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I finally watched Horodotory. quite good. the title deceives the viewer into thinking one thing while the ending reveals a completely other thing.

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disobedience - a woman who abandoned her british orthodox jewish community returns to attend her rabbi dad's wake and meets her friend who she lesbianed with back in teenage years, passions reignite. pretty hot on paper but besides one decent slime swap scene there wasn't anything really exciting or interesting going on. just pleasant but dull aesthetics with gentle score that replace actual content and depth. everyone already gets that religious people and their rules are fucked up, but there's a method to their madness that's still interesting to explore and to portray. besides the visuals the film didn't really bother to delve into this mode of existence, the character that stayed back doesn't pass for a deeply religious person for a second. basically film isn't bothered with that stuff and is quite content with the vapid "religious repression - bad! freedom - good!" statement.

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unsane - a woman accidentally signs up for an overnight stay at a mental health clinic but she’s not crazy. or is she? ? no, she’s not. about 25mins in one of the other patients tells her the clinic is just an insurance scam in which they keep patients in order to collect insurance money. turns out he was correct. Inexplicably, the woman’s stalker for the past two years gets hired and totally tortures and gaslights her and it’s such an improbable and unbelievable situation that the viewer starts to wonder if maybe she’s hallucinating but she’s not.

 

women aren’t crazy, always believe women/10

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unsane - a woman accidentally signs up for an overnight stay at a mental health clinic but she’s not crazy. or is she? no, she’s not. about 25mins in one of the other patients tells her the clinic is just an insurance scam in which they keep patients in order to collect insurance money. turns out he was correct. Inexplicably, the woman’s stalker for the past two years gets hired and totally tortures and gaslights her and it’s such an improbable and unbelievable situation that the viewer starts to wonder if maybe she’s hallucinating but she’s not.

 

women aren’t crazy, always believe women/10

This film was shot on an iPhone

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It looks like Terry Gilliam's new movie does exist after all

 

I can totally watch this guilt free without feeling like I want to bang Adam Driver after watching Girls. YOU HAD ME AT BAD BOY TURNS GOOD ADAM!!!

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These star Wars spin offs have really jumped the shark

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2010: The Year We Make Contact

 

Weird bastard of a sci-fi movie: it's well shoot, intriguing, engaging but at the same time a follow up o a film that, arguably, is the worst absolute worst candidate for a sequel. Add some now antiquated plot stuff (USSR still existing in 2010) and it's easy to understand why it's languished a bit legacy wise.

 

Nonetheless it's a worth a watch. Despite eviscerating the mystery of 2001 to a great degree it nonetheless follows Arthur C. Clarke's vision of the franchise (his dynamic with Kubrick is akin to Lynch and Frost in relation to the universe Twin Peaks - the vague artistry versus the fleshed out mythology). The set pieces and aesthetics alone are excellent and worth checking out. Prime example of retro-futurism porn. There's also a well-meaning science > politics theme that is presented without being too hokey and heavy-handed. Even though the cold war is long over it's still relevant. 

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Great news everyone! They're rebooting RoboCop again, Neil Blomkamp is directing, script by the Terminator 6 writer. So excited!

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2010: The Year We Make Contact

 

Weird bastard of a sci-fi movie: it's well shoot, intriguing, engaging but at the same time a follow up o a film that, arguably, is the worst absolute worst candidate for a sequel. Add some now antiquated plot stuff (USSR still existing in 2010) and it's easy to understand why it's languished a bit legacy wise.

I've seen some or all of it at some point, I remember a few moments of 'oh okay that's cool' but then definitely lots of not cool and weird/boring shit? Been a while.

Great news everyone! They're rebooting RoboCop again, Neil Blomkamp is directing, script by the Terminator 6 writer. So excited!

:nelson:

 

I watched Leviathan (1989) today. I always wanted to watch it when I was a kid cause it looked cool at Blockbuster, never have in all the years since I was a child...caught it on TV today and watched as much as I could...had to keep flipping to other channels because it was so fucking bad. Shitty mashup of Aliens/Abyss/The Thing/maybesomeotherstuff and it was just...it was fucking terrible. Wretched. No redeeming qualities. Bad writing, bad acting, bad direction, bad creatures, bad effects, bad soundtrack, bad sets and lighting, just trash. Maybe fun to watch if you're drunk with friends? Otherwise, never ever view this.

Edited by auxien
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this one's special for me. i remember seeing it with my mom when i was about 8 y/o in a cinema (there was no regard for mpaa ratings back in crumbling ussr). one particular scene, i think it was the one where the pair got conjoined, made me sick so my mom had to take me outside to vomit. there were no working bathrooms in that cinema so i remember vomiting by some tree outside. it was the only film that actually did that to me, the alien came close (which i also saw around that age) but didn't quite get the job done.

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alien would have mentally scarred me at 8. i saw a film called bladdered or something when i was 7, it had martin clunes in it and was genuinely terrible, but there was a section where a dream sequence had a woman chopping into his stomach and really cheesy organ and blood effects and it fucked me up. 

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With Terry Gilliam finally getting Quixote out, this quote may be appropriate here. Suck it Ridley.

 

"Alien is just a ghost train where something jumps out and you don’t know who’s going to die next. When I watched the first Alien, all I kept saying was, 'just kill them all and be done with it,' because you just know that they’re all going to die along the way. In the end, Sigourney Weaver, who we’ve established is a really tough military officer, is running around in her underwear trying to find a cat. Give me a f-king break. There are some great moments in it, but the shot that should’ve never been in the film is the one at the end showing the alien getting blown out of the airlock. You see the alien, and it’s just a guy in a rubber suit. Up until then, you only saw bits of the alien, and it seemed to be huge and vast and terrifying. That was so clever. It was like the shark in Jaws. I told Ridley, 'You don’t want that shot of the alien at the end. Cut it!'"

 

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With Terry Gilliam finally getting Quixote out, this quote may be appropriate here. Suck it Ridley.

 

"Alien is just a ghost train where something jumps out and you don’t know who’s going to die next. When I watched the first Alien, all I kept saying was, 'just kill them all and be done with it,' because you just know that they’re all going to die along the way. In the end, Sigourney Weaver, who we’ve established is a really tough military officer, is running around in her underwear trying to find a cat. Give me a f-king break. There are some great moments in it, but the shot that should’ve never been in the film is the one at the end showing the alien getting blown out of the airlock. You see the alien, and it’s just a guy in a rubber suit. Up until then, you only saw bits of the alien, and it seemed to be huge and vast and terrifying. That was so clever. It was like the shark in Jaws. I told Ridley, 'You don’t want that shot of the alien at the end. Cut it!'"

 

 

 

an extremely glass houses situation

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