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APHEX TWIN - SYRO


chim

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  • 2 weeks later...
  • 2 weeks later...

well, if it's time for reminiscenses, I remember my first immersive, focused listening of Syro --- it gave me jolts ... like something is off, not like expected ... in terms of pitches ... so I wonder if there is any analysis by someone with good ears on scales and tunings ...

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The musicians (especially the drummer) in that minipops cover are drifting too much. More rehearsal needed. Compositionally it was handled well.

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  • 3 weeks later...
  • 2 weeks later...

 

There is some silly stuff on this album. Some of it is even borderline embarrassing.

 

Do tell?

 

Philistine though I doubtless be, I would point to the ~4m breakdown bit of Piezoluminescence and honestly all but the last 30 seconds of Circlont6a. Still crisp and lush in terms of production, but disappointing and, as I say, silly insofar as tone and melody.

 

¢2.

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  • 3 weeks later...

Relistening to Syro and I heard something interesting... In 180db you can hear the synth melody saying "ONE HUNDRED EIGHTY DB" if you listen close enough

 

EDIT: Spelling and grammar

Edited by clarktrent
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There is some silly stuff on this album. Some of it is even borderline embarrassing.

 

Do tell?

 

Philistine though I doubtless be, I would point to the ~4m breakdown bit of Piezoluminescence and honestly all but the last 30 seconds of Circlont6a. Still crisp and lush in terms of production, but disappointing and, as I say, silly insofar as tone and melody.

 

¢2.

 

 

Yeah but hasn't there been silly stuff the whole way through his discography? I mean, he's always had a sense of humour; a light touch here and there. A glint in the eye, a wink and a nudge, arched eyebrow and an eye on the mainstream.

And an extra set of eyes to do all that ;)

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Fair enough. I love Windowlicker, despite the iffy second half—but that's partly because I understand it to be thoroughly tongue-in-cheek (especially given the MTV satire of the video & the similar vibe of Come to Daddy). But I don't actually get the sense that Syro is meant to be taken that way; it feels more like a serious comment on, or refinement of, a lot of trends in the bland, mainstream edm & dubstep that Marco Rubio listens to.

 

Which is fine, but a big aspect of Richard's appeal for me is his ear for melody. Some of his most minimal, uncomplicated tracks are also the most melodically hard-hitting, & he's always been great at inserting micro-bends & tweaks that can totally change what would otherwise become monotonous. I find Syro underwhelming in that respect.

 

This album seems closest in many ways to RDJ Album, which I've always had a love-hate relationship with because it's so melodically saccharine. But RDJ Album makes up for it with psychedelic weirdness like Logan Rock Witch & digital children singing about feet, arms, & ears. Syro lacks that druggy vibe, & often ends up just being sickly sweet & overly invested in the sonic-palette-du-jour (viz. the Piezoluminescence breakdown).

 

It's not smooth or inoffensive enough to be a genuine classic like the SAWs/Analord/ICBYD, not mental enough to rise to the level of Drukqs/HAB/Classics, & not weird enough to be fun as are Windowlicker/CTD/RDJ Album. It's got bits & pieces of each aesthetic, but it falls short of any of them.

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