the pieces I had the pleasure of listening to, are rhytmically more abstract and recklessly than this specific example, founded essentially on a crescendo.... 

[Pholant]

You, all "All End" lovers...try this one, coming from Iran. Fantastic romantic ambient/noise:

https://midirarecords.bandcamp.com/album/downfall

[Blir]

Not sure it really compares to All End, but sounds great anyway. Nice recommendation!

[atypic]

https://forum.watmm.com/topic/95409-tsrono-alluvial-and-ripari/

[Spamlet]

Not sure where I stumbled upon this, thought it might've been this thread but seems not

 

https://plumus-nanonum.bandcamp.com/

 

edit: nvm it was totally this thread (had to search "vimeo" instead of the artist's name) - still great though

Edited July 3, 2018 by Spamlet

[Pholant]

The new Alphaxone album, from Iran again, for emotional ambient lovers:

[jellyrajah]

[auxien]

Not sure where I stumbled upon this, thought it might've been this thread but seems not

 

https://plumus-nanonum.bandcamp.com/

 

edit: nvm it was totally this thread (had to search "vimeo" instead of the artist's name) - still great though

I might've mentioned it ITT, it's a great little release. 

 

Gotta listen to this whole thing. 

 

That track is nice, the newer release from them June on their Bandcamp page is much more BOC with maybe a bit of Plaid though.

 

 

https://forum.watmm.com/topic/95409-tsrono-alluvial-and-ripari/

 

   

 

I've probably brought this up at some point too, but kvitnu.com is worth checking out. Mostly mentioning it because I just saw they're running a good sale for a few weeks. I'd recommend Plaster and Matter, but there's lots of interesting stuff on the label for lots of different tastes. More towards dark/ambient/noise than straight 'like Autechre' but many here might dig around and find some cool stuff. Good size back catalog if you've not browsed through it.

[Chabraendeky]

I just realize that Amber had a huge impact on ISAN. Similar like Chiastic Slide on Funkstörung...