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the second half of all of these are incredible. much more variation, beat heavy and dark and sinister as fuck!

Totally agree, there are some dark turns indeed, tearing at the fabric of space and time for sure.

 

Krems rocks

Without hearing Katowice yet I would have to say that Krems hit me the hardest, even the fades to silence rock.

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the second half of all of these are incredible. much more variation, beat heavy and dark and sinister as fuck!

Totally agree, there are some dark turns indeed, tearing at the fabric of space and time for sure.

 

Agreed. Agreed.

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the second half of all of these are incredible. much more variation, beat heavy and dark and sinister as fuck!

Yeah, to me the beginning of each set is a little underwhelming, but then by the time that massive sidechained trance pad comes in I'm like "hooooooly shit", and then everything after halfway just gets RIDICULOUS

Edited by modey
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Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

:ohmy:

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Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

:ohmy:

Good find.

 

The similarities are too many to be by coincidence!

Edited by StephenG
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Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

:ohmy:

Good find.

 

The similarities are too many to be by coincidence!

 

And this one is apparently by him also?

 

https://c1.staticflickr.com/9/8326/8425267645_0bf03e37dd_b.jpg

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Yeah, to me the beginning of each set is a little underwhelming...

 

At first I thought this too but after few listens I changed my mind. I really enjoy first 7 minutes (or so) in Krakow. Some really exciting moments for me. Can't comment about other sets yet as I really try to take time with each Ae's release.

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Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

:ohmy:

Good find.

 

The similarities are too many to be by coincidence!

 

And this one is apparently by him also?

 

https://c1.staticflickr.com/9/8326/8425267645_0bf03e37dd_b.jpg

 

WOAHH!!

And I'm pretty sure, when they will put out all live, each of these graphics will prove to be only a piece of a larger mosaic.

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Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

:ohmy:

 

Nice find! Also this:

 

https://en.wikipedia.org/wiki/Truchet_tiles

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Dunno if this has been mentioned already but I came across this piece by François Morellet which really reminds me of the AE_LIVE artwork... Répartition aléatoire de triangles suivant les chiffres pairs et impairs d'un annuaire de téléphone, 1958 (which seems to translate as "Randomized triangles next to odd and even numbers of a phone directory").

http://a403.idata.over-blog.com/5/05/81/04/13-14/art-et-maths/morellet-_-repartition-aleatoire-des-chiffres-pa-copie-1.jpg

 

And this! "For Morellet, a work of art refers only to itself. His titles are generally sophisticated, show some word play, and describe the "constraints" or "rules" that he used to create them. Like other contemporary artists who use constraints and chance (or the aleatory) in their works (John Cage in music, the Oulipo group in literature), Morellet uses rules and constraints established in advance to guide the creation of his works, and he also allows chance to play a role in some of his compositions"

https://en.wikipedia.org/wiki/Fran%C3%A7ois_Morellet

:ohmy:

 

Nice find! Also this:

 

https://en.wikipedia.org/wiki/Truchet_tiles

 

 

Also this:

http://10print.org/

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ah mixlr is a good idea!

thought of just agreeing on a time and then everyone would hit play simultaneously, but this allows for no break..

the mixlr host would have to guarantee full 9 hour availability.

(personally I don't have time right now gotta work)

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mebbe

we should do a watmm listening session where we all listen to all the sets in chronological order

whoever chickens out is NOT AN FAN

 

ADHD here, can't do it. Not a fan, I know...

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It was the second of the new batch I've listened to, jules. And it is insane. The other so far was Katowice and I think it's my preference of the new ones...but I've still got three to go :w00t:

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