may be rude Posted April 13, 2020 Share Posted April 13, 2020 (edited) this is perfect for the new form of tai chi i am developing Edited April 13, 2020 by very honest 1 Link to comment Share on other sites More sharing options...
Stock Posted April 13, 2020 Share Posted April 13, 2020 2 hours ago, Rotwang said: Damn the Zagreb set is great. Not listened to any of the others yet, going to do my usual thing of familiarising myself with each set before moving onto the next one so that the differences are more surprising. I listened to Zagreb this afternoon and it's my favorite of the batch for now. Such a great pacing, and the hard-hitting parts hit even harder !! I still have to listen to Helsinki though. Link to comment Share on other sites More sharing options...
AnwarAutokino Posted April 13, 2020 Share Posted April 13, 2020 lol, in the Helsinki set, around 35:30 when that crazy breakbeat-y bit really gets going, there's this repeated bongo-type sound that sounds an awful lot like the one used in the Apache break (the one on the 2nd beat of each bar). the level of detail in these sets is absolutely nuts! can't wait to dive in further and find more of those funny bits 1 Link to comment Share on other sites More sharing options...
Username Posted April 14, 2020 Share Posted April 14, 2020 That emotional melody that forms out of the chaos at 55:30 min on Dublin. This is the kind of stuff that keeps me coming back for more. If this is what longform seated AE shows give us, can we just do that from now on? It's not like you can't dance in a seat. 2 Link to comment Share on other sites More sharing options...
Nenlow66 Posted April 15, 2020 Share Posted April 15, 2020 1 hour ago, Username said: That emotional melody that forms out of the chaos at 55:30 min on Dublin. This is the kind of stuff that keeps me coming back for more. If this is what longform seated AE shows give us, can we just do that from now on? It's not like you can't dance in a seat. Great little section there: Pretty sure it’s only in the Dublin set (?) Link to comment Share on other sites More sharing options...
xox Posted April 15, 2020 Share Posted April 15, 2020 10 hours ago, Username said: That emotional melody that forms out of the chaos at 55:30 min on Dublin. This is the kind of stuff that keeps me coming back for more. If this is what longform seated AE shows give us, can we just do that from now on? It's not like you can't dance in a seat. Soooo beautiful and warm! Link to comment Share on other sites More sharing options...
NewSchoolScience Posted April 15, 2020 Share Posted April 15, 2020 On 4/13/2020 at 9:35 AM, Soloman Tump said: Someone get on the hotline to Shane Shane pls Link to comment Share on other sites More sharing options...
mushroom Posted April 16, 2020 Share Posted April 16, 2020 listened to nijmegen while playing a game of Go and won. Coincidence? 1 Link to comment Share on other sites More sharing options...
markedone Posted April 16, 2020 Share Posted April 16, 2020 3 minutes ago, mushroom said: listened to nijmegen while playing a game of Go and won. Coincidence? i would think not. thx ae. bout to give m'bourne a go Link to comment Share on other sites More sharing options...
may be rude Posted April 16, 2020 Share Posted April 16, 2020 (edited) seems like hour-long compositions, as opposed to solutions to the what to play live question. like it seems like they wanted to do some long-form pieces and it just happened to be a good idea to use for live shows. great composition. some kind of autechrean pinnacle. sounds great on monitors. Edited April 16, 2020 by very honest 2 Link to comment Share on other sites More sharing options...
EXTRASUPER81 Posted April 20, 2020 Share Posted April 20, 2020 I have been mostly listening to Melbourne so far, mainly out on walks at dusk. A couple of standouts for me: Around 21:40 this harsh chord comes in, then proceeds to splinter off for like the next minute or so. The Column Thirteen bit is Lush. Also notably there is very little in the set that sounds anything close to what anyone would think of as a traditional snare sound. Even in the higher energy parts, fairly drums free at least relative to other sets I listened to yet. Link to comment Share on other sites More sharing options...
Schlitze Posted April 20, 2020 Share Posted April 20, 2020 Get jules off this subforum..so cringy, naff and embarrassing, like a 50 year old college jock that missed the last 33 semesters. ''hey thanks man''' 'awesome dude... thanks'..."Oh man, I agree that was a great track" Did Mike Judge base the character Butthead on this lame ass? Sure as hell looks like him. Absolute goofball. So sick of his grovelling and trying to inspire chat with his limited ability. So damn desperate to stay young. Link to comment Share on other sites More sharing options...
Ivan Ooze Posted April 20, 2020 Share Posted April 20, 2020 Schlitze and Jules 1 Link to comment Share on other sites More sharing options...
auxien Posted April 20, 2020 Share Posted April 20, 2020 On 4/16/2020 at 2:00 PM, very honest said: seems like hour-long compositions, as opposed to solutions to the what to play live question. like it seems like they wanted to do some long-form pieces and it just happened to be a good idea to use for live shows. great composition. some kind of autechrean pinnacle. sounds great on monitors. seems quite the opposite to me, that they're trying to fill up an hour or so with interesting and changing bits and pieces that allow for live manipulation and such with many pieces they could jump to given the room and their mood and so forth.... and many of the live bits actually of course morphed into full length 'tracks' of their own. especially given they obviously don't have qualms releasing actual hour(ish) long compositions. agree that the AE_LIVE stuff is a definite pinnacle tho maybe the best thing they've ever done. Link to comment Share on other sites More sharing options...
may be rude Posted April 21, 2020 Share Posted April 21, 2020 (edited) 14 hours ago, auxien said: seems quite the opposite to me, that they're trying to fill up an hour or so with interesting and changing bits and pieces that allow for live manipulation and such with many pieces they could jump to given the room and their mood and so forth.... and many of the live bits actually of course morphed into full length 'tracks' of their own. especially given they obviously don't have qualms releasing actual hour(ish) long compositions. agree that the AE_LIVE stuff is a definite pinnacle tho maybe the best thing they've ever done. i'm still getting to know the material but i found the transitions to be natural, not wandering, and the sections seemed to be part of a whole. the original AE_LIVE composition, though it was also well composed as a whole, was more all over the place and i got less of a sense that part A was attached to a distant part B. AE_LIVE 16-18 is like an alien mafia chem lab noir. maybe it's that AE_LIVE was more aggressive or something? maybe s&b were going for more of a chill thing that flows more smoothly, here. Edited April 21, 2020 by very honest Link to comment Share on other sites More sharing options...
digit Posted April 22, 2020 Share Posted April 22, 2020 On 4/21/2020 at 4:32 AM, very honest said: alien mafia chem lab noir. this is actually the perfect description of this music. Link to comment Share on other sites More sharing options...
ignatius Posted April 23, 2020 Share Posted April 23, 2020 finally giving these a more attentive listening in the studio. these are all so good. there's much depth in these. really amazing. it's amazing how there's a beat but there's not really beat in some of this stuff. all these other things are doing the rhythmic work real sneaky like. 1 Link to comment Share on other sites More sharing options...
Entorwellian Posted April 23, 2020 Share Posted April 23, 2020 Gave a listen to 'em all. The Zagreb and Dublin ones were my favourites but I dunno but the majority onesix stuff was a bit too "musique concrete" for me. They're more formless than the latter portion of their live stuff. It sounded good in the background while doing things but it didn't grab me the way the other live shows did. Link to comment Share on other sites More sharing options...
zkom Posted April 23, 2020 Share Posted April 23, 2020 Yes, it's quite abstract and subtle for live stuff, but I like it. Me listening to this Spoiler 7 Link to comment Share on other sites More sharing options...
DyeMyBlueBlack Posted April 24, 2020 Share Posted April 24, 2020 20 hours ago, Entorwellian said: Gave a listen to 'em all. The Zagreb and Dublin ones were my favourites but I dunno but the majority onesix stuff was a bit too "musique concrete" for me. They're more formless than the latter portion of their live stuff. It sounded good in the background while doing things but it didn't grab me the way the other live shows did. Onesix didnt grab you because you used it as background music.... Do a deep listen of 'Helsinki' Link to comment Share on other sites More sharing options...
Entorwellian Posted April 24, 2020 Share Posted April 24, 2020 13 minutes ago, DyeMyBlueBlack said: Onesix didnt grab you because you used it as background music.... Do a deep listen of 'Helsinki' I will do this. Link to comment Share on other sites More sharing options...
asmartkidbcn Posted April 26, 2020 Share Posted April 26, 2020 Oslo is one the best live albums I've heard in the last 25 years, on any genre, period. Amazing, really amazing, sutile, powerful. Also lovely the Drane2 ghost at the end of the set. Honest thanks to s&r, this album has convinced and motivated me to start my own journey making music on my late 30s. Fuck. 3 Link to comment Share on other sites More sharing options...
may be rude Posted April 26, 2020 Share Posted April 26, 2020 2 Link to comment Share on other sites More sharing options...
EXTRASUPER81 Posted April 26, 2020 Share Posted April 26, 2020 (edited) On 4/24/2020 at 4:51 AM, Entorwellian said: I will do this. Yeah man deep listening is Def rewarded here, there's so much going on across the stereo field. Go out for an evening walk with a decent pair of headphones. I'm cursing my brother in law for sharing some utterly fucking dunderheaded shit on FB that I caught just before I went out to walk the dog yesterday. All the way distracted myself by thinking about all the pointless comments I could make but won't, instead of giving Dublin and the crazy twisted old chestnut trees on the walk the undivided attention they deserve. Edited April 26, 2020 by EXTRASUPER81 Link to comment Share on other sites More sharing options...
EXTRASUPER81 Posted April 26, 2020 Share Posted April 26, 2020 On 4/23/2020 at 10:51 PM, zkom said: Yes, it's quite abstract and subtle for live stuff, but I like it. Me listening to this Hide contents That's wicked. Love Moebius. Link to comment Share on other sites More sharing options...
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